A man in London tries to help a counterespionage agent. But when the agent is killed and the man stands accused, he must go on the run to both save himself and also stop a spy ring which is trying to steal top secret information.
While holidaying in Switzerland, Lawrence and his wife Jill are asked by a dying friend, Louis Bernard, to get information hidden in his room to the British Consulate. They get the information, but when they deny having it, their daughter Betty is kidnapped. It turns out that Louis was a Foreign Office spy and the information has to do with the assassination of a foreign dignitary. Having managed to trace his daughter's kidnappers back to London, Lawrence learns that the assassination will take place during a concert at the Albert Hall. It is left to Jill, however, to stop the assassination. Written by
The crucial cantata for the Albert Hall sequence was composed specifically for the film by Arthur Benjamin, and the same piece was used again in the 1956 remake. When Alfred Hitchcock remade the movie, he offered composer Bernard Herrmann the opportunity to compose a new work for the scene, but Herrmann chose not to, citing an appreciation of Benjamin's original cantata. See more »
Near the end,Peter Lorre is seen firing a German 7.62mm Mauser automatic pistol out the window and hitting a policeman holding a .303 Enfield rifle...seconds later,still at the window,he is shown holding a British Webley revolver. See more »
You know, to a man with a heart as soft as mine, there's nothing sweeter than a touching scene.
Such as a father saying goodbye to his child. Yeah, goodbye for the last time. What could be more touching than that?
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Perhaps a bit hard to watch for younger generations, but this is the superior version of the yuppie couple whose only child is kidnapped and held for ransom (remade under the same title in the 50s by the same director, Alfred Hitchcock).
The film doesn't live up to "The 39 Steps" or "The Lady Vanishes" as one of Hitch's early works, but it is a superb example of classic low-budget filmmaking at its best. Yes, the effects (like the opening ski slope run) are incredibly laughable, but hey--it was filmed on a virtually empty budget by a relatively unknown director at the time with a low-budget cast in Britain.
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