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Deadpan in Nulltown

18 February 2013 5:17 AM, PST | MUBI | See recent MUBI news »

 

The authors wish to acknowledge with gratitude the venues in which some version of this article previously appeared: Cinema Scope 24 (Fall, 2005), Trafic 62 (Summer, 2006), and the late and twice-lamented The New-York Ghost (Dec. 26, 2006).

In the Place of No Place

Every movie contains its alternates, phantom films conjured variously by excess or dearth: textures and movements that carry on their own play apart from the main line of the narrative, an obtruding performance or scene, an unexplained ellipsis or sudden character reversal, the chunk life of an object seizing the frame in an insert whose plastic beauty transcends its context.

Though the extremes of pure narrative economy (in which each detail exists purely for transmission of plot) or utter dispersal (in which no piece connects to any other) can never exist, we can tentatively use the concepts as limit-cases to differentiate films which make room for their phantoms (or, in the worst case, »

- B. Kite and Bill Krohn

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1 item from 2013


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