A British explorer in the Arctic hires a local Eskimo as an assistant. The earnest but unsophisticated young man happens to see a photograph of the explorer's beautiful daughter and falls ...
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Radio singer Glory Eden is publicized as the ideal of American womanhood, in order to sell the sponsor's product Ippsie-Wippsie Washcloths. In reality, Glory would like to at least sample ... See full summary »
A former boxing champion, now an innkeeper, is accused of stealing a watch from a party of guests at his inn, who happen to be members of English royalty. The old man is arrested and thrown... See full summary »
Douglas Fairbanks Jr.,
Vicki Meredith, an American ballet student in Paris, falls in love with Randall Williams, another American studying architecture in Paree, and they set up some light housekeeping together ... See full summary »
Gordon Evers, a dignified middle-aged barrister, is depressed and suicidal following an injury suffered during WWI. Sarah Cazenove, an antique dealer, is likewise depressed and suicidal due... See full summary »
The Woman in Room 13 is a 1932 American mystery film directed by Henry King, written by Guy Bolton and Max Marcin. Cast: Elissa Landi, Ralph Bellamy, Neil Hamilton, Myrna Loy. Released on May 15, 1932, by Fox Film Corporation.
A British explorer in the Arctic hires a local Eskimo as an assistant. The earnest but unsophisticated young man happens to see a photograph of the explorer's beautiful daughter and falls in love with her. Soon afterwards a medical emergency results in his being flown to London for treatment, where he finally meets the girl he has longed for. Written by
With the success of Robert Flaherty's NANOOK OF THE NORTH, Hollywood tried to replicate the box office by using Eskimo themes. There were two pictures named simply ESKIMO and they all had a mildly anthropological air to them.
In this one, Frances Lederer is cast as Aigo, an Eskimo hunter shlepped back to civilization by Great White Hunter Henry Stephenson and guide J. Farrel MacDonald -- still at the tail end of his starring character phase.
Between the studio-bound, albeit handsome photography of Henry Gerrard -- whose distinguished career would end with his death later in the year -- and the somewhat condescending attitude of the roughnecks who make up Stephenson's crew, the modern viewer may be offended. Do not, however, be fooled, for the film is clearly on Aigo's side. Although he is a naif in terms of Western Civilization, he shows a lot of brains and gumption, as when he devises a trap for a polar bear. Nor are the 'civilized' men immune to the effects of cultural anomie, as shown most clearly when they listen, rapt, to a program of Christmas carols from London.
Modern attitudes towards different cultures may have changed in the seventy-five years since this movie came out, but it still is a good story and the modern viewer can, if he chooses, look upon it as an anthropological record of its own, a record of how the culture of Hollywood viewed other cultures back in its heyday.
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