Orphans Edward "Blackie" Gallagher and Jim Wade are lifelong friends who take different paths in life. Blackie thrives on gambling and grows up to be a hard-nosed racketeer. Bookworm Wade becomes a D.A. vying for the Governorship. When Blackie's girlfriend Eleanor leaves him and marries the more down to earth Wade, Blackie harbors no resentment. In fact, their friendship is so strong that Blackie murders an attorney threatening to derail Wade's bid to become Governor. The morally straight Wade's last job as D.A. is to convict his friend of the murder, and send him to the electric chair. After he becomes Governor, Wade has the authority to commute Blackie's death sentence-- a decision that pits his high moral ethics against a lifelong friendship. Written by
Gary Jackson <email@example.com>
Lorenz Hart was asked to write more commercially appealing lyrics to "The Bad in Every Man" after this movie was released. The result was "Blue Moon," which was copyrighted under that title in December 1934. See more »
When having breakfast in bed, the phone on the nightstand rings, and Eleanor moves to answer it. It the next shot her hands are not in the same position, and she has to reach out again to answer the phone. See more »
Nothing like a district attorney to keep a girl in shape. You and I must have a good wrestle someday.
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With a cast like this, how can you go wrong? And the film is a delight from beginning to end. Although all the players were great, special kudos to William Powell, whose uncompromising morals cause him to lose almost everything he has. His is a gut-wrenching performance, and the scene in which he addresses the assembly with tears in his eyes to tell of his own "weakness"--wow. It's rare to see Powell in a role with so much complexity and it is a marvelous performance.
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