Death decides to take a holiday from his usual business to see what it is like to be a mortal. Posing as Prince Sirki, he spends 3 days with Duke Lambert and his guests at his dukal estate.... See full summary »
Frisco Jenny was orphaned by the 1906 earthquake and fire and has become the madame of a prosperous bawdy house. She puts her son up for adoption and he rises to prominence as district ... See full summary »
William A. Wellman
Helen Jerome Eddy
A young woman is on trial for murder. In flashback, we learn of her struggles to overcome poverty as a teenager -- a mistaken arrest and prison term for shoplifting and lack of employment ... See full summary »
Torch singer Joan Gordon, tiring of her relationship with small-time hood and racketeer Eddie Fields, flees to Montreal and becomes the mail-order bride of down-to-earth farmer Jim Gilson. ... See full summary »
William A. Wellman
When the romance between radio-singer Eddie Blake and Bessie Dunn goes sour through a series of misunderstanding, Bessie packs to take a week-end trip with the station boss,Stephen Barclay,... See full summary »
Shortly before the curtain goes up the first time at the latest performance of Earl Carroll's Vanities, someone is attempting to injure the leading lady Ann Ware, who wants to marry leading man Eric Lander. Stage manager in charge Jack Ellery calls in his friend, policeman Bill Murdock, to help him investigate. Bill thinks Jack if offering to let him see the show from an unusual view point, after he forgot to get him tickets for the performance, but then they find the corpse of a murdered women. Bill suspects Eric of the crime, especially, after the second female lead Rita Ross told him she saw the women leaving from Eric's room. Then Rita is shot onstage with Eric's gun. Jack and Bill decide not to stop the show, but Bill preparing to arrest Eric. Is he on the right track ? Written by
Stephan Eichenberg <firstname.lastname@example.org>
Many of the Earl Carroll Girls featured in the film were authentic cast members from Carroll's stage show which ran from September 12th to November, 1933, at the New Amsterdam Theatre, and at the Majestic Theatre from November 6th, 1933 to March 10th, 1934. These cast members were brought out to Hollywood from New York especially for this film, and many stayed to pursue film careers. See more »
A door to a dressing room is slammed, shattering a good portion of the mirror attached to the door. A moment later, when the door is opened, the breakage has changed so that part of the mirror is restored. See more »
Say, Rita, come here a minute, will you? There's a fellow out here that used to go to school with you.
There's a catch in it somewhere. I never went to school.
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Thus sumptuous Paramount art deco musical is almost a definitive pre code extravaganza and is on per with WONDERBAR and FASHIONS OF 1934 and TOP HAT as the glittering perfection of code- cusp risqué showgirl and nightclub sophisticated sexiness. Made at Paramount in late 1933 and clearly designed to outshine the WB Busby Berkeley extravaganzas, this one does it with nude showgirls, drug references, weapons, a slinky killer, murder in the ceiling and dripping blood, and big stage show numbers all crammed over the orchestra pit on the opening night of a big Broadway show. I was reminded of almost every Busby Berkeley film but clearly on a lower budget with the difference being made up by having spectacular costumes. In color this film would be an enduring musical of its time. In gorgeous B&W it still rates but one can see how colorful the costumes are even in monochrome. One startling song SWEET MARIJUANA manages the unparalleled feat of including nudity drugs murder and blood all on screen during the tune. There is a hilarious and nutty island mermaid number and a fantastic and simple art deco staging of COCKTAILS FOR TWO. This film clearly influenced THE GREAT ZIEGFELD made at MGM in 1936.
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