Bad guy Kincaid controls the local water supply and plans to do in the other ranchers. Government agent Saunders shows up undercover to do in Kincaid and win the heart of one of his victims Fay Denton.
Ted Hayden impersonates a wanted man and joins Gentry's gang only to learn later that Gentry was the one who killed his father. He saves Virginia Winters' dad's ranch from Gentry and also rescues his long-lost brother Spud.
Robert N. Bradbury
Virginia Brown Faire,
George 'Gabby' Hayes
Imprisoned for a murder he did not commit, John Brant escapes and ends up out west where, after giving the local lawmen the slip, he joins up with an outlaw gang. Brant finds out that '... See full summary »
When John Mason's father is killed, John is wounded. Attracted to his nurse Alice, a conflict arises between him and his friend Ben who plans to marry Alice. John later finds the killer of ... See full summary »
The Marshal sends John Weston to a rodeo to see if he can find out who is killing the rodeo riders who are about to win the prize money. Barton has organized the rodeo and plans to leave with all the prize money put up by the townspeople. When it appears that Weston will beat Barton's rider, he has his men prepare the same fate for him that befell the other riders. Written by
Maurice VanAuken <firstname.lastname@example.org>
This film received its initial telecasts in Detroit Tuesday 17 May 1949 on WXYZ (Channel 7), in Los Angeles Sunday 31 July 1949 on KTSL (Channel 2) and Saturday 4 March 1950 on KECA (Channel 7) and in Philadelphia Monday 5 December 1949 on WFIL (Channel 6); in New York City its earliest documented telecast occurred Monday 21 August 1950 on WOR (Channel 9). See more »
The rodeo announcer uses a megaphone throughout the event, even though loudspeakers are clearly seen in the grandstands. See more »
Before I could get either one to spill anything, the whole gang jumped me... and I had to carve myself a fast walking stick.
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Even if The Man From Utah looks like a cheap production with its spliced in scenes from a rodeo, it still is a lot of fun to watch. Having been to a rodeo the night before viewing this John Wayne western, the movie was all the more interesting for me. Those old rodeo scenes are exciting because they are real! It is also interesting to compare the calf roping techniques of seventy plus years ago to the way rodeo competitors do it today.
Looking too deep into the story shows its flaws. Flowing with the scenes as they are presented makes viewing easier. What is really missing most is the background of the character, John Weston. We know nothing about him, and for that reason it is odd that the marshal immediately hires him to go undercover at what is suspected to be a fixed rodeo. We know John Wayne is playing a good guy, but when the marshal just says he knew that John Weston is a good guy after having met him minutes before a robbery... that is a bit of a stretch. It is possible that the original story had more depth, but a little more revealing dialog about the character of John Weston would have helped the final product of this movie. At least The Man From Utah was not haphazardly edited together like The Lawless Frontier, leaving some continuity holes to ponder.
If you want to see an outstanding performance by George Hayes before he was to become known as "Windy Halliday" or "Gabby Whitaker" this is a great example. Even if Hayes did not have any more screen time than normal, he had perfected what it took to look good on screen by 1934.
In contrast, John Wayne looked good on screen, but in The Man From Utah he sometimes tripped through some of his lines. Usually this is attributed to Wayne's "delivery." Not this time. That in itself is not a bad thing. The more the an actor looked like a genuine cowboy trying to play one in a movie, the better he was liked. Wayne was working through another quickly made low budget production, and he was always improving. The Man From Utah was another stepping stone in John Wayne's path to greatness.
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