The small kingdom of Marshovia has a little problem. The main tax-payer, the wealthy widow Sonia (who pays 52 0f the taxes) has left for Paris So Count Danilo is sent to Paris, to stop her ...
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The small kingdom of Marshovia has a little problem. The main tax-payer, the wealthy widow Sonia (who pays 52 0f the taxes) has left for Paris So Count Danilo is sent to Paris, to stop her from getting married by a stranger, so that the danger of removing the money is banned. But this is not that easy as the ambassador in Paris has planned. Written by
Stephan Eichenberg <email@example.com>
When the film premièred in New York City, Will Hays, and Catholic publisher Martin Quigley, one of the Production Code's authors, were horrified at what they considered the introduction of filth into a harmless operetta. Breen had to come to New York, where he met with MGM executives and members of the Catholic church's Legion of Decency until 2 a.m. working out cuts to tone down Count Danilo's Casanova image and the suggestion that Maxim's was a glorified brothel. Since the film had already been sent to distributors, each distribution office had to cut the prints itself before they could be sent to theatres. Fortunately, the studio kept all the cut material and the film was restored as censorship restrictions relaxed. See more »
This is why Hollywood use the expression "The Lubitsch Touch". Almost every film made by that most delightful of directors was sprightly and hilarious and sexy, and this is one of his most delightful. It's the best version filmed.
Maurice Chevalier is of course just as attractive as a man can be, and Jeanette MacDonald is wonderfully funny and sexy (why oh why did she ever team up with Nelson "The Singing Capon" Eddy? With Chevalier she was enchanting, with Eddy you wanted to slap her), and the supporting cast is delightful. Wonderful script, wonderful score, fabulous thirties-period costumes, all in all a delight.
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