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The Little Minister (1934)

Approved | | Drama, Romance | 28 December 1934 (USA)
In rural 1840's Scotland, Gavin Dishart arrives to become the new "little minister" of Thrums's Auld Licht church. He meets a mysterious young gypsy girl in the dens and to his horror ... See full summary »

Director:

Writers:

(by) (as Sir James M. Barrie), (screen play) | 4 more credits »
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Cast

Cast overview, first billed only:
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Margaret
Billy Watson ...
Micah
Dorothy Stickney ...
Mary Gordon ...
Nanny
Frank Conroy ...
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Evalina
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Herbert Bunston ...
Mr. Carfrae
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Storyline

In rural 1840's Scotland, Gavin Dishart arrives to become the new "little minister" of Thrums's Auld Licht church. He meets a mysterious young gypsy girl in the dens and to his horror Babbie draws him into her escape from the soldiers after she incites a Luddite riot. But unknown to Gavin, Babbie is more than she seems. And they must overcome her secret, the villagers' fears of her, and worst of all, Gavin's devotion to his mother's sensibilities, before they can openly declare their love. Written by Kathy Li

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

28 December 1934 (USA)  »

Also Known As:

Aidesimotatos Gavin  »

Box Office

Budget:

$650,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Victor System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The play opened on Broadway in New York City on 27 September 1897 with Maude Adams as "Babbie." There were three Broadway revivals, the last in 1925. See more »

Connections

Version of The Little Minister (1913) See more »

Soundtracks

House of Argyle
(uncredited)
Composer unknown
Partially sung a cappella by Katharine Hepburn
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User Reviews

Ditto Steiner's marvelous score
8 January 2004 | by See all my reviews

I really enjoyed this sentimental antique. Hepburn and Beal are terrific. Movie music fans should not miss this early Max Steiner score. I had never heard of it. It's one of his earliest through-composed soundtracks. I loved the meticulous scoring and varied arrangements of the folklike love theme, which is fully stated in the opening credits (a one minute burst of romantic fervor) and is then interpolated and altered throughout the film, first returning when Hepburn says "I do believe you've liked me all the time" to which Beal replies with the question that sums up the film's theme "Can a man like a woman against his will?". There's a great sequence where Hepburn shines a lantern through the minister's living room window. Listen to how Steiner punctuates the flashes of light. As with all good symphonic scores the love theme returns finally to tie everything together, but not before we've heard it played on everything from solo violin to bagpipes.


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