A man in London tries to help a counterespionage agent. But when the agent is killed and the man stands accused, he must go on the run to both save himself and also stop a spy ring which is trying to steal top secret information.
Alice White is the daughter of a shopkeeper in 1920's London. Her boyfriend, Frank Webber is a Scotland Yard detective who seems more interested in police work than in her. Frank takes ... See full summary »
While holidaying in Switzerland, Lawrence and his wife Jill are asked by a dying friend, Louis Bernard, to get information hidden in his room to the British Consulate. They get the information, but when they deny having it, their daughter Betty is kidnapped. It turns out that Louis was a Foreign Office spy and the information has to do with the assassination of a foreign dignitary. Having managed to trace his daughter's kidnappers back to London, Lawrence learns that the assassination will take place during a concert at the Albert Hall. It is left to Jill, however, to stop the assassination. Written by
The siege at the end of the film showing the police in a gun battle is based on the real-life Sidney Street siege, which took place on 3 January 1911 in which London police and a unit of the army's Scots Guards shot it out with a gang of heavily armed anarchists who had previously been involved in the murders of three police officers. Two anarchists and a police officer were killed. See more »
(at around 21 mins) When Bob Lawrence and his daughter exit the chalet porch to watch the trap shoot, Bob pushes the left door outwards. When the camera cuts to an outside view of their leaving the building, it's the other door that is swinging shut, and it is closing from the inside. See more »
You know, to a man with a heart as soft as mine, there's nothing sweeter than a touching scene.
Such as a father saying goodbye to his child. Yeah, goodbye for the last time. What could be more touching than that?
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British Version is Fast-Paced, Witty, & Atmospheric
Both versions of Hitchcock's "The Man Who Knew Too Much" are well worth watching, and each one has its own strong points. While this British version cannot match the Hollywood remake in terms of star power and lavish production, it has several strengths of its own: it is fast-paced, filled with wit, and nicely atmospheric. Despite being 20 years older, it is also more 'modern' in its portrayal of the woman whose child is kidnapped.
Aside from Peter Lorre, always a big plus to any movie, the cast does not have too many names that would be familiar to today's audiences, but they all are good actors who fit in well with the style of Hitchcock's British films, exuding self-control and good-natured wit even in the most trying of circumstances. Edna Best as the heroine is noticeably different from Doris Day, lacking the glamour but giving a convincing performance as a more determined, resourceful mother.
There are some interesting settings in this version, too, with much of the action taking place in some interesting buildings in a less elegant neighborhood in London. A lot of it looks a bit murky in the old black-and-white print, but in a sense even that adds to the atmosphere.
Certainly there are those who have good reasons for preferring the remake, but every Hitchcock fan should watch the original, too. Hitchcock's British films had a pleasant style all their own, and while this one might not measure up to "The Lady Vanishes" or "The 39 Steps", it's still very entertaining.
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