Mickey is stranded on an island. He runs into some cannibals who are about to cook a fellow cannibal. Mickey scares them off and makes friends with the cannibal whom he calls Friday. ... See full summary »
Mickey, Donald and Goofy are fire fighters. As you might expect, their attempts at fighting a boarding house fire are not particularly effective. They hear Clarabelle singing in the bathtub... See full summary »
Mickey gets a package from Australia: a kangaroo, complete with boxing gloves. The 'roo moves into Pluto's brand new doghouse, much to his annoyance (which we actually hear voiced). Mickey ... See full summary »
To the tune "I Would Like to Be a Bird," a young mouse fashions wings from a pair of leaves, to the great amusement of his brothers when his attempts to use them fail. When the butterfly he... See full summary »
Mickey is looking after the orphans. He tells them the story of Gulliver (with Mickey in that role) in Lilliput, though without the satire and bawdy bits. The story ends with Mickey fighting a giant spider, about twice his size.
MICKEY'S STEAMROLLER creates havoc when commandeered by his two infant nephews, Ferdy & Morty.
Good animation and a lively storyline help fuel this little black & white film, which features the only screen appearance by the dreadful duo, Ferdy & Morty. Considering the devastation caused by the runaway steamroller, why is Mickey still smiling at the end of the cartoon? The Mouse's squeaky voice is supplied by Walt Disney.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
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