The small kingdom of Marshovia has a little problem. The main tax-payer, the wealthy widow Sonia (who pays 52 0f the taxes) has left for Paris So Count Danilo is sent to Paris, to stop her ...
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The small kingdom of Marshovia has a little problem. The main tax-payer, the wealthy widow Sonia (who pays 52 0f the taxes) has left for Paris So Count Danilo is sent to Paris, to stop her from getting married by a stranger, so that the danger of removing the money is banned. But this is not that easy as the ambassador in Paris has planned. Written by
Stephan Eichenberg <firstname.lastname@example.org>
Censors from the film industry's Production Code Administration objected to a scene at Maxim's in which Danilo carries Sonia to a couch, drops her there and then sits beside her. They only passed the scene when the stars managed to contort their bodies so she could keep both feet on the floor. That taken care of, PCA head Joseph Breen passed the film. See more »
MGM's second version of 'The Merry Widow', this time using the music of Lehar's operetta and starring Jeanette MacDonald and Maurice Chevalier in the roles previously filled by Mae Murray and John Gilbert in the silent movie.
Jeanette MacDonald is a revelation here if you've only seen her in the films which teamed her with Nelson Eddy from 1935 and 1942. Her Sonia is sparky, flirty, and naughty, and naturally in beautiful voice as ever. Maurice Chevalier brings his considerable Gallic charm to the role of Count Danillo, while familiar character faces of the period flesh out the supporting cast (Edward Everett Horton, Donald Meek, Una Merkel, Sterling Holloway).
The film looks sumptuous, with beautiful sets and striking black and white photography. Definitely one of the key musicals of the 1930s.
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