Little Martha Jane, aka Little Miss Marker (Temple) is left with the bookmaker Sorrowful Jones by her dad as part of a bet on a horserace. Sorrowful (Menjou) and his group of fellow bookies...
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Wealthy Edward Morgan becomes charmed with a curly-haired orphan and her pretty older sister Mary and arranges to adopt both under the alias of "Mr. Jones." As he spends more time with them, he soon finds himself falling in love with Mary.
After Southern belle Elizabeth Lloyd runs off to marry Yankee Jack Sherman, her father, a former Confederate colonel during the Civil War, vows to never speak to her again. Several years ... See full summary »
Shirley Temple's father, a rebel officer, sneaks back to his rundown plantation to see his family and is arrested. A Yankee takes pity and sets up an escape. Everyone is captured and the ... See full summary »
Eddie Ellison is an ex-con who spent time in Sing-Sing prison. Kay marries him as soon as he serves his time. Five years later, Eddie and his ex-convict buddy Larry, have both gone straight... See full summary »
Priscilla Williams is a young girl traveling with her mother, Joyce, to join her paternal grandfather, a British army colonel, at the post he commands in northern India. Upon arrival, they ... See full summary »
C. Aubrey Smith
Dimples Appleby lives with the pick-pocket grandfather in 19th century New York City. She entertains the crowds while he works his racket. A rich lady makes it possible for the girl to go legit. "Uncle Tom's Cabin" is performed.
Little Martha Jane, aka Little Miss Marker (Temple) is left with the bookmaker Sorrowful Jones by her dad as part of a bet on a horserace. Sorrowful (Menjou) and his group of fellow bookies take to her, reluctantly at first, but their cynical ways start to rub off on her. Will a party set at Camelot bring back her faith in humanity? Written by
I encountered this on TV recently when I had no intent whatsoever of watching any film, but found myself glued to the edge of my seat till the very end. I'm now stumped to think I once saw it as a child and as a child's film. The levels of sensitivity and depth of feeling, the Tempest-like voices from the Brave New World of old New York, are so wonderful, I see it now overwhelmingly as an adult's film. I'll say no more, other than to point to this as another example of the failure of our rating system. Oh, Menjou and Dell... To think that this masterpiece is only rated six and a half by its fifty-five voters at this point, while lowest common denominator junk too often rates substantially higher...
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