6.5/10
357
20 user 5 critic

The Man with Two Faces (1934)

Not Rated | | Crime, Drama | 4 August 1934 (USA)
A talented young actress seems to be under the spell of her unscrupulous, avaricious, and totally unprincipled husband.

Director:

Writers:

(screen play), (screen play) | 2 more credits »
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Airs Thu. Mar. 30, 2:30 PM on TCM

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Cast

Complete credited cast:
...
Damon Welles / Jules Chautard
...
Jessica Wells
...
Ben Weston
...
Daphne Flowers
...
Stanley Vance
...
Dr. Kendall
John Eldredge ...
Horace Barry Jones
...
Curtis
...
Hattie
...
Inspector Crane
Anton Stengel ...
Stage Manager
...
Morgue Keeper
Margaret Dale ...
Aunt Martha Temple
...
Peabody - Weston's Secretary
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Storyline

Actress Jessica Wells, sister of actor Damon Wells, is on top of her form except when her husband Vance is around. When Vance takes her to the apartment of a theatrical producer she comes home incoherent and Vance is found dead in the vanished producer's hotel suite. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

It's the most unusual picture since "Dr. Jekyll and Mr. Hyde."

Genres:

Crime | Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

4 August 1934 (USA)  »

Also Known As:

O Homem de Duas Caras  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (Turner library print)

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

One of the photos in producer Ricardo Cortez's office is that of character comedian Edward Everett Horton. See more »

Quotes

Hattie, Martha's Housekeeper: [to Vance] I'm a housekeeper, not a mouse keeper.
See more »

Connections

Remade as The Dark Tower (1943) See more »

Soundtracks

Am I Blue?
(1929) (uncredited)
Music by Harry Akst
Lyrics by Grant Clarke
Sung a cappella by Ricardo Cortez
See more »

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User Reviews

 
It's the performances
26 May 2011 | by (United States) – See all my reviews

If this film has a weak spot it's the story's details. Without giving anything away the whole idea of Vance's (Calhern) Svengali-like hypnotic effect on his wife (Astor) is a bit far-fetched, even for 1934. And quite frankly Robinson's disguise left a lot to be desired. And let's not forget the clue that clinched the policeman's case. I can't imagine building a case of such flimsy evidence. There's other areas of concern but I digress. Now for the good part: where the film shines is in the performances. This bevy of fine actors does a most excellent job at presenting complex characters driven by events not of their own choosing. It's a pretty talky film but I didn't mind in the least. The dialog is spirited, lively, expressive. And the performers tended to make me forget the plot's weak points. They were captivating, all of them, Robinson, Astor, Calhern, Cortez (in a rare good guy part), and last but not least, Mae Clarke, in my opinion a most underrated actor.


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