The Man Who Knew Too Much (1934)

A man and his wife receive a clue to an imminent assassination attempt, only to learn that their daughter has been kidnapped to keep them quiet.

Director:

Alfred Hitchcock

Writers:

Charles Bennett (by), D.B. Wyndham-Lewis (by),

Stars:

Leslie Banks, Edna Best, Peter Lorre

2 wins.

Cast

Complete credited cast:
Leslie Banks	...	Bob Lawrence
Edna Best	...	Jill Lawrence
Peter Lorre	...	Abbott
Frank Vosper	...	Ramon
Hugh Wakefield	...	Clive
Nova Pilbeam	...	Betty Lawrence
Pierre Fresnay	...	Louis Bernard
Cicely Oates	...	Nurse Agnes
D.A. Clarke-Smith	...	Police Inspector Binstead (as D.A.Clarke Smith)
George Curzon	...	Gibson

Storyline

While holidaying in Switzerland, Lawrence and his wife Jill are asked by a dying friend, Louis Bernard, to get information hidden in his room to the British Consulate. They get the information, but when they deny having it, their daughter Betty is kidnapped. It turns out that Louis was a Foreign Office spy and the information has to do with the assassination of a foreign dignitary. Having managed to trace his daughter's kidnappers back to London, Lawrence learns that the assassination will take place during a concert at the Albert Hall. It is left to Jill, however, to stop the assassination.

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Plot Keywords:

dancing | spy | assassination attempt | foreign office | shot to death | 

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Taglines:

Lord High Minister of Everything Sinister!

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Genres:

Crime | Mystery | Thriller

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Certificate:

Approved

Details

Country:

UK

Language:

English German Italian

Release Date:

15 April 1935 (USA)

Also Known As:

El hombre que sabía demasiado

Filming Locations:

Lime Grove Studios, Lime Grove, Shepherd's Bush, London, England, UK

Box Office

Budget:

£40,000 (estimated)

Company Credits

Production Co:

Gaumont British Picture Corporation

Technical Specs

Runtime:

75 min

Sound Mix:

Mono (British Acoustic Film Full Range Recording System)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

When Peter Lorre arrived in Great Britain, his first meeting with a British director was with Alfred Hitchcock. By smiling and laughing as Hitchcock talked, the director was unaware that Lorre, a Hungarian, had a limited command of the English language. Hitchcock subsequently decided to cast Lorre in The Man Who Knew Too Much, and the young thespian learned much of his part phonetically.

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Goofs

In the scene where the man is shot through the window, near the beginning of the film, just before he is shot, he turns to face another man. At that time, you can see the beginnings of a blood stain on his shirt next to his lapel...before he's shot!

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Quotes

Abbott: Tell her they may soon be leaving us. Leaving us for a long, long journey. How is it that Shakespeare says? "From which no traveler returns." Great poet.

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Connections

Referenced in Muppet Babies: The Frog Who Knew Too Much (1987)

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Soundtracks

"Storm Clouds Cantata"
(1934) (uncredited)
Music by Arthur Benjamin
Words by D.B. Wyndham-Lewis
Performed by London Symphony Orchestra
Under the direction of H. Wynn Reeves

User Reviews

Peter Lorre - the Scene Stealer

I must confess that I rather like this earlier version more than the definitely more polished, bigger budgeted 1956 version. Don't get me wrong, that film is a fine film too, but the lower budget, the quick pace, and the presence of Peter Lorre make this one a gem. Alfred Hitchcock, the undeniable maser of suspense, shows his early skills as a director able to create suspense and engineer circumstances that affect individuals who would normally NOT be affected by them - a Hitchcock trademark. Here we have Leslie Banks and Edna Best playing the parents of a young teen girl who has been kidnapped because her parents were the last ones spoken to by a man(a friend) at a party in a European country. Intrigue abounds, the man tells Best who then tells Banks of a note in a brush handle that alerts them to some international incident that will occur in England. Well, the kidnappers alert them of what they have done and shut them up. But through parental devotion, once in England, the father begins to hunt for his daughter. This film has all those Hitchcock trademarks that we know Hitchcock for. We have the normal person(s) put into extremely difficult and complicated situations. We have expressive camera angles. We have humour amidst taut, tense action. We have good, all-around acting. Banks, just a year or so removed from his awesome portrayal of General Zaroff in The Most Dangerous Game, gives an incredibly low-key, convincing performance as a father trying to find his daughter no matter what. He is able to inject light touches of humour here and there to make his performance all the more real. Best is adequate although a bit wooden. Hugh Wakefield as the uncle is a real hoot. Cicely Oates as a nurse is also very convincing. Peter Lorre; however, solidifies his English/American career as a heavy. Coming from a Hungarian background and not able to speak English yet, Lorre learns his part phonetically - which is all the more impressive when you see his performance as a killer with little scruples yet a generous sense of humour. Lorre conveys menace in his ever-alert eyes and his almost sugary voice. Hitchcock knows just how to use him and the climatic scene really is pulled off rather well. This movie is not very long and it is a tad creaky. It has little budget as well, but it conveys lots of action and suspense and has some very good performances. The air of conspiracy, another director's trademark touch, pervades the film almost from beginning to end.