A.K.A., Call it Murder. Humphrey Bogart had only a bit part in this film.

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(as Chester Erskin)

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(play), (play)
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Cast

Complete credited cast:
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Joe Biggers (as Lynn Overman)
Katherine Wilson ...
Richard Whorf ...
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Moffat Johnston ...
Dist. Atty. Plunkett (as Moffat Johnson)
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Ingersoll (as Henry O'Neil)
Helen Flint ...
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Storyline

A.K.A., Call it Murder. Humphrey Bogart had only a bit part in this film.

Plot Summary | Add Synopsis

Plot Keywords:

time in title | based on play | See All (2) »


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Details

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Release Date:

7 March 1934 (USA)  »

Also Known As:

Call It Murder  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Wide Range Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

An independent production, release was being considered through RKO Radio Pictures before deal made to release through Universal. See more »

Quotes

[first lines]
Ethel Saxon: You see, I loved him. I mean I loved him when... when he didn't love me anymore, day in and day out watching him get further and further away from me. I could see in his eyes when he looked at me... I could see he hated me, hated me because I needed him. Oh, I was so frightened, so mixed up. It's so horrible to see someone who's become part of you slipping away, slowly. To feel helpless and empty, lonely and frantic, wanting to do something, anything, anything to bring him back! To...
[...]
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Connections

Referenced in Queer as Folk: Liberty Ride (2004) See more »

Soundtracks

Nola
(uncredited)
Music by Felix Arndt
Played on the radio as Nolan is demonstrating the set to Joe.
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User Reviews

 
Early Bogart bit part
23 July 2005 | by (United Kingdom) – See all my reviews

This early Bogart movie is only available on DVD/video in a reissue print entitled "Call it Murder". This print lists Bogart above the title instead of 8th in the cast as in the original release, and was obviously resurrected to cash in on Bogart's post 1930's fame. He is adequate in a small part, but the film is a slow-moving filming of a 1930 play that is interesting enough as a moral melodrama, but also mercifully short. The interest lies in the sequences in the courtroom and death chamber, which eschew the stage-bound grouping, and ponderous delivery of the body of the film, and uses the camera in an imaginative and cinematic way. Worth a look as a 30's melodrama, but don't expect a Bogart movie.


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