IMDb > The Man Who Knew Too Much (1934)
The Man Who Knew Too Much
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The Man Who Knew Too Much (1934) More at IMDbPro »

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Overview

User Rating:
6.9/10   10,807 votes »
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Director:
Writers:
Contact:
View company contact information for The Man Who Knew Too Much on IMDbPro.
Release Date:
15 April 1935 (USA) See more »
Genre:
Tagline:
Public Enemy No. 1 of all the world... See more »
Plot:
A man and his wife receive a clue to an imminent assassination attempt, only to learn that their daughter has been kidnapped to keep them quiet. Full summary » | Full synopsis »
Awards:
2 wins See more »
User Reviews:
Peter Lorre - the Scene Stealer See more (93 total) »

Cast

  (in credits order) (verified as complete)
Leslie Banks ... Lawrence
Edna Best ... Jill

Peter Lorre ... Abbott
Frank Vosper ... Ramon
Hugh Wakefield ... Clive
Nova Pilbeam ... Betty Lawrence
Pierre Fresnay ... Louis
Cicely Oates ... Nurse Agnes
D.A. Clarke-Smith ... Binstead (as D.A.Clarke Smith)
George Curzon ... Gibson
rest of cast listed alphabetically:
Frank Atkinson ... Policeman Shot Behind Mattress (uncredited)
Betty Bascomb ... Minor Role (uncredited)
Tony De Lungo ... Hotel Manager (uncredited)
Clare Greet ... Mrs. Brockett (uncredited)
Joan Harrison ... Secretary (uncredited)
James Knight ... Police Inspector (uncredited)
Arnold Lucy ... Minor Role (uncredited)
Mitchelson-Hill ... Minor Role (uncredited)
Henry Oscar ... George Barber - Dentist (uncredited)
Charles Paton ... Shopkeeper (uncredited)
Frederick Piper ... Policeman with Rifle (uncredited)
H.G. Stoker ... Police Chief at Siege (uncredited)
Jack Vyvian ... Baker - Policeman Shot at Front Door (uncredited)
Percy Walsh ... Detective Inspector (uncredited)
Hal Walters ... Postman (uncredited)
S.J. Warmington ... Rawlings - Gang Member (uncredited)
Edward Wild ... Minor Role (uncredited)

Directed by
Alfred Hitchcock 
 
Writing credits
Charles Bennett (by) and
D.B. Wyndham-Lewis (by) (as D.B.Wyndham Lewis)

Edwin Greenwood (scenario) and
A.R. Rawlinson (scenario)

Emlyn Williams (additional dialogue)

Produced by
Ivor Montagu .... associate producer
Michael Balcon .... producer (uncredited)
 
Original Music by
Arthur Benjamin (music)
 
Cinematography by
Curt Courant (photography)
 
Film Editing by
Hugh Stewart  (as H.St.C.Stewart)
 
Art Direction by
Alfred Junge (art direction)
 
Production Management
Richard Beville .... unit production manager
 
Second Unit Director or Assistant Director
Pen Tennyson .... assistant director (uncredited)
 
Art Department
Peter Proud .... sets (uncredited)
 
Sound Department
F. McNally .... recordist (as F.McNally)
 
Visual Effects by
Albert Whitlock .... miniatures assistant (uncredited)
 
Camera and Electrical Department
Ted Lloyd .... camera operator (uncredited)
Peter Sargent .... clapper-boy (uncredited)
 
Music Department
Louis Levy .... musical director
Charles Williams .... composer: additional music (uncredited)
 
Crew verified as complete


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Additional Details

Also Known As:
Runtime:
75 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (British Acoustic Film Full Range Recording System)
Certification:
Argentina:13 | Australia:PG | Canada:PG (Ontario) | Finland:K-16 (1995) | Finland:(Banned) (1935) | Germany:12 | Sweden:(Banned) | UK:A (original rating) | UK:U (video rating) (1998) | USA:Approved (PCA #620) | USA:TV-PG (TV rating)

Did You Know?

Trivia:
The title of this film comes from the name of a book written by G.K. Chesterton.See more »
Goofs:
Continuity: During the shoot-out when Peter Lorre goes over and stands by the window, the pane closest to his right shoulder is broken; only half of it remains. The shot cuts away and then back, and now the pane is intact.See more »
Quotes:
Abbott:Tell her they may soon be leaving us. Leaving us for a long, long journey. How is it that Shakespeare says? "From which no traveler returns." Great poet.See more »
Soundtrack:
Storm Clouds CantataSee more »

FAQ

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12 out of 14 people found the following review useful.
Peter Lorre - the Scene Stealer, 2 July 2006

I must confess that I rather like this earlier version more than the definitely more polished, bigger budgeted 1956 version. Don't get me wrong, that film is a fine film too, but the lower budget, the quick pace, and the presence of Peter Lorre make this one a gem. Alfred Hitchcock, the undeniable maser of suspense, shows his early skills as a director able to create suspense and engineer circumstances that affect individuals who would normally NOT be affected by them - a Hitchcock trademark. Here we have Leslie Banks and Edna Best playing the parents of a young teen girl who has been kidnapped because her parents were the last ones spoken to by a man(a friend) at a party in a European country. Intrigue abounds, the man tells Best who then tells Banks of a note in a brush handle that alerts them to some international incident that will occur in England. Well, the kidnappers alert them of what they have done and shut them up. But through parental devotion, once in England, the father begins to hunt for his daughter. This film has all those Hitchcock trademarks that we know Hitchcock for. We have the normal person(s) put into extremely difficult and complicated situations. We have expressive camera angles. We have humour amidst taut, tense action. We have good, all-around acting. Banks, just a year or so removed from his awesome portrayal of General Zaroff in The Most Dangerous Game, gives an incredibly low-key, convincing performance as a father trying to find his daughter no matter what. He is able to inject light touches of humour here and there to make his performance all the more real. Best is adequate although a bit wooden. Hugh Wakefield as the uncle is a real hoot. Cicely Oates as a nurse is also very convincing. Peter Lorre; however, solidifies his English/American career as a heavy. Coming from a Hungarian background and not able to speak English yet, Lorre learns his part phonetically - which is all the more impressive when you see his performance as a killer with little scruples yet a generous sense of humour. Lorre conveys menace in his ever-alert eyes and his almost sugary voice. Hitchcock knows just how to use him and the climatic scene really is pulled off rather well. This movie is not very long and it is a tad creaky. It has little budget as well, but it conveys lots of action and suspense and has some very good performances. The air of conspiracy, another director's trademark touch, pervades the film almost from beginning to end.

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