The small kingdom of Marshovia has a little problem. The main tax-payer, the wealthy widow Sonia (who pays 52 0f the taxes) has left for Paris So Count Danilo is sent to Paris, to stop her ... See full summary »
A musical revue that basically has Paramount stars and contract-players doing things some had never done on screen, and wouldn't again; such as Ruth Chatteron , in a French-café setting ... See full summary »
Country orphan Lily goes to Berlin to stay with her tippling aunt, and soon meets Richard, handsome sculptor across the street. Persuaded half-reluctantly to pose for Richard, her physical ... See full summary »
Professor Stock and his wife Mizzi are always bickering. Mizzi tries to seduce Dr. Franz Braun, the new husband of her good friend Charlotte. Dr. Braun's colleague, Dr. Mueller, who has had... See full summary »
Anna Zador is a secretary who's been working for 6 years at Count Willie Palaffi's bank. Every day, she rides to work on her bike and places flowers on Willie's desk, but Willie (the ... See full summary »
W.S. Van Dyke,
Roy Del Ruth
Edward Everett Horton
The small kingdom of Marshovia has a little problem. The main tax-payer, the wealthy widow Sonia (who pays 52 0f the taxes) has left for Paris So Count Danilo is sent to Paris, to stop her from getting married by a stranger, so that the danger of removing the money is banned. But this is not that easy as the ambassador in Paris has planned. Written by
Stephan Eichenberg <email@example.com>
With the financial failure of the film, Maurice Chevalier did not move on to better, more ambitious roles at MGM. The only parts Irving Thalberg offered him were more Gallic charmers, first in The Chocolate Soldier (1941), then in Her Cardboard Lover (1942). The former would have finally paired him with Grace Moore, who had moved to Columbia Pictures and scored a hit in One Night of Love (1934), but Chevalier wanted to return to France. When Thalberg informed him that in order to borrow Moore from Columbia he had had to promise her top billing, a clear violation of Chevalier's contract, the French star claimed breach of contract and left. After only one more film in the U.S. (Folies Bergère de Paris (1935)), he returned to France until after World War II. See more »
This is why Hollywood use the expression "The Lubitsch Touch". Almost every film made by that most delightful of directors was sprightly and hilarious and sexy, and this is one of his most delightful. It's the best version filmed.
Maurice Chevalier is of course just as attractive as a man can be, and Jeanette MacDonald is wonderfully funny and sexy (why oh why did she ever team up with Nelson "The Singing Capon" Eddy? With Chevalier she was enchanting, with Eddy you wanted to slap her), and the supporting cast is delightful. Wonderful script, wonderful score, fabulous thirties-period costumes, all in all a delight.
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