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The Man Who Knew Too Much (1934)

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A man and his wife receive a clue to an imminent assassination attempt, only to learn that their daughter has been kidnapped to keep them quiet.

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Title: The Man Who Knew Too Much (1934)

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Cast

Complete credited cast:
Leslie Banks ...
Edna Best ...
...
Abbott
Frank Vosper ...
Ramon
Hugh Wakefield ...
Clive
Nova Pilbeam ...
Betty Lawrence
Pierre Fresnay ...
Cicely Oates ...
Nurse Agnes
D.A. Clarke-Smith ...
Binstead (as D.A.Clarke Smith)
George Curzon ...
Gibson
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Storyline

While holidaying in Switzerland, Lawrence and his wife Jill are asked by a dying friend, Louis Bernard, to get information hidden in his room to the British Consulate. They get the information, but when they deny having it, their daughter Betty is kidnapped. It turns out that Louis was a Foreign Office spy and the information has to do with the assassination of a foreign dignitary. Having managed to trace his daughter's kidnappers back to London, Lawrence learns that the assassination will take place during a concert at the Albert Hall. It is left to Jill, however, to stop the assassination. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

Lord High Minister of Everything Sinister! See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

| |

Release Date:

15 April 1935 (USA)  »

Also Known As:

El hombre que sabía demasiado  »

Box Office

Budget:

£40,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(British Acoustic Film Full Range Recording System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

When Peter Lorre arrived in Great Britain, his first meeting with a British director was with Alfred Hitchcock. By smiling and laughing as Hitchcock talked, the director was unaware that Lorre, a Hungarian, had a limited command of the English language. Hitchcock subsequently decided to cast Lorre in The Man Who Knew Too Much (1934), and the young thespian learned much of his part phonetically. See more »

Goofs

In the scene where the man is shot through the window, near the beginning of the film, just before he is shot, he turns to face another man. At that time, you can see the beginnings of a blood stain on his shirt next to his lapel...before he's shot! See more »

Quotes

Abbott: Tell her they may soon be leaving us. Leaving us for a long, long journey. How is it that Shakespeare says? "From which no traveler returns." Great poet.
See more »

Connections

Referenced in Muppet Babies: The Frog Who Knew Too Much (1987) See more »

Soundtracks

Storm Clouds Cantata
(1934) (uncredited)
Music by Arthur Benjamin
Words by D.B. Wyndham-Lewis
Performed by London Symphony Orchestra
Under the direction of H. Wynn Reeves
See more »

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User Reviews

British Version is Fast-Paced, Witty, & Atmospheric
20 July 2001 | by (Ohio) – See all my reviews

Both versions of Hitchcock's "The Man Who Knew Too Much" are well worth watching, and each one has its own strong points. While this British version cannot match the Hollywood remake in terms of star power and lavish production, it has several strengths of its own: it is fast-paced, filled with wit, and nicely atmospheric. Despite being 20 years older, it is also more 'modern' in its portrayal of the woman whose child is kidnapped.

Aside from Peter Lorre, always a big plus to any movie, the cast does not have too many names that would be familiar to today's audiences, but they all are good actors who fit in well with the style of Hitchcock's British films, exuding self-control and good-natured wit even in the most trying of circumstances. Edna Best as the heroine is noticeably different from Doris Day, lacking the glamour but giving a convincing performance as a more determined, resourceful mother.

There are some interesting settings in this version, too, with much of the action taking place in some interesting buildings in a less elegant neighborhood in London. A lot of it looks a bit murky in the old black-and-white print, but in a sense even that adds to the atmosphere.

Certainly there are those who have good reasons for preferring the remake, but every Hitchcock fan should watch the original, too. Hitchcock's British films had a pleasant style all their own, and while this one might not measure up to "The Lady Vanishes" or "The 39 Steps", it's still very entertaining.


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