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The Merry Widow (1934)

Passed | | Musical, Comedy, Romance | 2 November 1934 (USA)
The small kingdom of Marshovia has a little problem. The main tax-payer, the wealthy widow Sonia (who pays 52 0f the taxes) has left for Paris So Count Danilo is sent to Paris, to stop her ... See full summary »

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(screen play), (screen play) | 2 more credits »
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Woman and her husband take separate vacations, and she falls in love with another man.

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Operating under royal orders, a count must woo a young and wealthy widow in order to save a kingdom from bankruptcy.

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Cast

Complete credited cast:
...
...
...
Una Merkel ...
Queen
George Barbier ...
King
Minna Gombell ...
Marcelle
Ruth Channing ...
Lulu
...
Orderly
...
Valet
Herman Bing ...
Zizipoff
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Storyline

The small kingdom of Marshovia has a little problem. The main tax-payer, the wealthy widow Sonia (who pays 52 0f the taxes) has left for Paris So Count Danilo is sent to Paris, to stop her from getting married by a stranger, so that the danger of removing the money is banned. But this is not that easy as the ambassador in Paris has planned. Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

Plot Summary | Add Synopsis

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Let Joy be Unconfined! See more »


Certificate:

Passed | See all certifications »
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Details

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Release Date:

2 November 1934 (USA)  »

Also Known As:

La viuda alegre  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

A French-language version was filmed simultaneously, with Chevalier and MacDonald in the starring roles. (As a trained opera singer, MacDonald spoke and sang excellent French.) However, the rest of the cast was replaced with French-speaking actors. Marcel Vallée played the Ambassador (who is played by Edward Everett Horton in the English version). See more »

Quotes

Queen Dolores: Put Gabrielovitsch and Sienkovitsch together, and what have you got? Gabrielovitsch and Sienkovitsch.
See more »

Connections

Version of La veuve joyeuse (1935) See more »

Soundtracks

The Merry Widow Waltz
(1905) (uncredited)
Music by Franz Lehár
Lyrics by Lorenz Hart
Sung by Jeanette MacDonald
Danced by Jeanette MacDonald, Maurice Chevalier and chorus
See more »

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User Reviews

 
Let's go to Maxim's
1 August 2005 | by (New York) – See all my reviews

The great Ernst Lubitsch clearly understood the material in which "The Merry Widow" was based. Being European himself, he clearly identified with this delightful Franz Lehar operetta that had been charming audiences throughout the years. Mr. Lubitsch places the action in the small country of Marshovia, in central Europe. The director had an eye for the great spectacle he presents for us. Mr. Lubitsch greatest achievement is that he seems to have his camera waltzing all the time. The result is an amazing triumph for MGM.

In fact, the glorious sets one admires in the film are breathtaking. For a film made in 1934, the art directors, Cedric Gibbons and Gabriel Scognamillo recreate the royal palace of Marshovia in amazing detail, as well as the Paris scenes with an elegance and good taste that shows the resources of the studio that didn't spare anything. The black and white cinematography of Oliver Marsh enhances the Lubitsch style. Adrian's gowns look luxurious and the editing of the film by Francis Marsh give the film continuity without ever making the action appear forced or staged.

The pairing of Maurice Chevalier and Jeanette MacDonald was an match that seems to have been made in haven. Both actors are a delight to see. Mr. Chevalier with his French accent and mannerisms make his Count Danilo the charmer he is. The beautiful Ms. MacDonald is mysterious at first, when we meet her, then as she has fallen in love, changes her attitude and realizes Danilo is the man for her.

The secondary roles are played with great panache by the genial Edward Everett Horton, who as the ambassador to Paris, is under orders to have Sonia, the wealthy woman, accept Danilo and return to Marshovia with all her money. George Barber plays the King Achmed and the incomparable Una Merkel is seen as Queen Dolores.

The Merry Widow waltz received a great production number in which about a hundred couples are seen dancing around Sonia and Danilo, first in white tuxedos and gowns and later in black ones. Later all the couples are mixed together creating such a rich moment. By today's standards that sequence couldn't have been done, or it must have cost a fortune, or perhaps would have digitally mastered in order not to pay dancers to appear dancing in the movie.

Let's just be thankful there was a man with a vision, Ernst Lubitsch, and let's be grateful for his vision and his legacy.


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