A stripper is horribly disfigured in a car accident. A brilliant scientist develops a treatment that restores her beauty and falls in love with her. To preserve her appearance the doctor ... See full summary »
Anton Giulio Majano
Nell Bowen, the spirited protege of rich Lord Mortimer, becomes interested in the conditions of notorious St. Mary's of Bethlehem Asylum (Bedlam). Encouraged by the Quaker Hannay, she tries... See full summary »
Truck is a bounty hunter who gets a job to track down a guy named Gator. When he and his partner find him, a chase ensues and Gator is killed. This makes Gator's woman, Dorinda, very angry ... See full summary »
A frustrated and talentless artist finds acclaim for a plaster covered dead cat that is mistaken as a skillful statuette. Soon the desire for more praise leads to an increasingly deadly series of works.
Don Maxwell is an ex-vaudeville ham, wanted by police, who has now found himself as the unlikely assistant to Dr. Meirschultz, a mad scientist in the business of reanimating corpses. Maxwell's gift of impersonation gets him and Meirschultz past the guards and into a morgue where they use a special serum to revive the corpse of a pretty young woman. But that's nothing. Dr. Meirschultz has a heart beating in a jar of solution and is eager to put it into a corpse that really needs it. Meirschultz gives his assistant a gun and advises him to commit suicide, so that he can put the heart in him, but Maxwell shoots and kills the scientist instead and hides the body. People will miss Meirschultz, Maxwell quickly realizes, but no one will miss his lowly assistant; and so Maxwell dons eyeglasses and a fake beard to become his onetime benefactor. The trouble is, he impersonates the mad doctor too well and goes crazy himself. Written by
Marian Constance Blackton is sometimes reported, incorrectly, as appearing in male drag as the neighbor who catches and breeds cats. She plays a female neighbor who is questioned by the detective. See more »
Various times throughout the movie, the "corpses" are visibly breathing. See more »
It was in Miersholtz' eyes when he wanted to murder me. It was in Mrs. Buckley's eyes when she wanted to murder her husband. Alice had the gleam in her eye when she wanted to find me. She'd murder me! I must get rid of her. How? Mrs. Buckley! She will help. She must help!
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For fans of wacko film making an absolute must see!
I remember the first time I sat down to watch CITIZEN KANE many years ago. That movie had the reputation of being perhaps the greatest American film of all time, and I was sure I was going to be disappointed. I wasn't. It's a brilliant piece of film making that I've enjoyed again and again over the years, and one of the few times I remember thinking that a much-hyped film had actually exceeded its publicity. Last night I had a similar experience: I watched Dwaine Esper's classic MANIAC. We may be talking about the other end of the cinematic scale here but my reaction was similar: here was a movie I'd read about for years which not only lived up to the hype but surpassed it. MANIAC is a work of demented genius. I can't remember seeing another film that was more assuredly the product of a man unhampered by matters of good taste or conventional film making technique. It's one of the most consistently watchable and entertaining features I've seen, with an atmosphere more reminiscent of an old underground movie that a Hollywood production. The over the top acting, ludicrous but somehow clever dialogue, and nightmarish imagery (raving madmen superimposed over footage from silent horror classics, way ahead of its time gratuitous nudity, people being shot up with hypodermics the size of harpoons, and a killer catfight between two ferocious and seemingly indestructible women) all combine into a unique and surreal viewing experience. And yet the most shocking thing about this movie is the flashes of actual talent it displays (albiet sparingly). The sets and photography are occasionally quite atmospheric, and some of the dialogue, if competently delivered, would have seemed quite clever and original, foreshadowing the "postmodern" exchanges of people like Tarantino. All in all a movie that defines by example the word "unique" and an experience not to be missed.
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