Imprisoned for a murder he did not commit, John Brant escapes and ends up out west where, after giving the local lawmen the slip, he joins up with an outlaw gang. Brant finds out that '... See full summary »
When John Mason's father is killed, John is wounded. Attracted to his nurse Alice, a conflict arises between him and his friend Ben who plans to marry Alice. John later finds the killer of ... See full summary »
Chris Morrell, the guardian of half-Indian girl Nina, is helping her find her missing white father. so she can cash in on her late mother's oil lease. Outlaw Sam Black is after the girl and... See full summary »
Harry L. Fraser
Shirley Jean Rickert
Sheriff John Higgins quits and goes into prospecting after he thinks he has killed his best friend in shooting it out with robbers. He encounters his dead buddy's sister and helps her run ... See full summary »
Bad guy Kincaid controls the local water supply and plans to do in the other ranchers. Government agent Saunders shows up undercover to do in Kincaid and win the heart of one of his victims Fay Denton.
Tobin is after the bandit Zanti who killed his parents. He finds him just as Zanti is about to kill Dusty and kidnap Ruby. Saving the two, he goes after Zanti. He catches him but Zanti escapes the Sheriff's handcuff's and this time Tobin has to chase him into the desert. Written by
Maurice VanAuken <email@example.com>
The earliest documented telecasts of this film took place in Los Angeles Sunday 4 September 1949 on KTSL (Channel 2), in Philadelphia Monday 7 November 1949 on WFIL (Channel 6), in Los Angeles Sunday 7 January 1950 on KECA (Channel 7), and in New York City Monday 7 August 1950 on WOR (Channel 9). See more »
During the chase scene, just before Ruby's horse goes down, a highway bridge is visible in the distance between the trees. See more »
You're a slick, cunning wolf, Zanti, but I finally got ya.
You forgot, Señor Sheriff, wolves run in packs. And mine is not far behind.
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This B western deserves a B grade from this teacher.
So what can you say about a film that has the villain hamming it up with a lousy Mexican accent, an opening that has an atrocious editing job(mixing day and night footage in the same scene)and a dumb sheriff who wants to arrest the wrong man and botches his handcuffing of the real villain? For all its faults, it's actually not too bad. The chase scenes actually are quite good, with realistic falls from horseback by the girl and the villain in separate sequences. In real life, galloping over rough terrain, often with people shooting at one another, would cause those spills frequently. Once you get past the horrendous opening, Archie Stout's photography is pretty good for a B movie. I especially liked the desert foot-chase scene, with the towering basalt cliffs of Red Rock Canyon in the background. All told, the action sequences and sometimes stunning photography kept this and other John Wayne potboilers from being dull and gave depression-era audiences their money's worth, which was what made B westerns so popular in the first place. Just like audiences back then did, I sat back and enjoyed the ride, bumpy though it may be at times. Dale Roloff
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