Looking for Trouble (1934)

Passed  |   |  Comedy, Crime, Drama  |  29 March 1934 (USA)
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Ratings: 6.6/10 from 69 users  
Reviews: 3 user | 2 critic

Joe and Casey trouble-shoot for the phone company. They try to prove that Joes's girl Ethel's boss Dan is a crook but are trapped by criminals and left in a burning building.


(as William Wellman)


(screenplay), (screenplay), 1 more credit »
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Complete credited cast:
Joe Graham
Constance Cummings ...
Ethel Greenwood
Maizie Bryan
Pearl La Tour
Morgan Conway ...
Dan Sutter
Paul Harvey ...
James Regan
Joe Sawyer ...
Henchman Max Stanley (as Joseph Sauers)
Robert Elliott ...
Police Captain Flynn
Franklyn Ardell ...
George Martin, Troubleshooter
Paul Porcasi ...
Cabaret Manager
Switchboard Operator (as Charles Levinson)


Joe and Casey trouble-shoot for the phone company. They try to prove that Joes's girl Ethel's boss Dan is a crook but are trapped by criminals and left in a burning building.

Plot Summary | Add Synopsis


Well here's the Greatest Screen Team of All Time! (original poster) See more »


Comedy | Crime | Drama


Passed | See all certifications »




Release Date:

29 March 1934 (USA)  »

Also Known As:

Trouble Shooter  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
See  »

Did You Know?


During the filming the pugnacious Wellman spotted assistant director Mike Lally, who had no business there on the set. They disliked each other and the resulting fistfight and its results were memorable. In addition, 'Wild Bill' personally disliked star Spencer Tracy, and that animosity culminated in a blistering brawl between the two at the Trocadero Club in 1934. See more »

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User Reviews

A rarely seen comedy/drama by Wellman
7 June 2006 | by (Culpeper, Virginia) – See all my reviews

For whatever reason, LOOKING FOR TROUBLE doesn't show up on television and isn't available on video, but I was lucky enough to catch it at Cinevent in Columbus.

LOOKING FOR TROUBLE is given the genre classification of crime drama in the AFI Catalog, but there are healthy doses of wit throughout. With the affable Jack Oakie as second banana, what would you expect? Tracy and Oakie play easygoing telephone linemen troubleshooters with Constance Cummings and Arline Judge as their respective girlfriends. Tracy's disreputable ex-partner Dan Sutter gets fired for his involvement in an illicit gambling joint, and blames Tracy for squealing on him. Cummings sides with Sutter and ends up working for him at the real estate office he opens. She refuses to listen to Tracy's suspicions that her boss is a crook. All sorts of excitement follows as Tracy and Oakie investigate Sutter, including a fire, a murder and an earthquake! The earthquake sequence was a recreation of the immense quake that hit Long Beach on March 10, 1933 – just seven months before filming began on the picture. According to Leonard Maltin's Classic Movie Guide, which gives LOOKING FOR TROUBLE 3 stars, actual footage of the earthquake was used in the film. The AFI states: "The scene in which Tracy is caught in the quake has been included in numerous documentaries on both Hollywood film-making history and earthquakes."

Spencer Tracy got his big break in pictures in 1930 when director John Ford, impressed by Tracy's performance as a Death Row inmate on Broadway, got Fox to sign him for a prison movie he was making. Tracy made an impression with audiences in UP THE RIVER (along with fellow new-comer Humphrey Bogart), but the role got him type-cast as thugs for the next few years. He grew increasingly unhappy with the parts he was given and became difficult to work with. His Fox contract was coming to an end when he was loaned out to Darryl F. Zanuck at 20th Century Pictures for LOOKING FOR TROUBLE (working title, TROUBLE SHOOTER) to be directed by William Wellman. Soon after he left Fox, Irving Thalberg signed Tracy to a long-term contract at MGM where his talents were put to better use.

"Wild Bill" Wellman (so-named for his daring aerial feats while in the Lafayette Flying Corps. in WW1) owed his start in films to his friendship with Douglas Fairbanks. Stories vary on how the two met (one account has it that Wellman made a forced landing on the actor's property), but it's a fact that after Wellman saw himself on screen in Fairbanks' film KNICKERBOCKER BUCKAROO (1919), he decided that he would rather be behind the camera. He worked his way up from prop man, to assistant director and finally to director of Buck Jones westerns at Fox. In the years before LOOKING FOR TROUBLE, Wellman directed such notable films as WINGS (1927), the first picture to win an Academy Award; BEGGARS OF LIFE (1928) with Louise Brooks and THE PUBLIC ENEMY (1931). The latter helped to launch the popularity of the gangster movie and the career of James Cagney.

It's always a treat to see the smart and striking Constance Cummings in a featured role. Like Tracy, the Seattle-born actress started in theater. She was discovered while on Broadway by Sam Goldwyn who brought her to Hollywood. Columbia signed her up and cast her as prison warden Walter Huston's naïve daughter in THE CRIMINAL CODE (1931). After 10 films in two years with the studio, Cummings went freelance. It was during this period that she made perhaps her best picture, MOVIE CRAZY (1932) with Harold Lloyd. She moved to England in the mid 1930's with her husband, English playwright and screenwriter Benn W. Levy. There, she continued acting in films and on the stage. In 1974, Cummings was made a Commander of the British Empire for her contributions to the British entertainment industry. She died on November 23, 2005 at the age of 95.

Remarkably, another member of the cast is still with us as of this posting. Hatchet-faced, bespectacled prolific American character actor Charles Lane (billed here as Switchboard Operator) turned 101 on January 26, 2006! Other notables to look for in uncredited parts are Bryant Washburn, star of early Essanay films from the 1910's, as "Richards, Long Beach Manager," and Jason Robards Sr. as "Shotgun Henchman."

Mordaunt Hall in The New York Times gave the film a mixed review, finding the amusing scenes with Tracy and Oakie "highly entertaining, but when it tackles the plot and the inevitable spat between the romantic couple, it slumps." He added that the earthquake scenes "…are done extraordinarily well."

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