7.9/10
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8 user 2 critic

Masquerade in Vienna (1934)

Maskerade (original title)
Vienna 1905: After a carnival party the famous painter Heidenick draws his otherwise engaged girlfriend Anita Helfer with very few clothes on, only blurs her face. The image makes it into ... See full summary »

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1 nomination. See more awards »
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Cast

Complete credited cast:
...
...
Der Zeichner Heideneck (as Adolf Wohlbrück)
Peter Petersen ...
Professor Carl Ludwig Harrandt
Walter Janssen ...
Paul Harrandt, Hofopernkapellmeister
Olga Tschechowa ...
Anita Keller - seine Braut
Hilde von Stolz ...
Gerda - die Frau des Professors
Julia Serda ...
Die Fürstin M. (as Julie Serda-Junkermann)
...
Zacharias, der Gaertner
Fritz Imhoff
Rest of cast listed alphabetically:
...
(as Lisl Handl)
Grete Natzler
Wiener Philharmoniker ...
Themselves
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Storyline

Vienna 1905: After a carnival party the famous painter Heidenick draws his otherwise engaged girlfriend Anita Helfer with very few clothes on, only blurs her face. The image makes it into the newspaper the next day - but since he can't tell the model's name without offending her influential fiancée, he comes up with the fictional name Leopoldine Dur. Unfortunately there is a secretary with that name, who now gets into the focus of high society - and into Heidenick's, much to Anita's anger. Written by Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>

Plot Summary | Add Synopsis

Genres:

Comedy | Romance

Certificate:

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Details

Country:

Language:

Release Date:

25 January 1937 (USA)  »

Also Known As:

Mascarada  »

Filming Locations:


Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Tobis-Klangfilm)

Aspect Ratio:

1.37 : 1
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Did You Know?

Connections

Remade as Escapade (1935) See more »

Soundtracks

Mazurka
from "Coppelia"
Composed by Léo Delibes
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User Reviews

 
I seen thousands of rare films, this is one of the BEST
9 October 2000 | by (Culpeper, VA) – See all my reviews

I seen thousands of rare films, this is one of the BEST!

I saw this film in the mid-1980's a film archive screening of a 35mm pristine print. It had been scheduled because no one had run the print in decades and the programmer was curious. The reviews from Variety and the New York Times said this was a wonderful, sophisticated, romantic comedy but that this Austrian version had been bought so that MGM could remake the film with Myrna Loy and William Powell. Unfortunately Loy was in a contract dispute and Luise Rainer was substituted with mixed results. The German language original version hardly got any play. When I saw it with a small group of surprised film buffs a very unusual experience happened. The lights came up after the end credits were over and we rose to our feet dumb founded. Several strangers near by turned to one anther with the same question on their lips, "Is it just me, or was that the best movie we've ever seen?' Quickly the electricity zoomed around the room and it was confirmed! The rapturous talk about this film spread like wild fire. IT'S A CHARMING MASTERPIECE! Now I'm a student of Ernst Lubitsch, Frank Capra and Billy Wilder and this film should be shown again to the public where they too can celebrate this delightful film on par with the work of these masters. Lets all support classic film and the screening of movies on the big screen where they were meant to be seen. And let's all support the film archives who's job it is to find, preserve and present these forgotten wonders of early cinema. It's been almost fifteen years since I've seen this gem and I still pray everyday to see it again. I hope someday to share more of it's charm with my old friends and to make new friends by giving them the joyous experience of this buried treasure.


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