The small kingdom of Marshovia has a little problem. The main tax-payer, the wealthy widow Sonia (who pays 52 0f the taxes) has left for Paris So Count Danilo is sent to Paris, to stop her ...
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The small kingdom of Marshovia has a little problem. The main tax-payer, the wealthy widow Sonia (who pays 52 0f the taxes) has left for Paris So Count Danilo is sent to Paris, to stop her from getting married by a stranger, so that the danger of removing the money is banned. But this is not that easy as the ambassador in Paris has planned. Written by
Stephan Eichenberg <firstname.lastname@example.org>
Because the contracts of Richard Rodgers and Lorenz Hart contained a clause stating they were a team, they both got on-screen credit for the lyrics of the songs, even though only Hart wrote them. See more »
This film is nothing short of glorious. Before films decided they had to be realistic they had style, and Lubitsch was the style king. Everything about this film is sumptuous and beautiful, and the Oscar winning art direction of Cedric Gibbons and Fredric Hope is truly magnificent. Not bad either are the gowns of Adrian.
MacDonald and Chevalier are excellent together, there is great support from Edward Everett Horton - and who will ever forget the magic scenes between Chevalier and the king and the queen - irresitably played by Una Merkel and George Barbier. The script is witty and a little naughty ("I know what to do with her but I'm too old"), the cinematography breath-taking and the music gorgeous.
But the star of the show is Lubitsch - the mass waltz scene is magnificent, the depiction of MacDonald's mourning clothes (all black - even the dog!) and their transformation into white is astonishing and, just when you think the plot is running out of steam, he gives us an hilarious ending that is unforgettable.
If you ever get a chance to see this on the big screen, run don't walk to the cinema. A perfect 10.
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