Charles 'Pittsburgh' Markham rides roughshod over his friends, his lovers, and his ideals in his trek toward financial success in the Pittsburgh steel industry, only to find himself ... See full summary »
The Mesquiteers capture a horse thief who escapes justice through a crooked judge. They gather signatures urging the governor to investigate but a friend with the petition is murdered. Stony is accused.
Pat's ability as a logging/mining camp fighter sets him up to box prizefighter Corrigan. Unknown to his supporters, he's actually in collusion with Corrigan to throw the fight - until he runs into reporter Maude.
Johnny Hanson wants to make enough money to enlarge his chicken farm. He does this through hockey. Gangsters get involved in trying to get him to throw a championship game, even lining up a woman to help steer him their way.
The Marshal sends John Weston to a rodeo to see if he can find out who is killing the rodeo riders who are about to win the prize money. Barton has organized the rodeo and plans to leave with all the prize money put up by the townspeople. When it appears that Weston will beat Barton's rider, he has his men prepare the same fate for him that befell the other riders. Written by
Maurice VanAuken <firstname.lastname@example.org>
In the bulldogging competition, the competitors are obvious 'stunt doubles'. Cheyenne's 'stunt double' is not wearing a vest, has a hat of a different style, and has a number on his back. Similarly Weston's 'stunt double' also has a hat of a different style, and has a number on his back which Weston does not. See more »
Marshal George Higgins:
It seems mighty funny to me that every time this gang organizes a rodeo, their own men win all the first prizes. When it begins to look like an outsider is going to win, he gets sick. Two or three has even died from it.
Well, you can't arrest them for that, Marshal.
Marshal George Higgins:
No, maybe not. But it's might peculiar that when these outsides fall off them top broncs, they're suffering from snakebite. I tell ya, it just ain't natural.
What do you want me to do? Get snake bit?
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At the start of this Lone Star cheapie, the Duke strays into Roy Rogers territory as he warbles in a worryingly light voice while trotting along on his trusty steed - and one can only speculate on how foolish he must have felt. Thankfully, our hero quickly becomes too involved with a crooked rodeo gang to 'entertain' us with any more serenades as he 'bulldogs' and 'Roman Rides' and does all the other things an honest cowboy has to do to get in with a gang of crooks.
Subsequent fame has given us a kinder opinion of Wayne than he probably deserves in terms of his potential in these early days. Ford saw something there, but nobody else in Hollywood did, and Wayne spent most of the 30s trudging from one no-budget potboiler to another. He's better than most of the cast in this flick, but there's little to indicate the massive star power he would one day possess - it's only his size that seems to give him a presence (and that, if truth be told, is what Wayne was - a screen presence rather than an accomplished actor).
All these flicks were padded out with interminable shots of cowboys riding very fast on their horses, and this one's no different. But in this one we're also treated to lengthy scenes of rodeo riders - which are actually more interesting than the horse-riding fillers, even though the numerous shots of men twisting steers' necks to near-impossible angles in order to floor them and prove their macho status are not pleasant to watch. And the Indians - who were rarely a feature in the Lone Star flicks - are relegated to the status of rodeo sideshow acts here.
THE MAN FROM UTAH is by no means the worst of the Lone Stars pics (of the ones I've seen, that particular wooden spoon is reserved for RANDY RIDES ALONE) although the superhuman status given to Wayne's character is a bit over the top. Probably the best from this era is THE LUCKY TEXAN, so if, for some bizarre reason, you're in a position to choose between the two, be sure to plump for the Texan.
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