A man in London tries to help a counterespionage agent. But when the agent is killed and the man stands accused, he must go on the run to both save himself and also stop a spy ring which is trying to steal top secret information.
Alice White is the daughter of a shopkeeper in 1920's London. Her boyfriend, Frank Webber is a Scotland Yard detective who seems more interested in police work than in her. Frank takes ... See full summary »
While holidaying in Switzerland, Lawrence and his wife Jill are asked by a dying friend, Louis Bernard, to get information hidden in his room to the British Consulate. They get the information, but when they deny having it, their daughter Betty is kidnapped. It turns out that Louis was a Foreign Office spy and the information has to do with the assassination of a foreign dignitary. Having managed to trace his daughter's kidnappers back to London, Lawrence learns that the assassination will take place during a concert at the Albert Hall. It is left to Jill, however, to stop the assassination. Written by
Apart from the opening and end credits, there is only source music in this film, i.e. music that can be heard by the characters, such as dance music in Switzerland and Wapping, and the Benjamin cantata (with the rest of the concert on the radio). There is no underscoring music at all. See more »
The first time Mr. Lawrence smokes in the Tabernacle church, we never see him light his cigarette, yet it starts smoking. See more »
You know, to a man with a heart as soft as mine, there's nothing sweeter than a touching scene.
Such as a father saying goodbye to his child. Yeah, goodbye for the last time. What could be more touching than that?
See more »
If ever a film was in need of restoration it's this. Ironically one of the easiest Hitchcock films to see (because it's in public domain, you can usually pick up a copy in the drugstore for about $3), it's also impossible to find a print of it that's not hideous to look at and practically inaudible. For now, it still looks like the best film of Hitchcock's British Primitive period. Avoiding the clumsiness endemic to the likes of "Secret Agent" and "Blackmail" by pretty much dispensing altogether with character development or a comprehensible plot, it travels like "North by Northwest" along a series of loosely linked set pieces that without adding up to much provide an entertaining and intriguing passing show. Considerably jazzing up the proceedings is the zaftig, boyish young Peter Lorre, who with decadent charm (and not for the first or last time) transforms the putative villain into the tragic hero of the piece.
20 of 32 people found this review helpful.
Was this review helpful to you?