Rightly suspected of illicit relations with the Masked Bandit, Flower Belle Lee is run out of Little Bend. On the train she meets con man Cuthbert J. Twillie and pretends to marry him for "... See full summary »
Life story of a charming scoundrel, with little dialogue other than the star/director's witty narration. As a boy, only he survives a family tragedy when he's deprived of supper (poisonous ... See full summary »
A young pacifist after refusing on principle to defend her sweetheart's honor and being banished in disgrace, joins a riverboat troupe as a singer, acquires a reputation as a crackshot ... See full summary »
Tillie and Augustus Winterbottom are thought to be missionaries when they arrive to find Phineas Pratt trying cheat the Sheridans out of her father's inheritance, including a ferry ... See full summary »
A surrealistic documentary portrait of the region of Las Hurdes, a remote region of Spain where civilisation has barely developed, showing how the local peasants try to survive without even the most basic utilities and skills.
The owner of a general store (Harold Bisonette) is hounded by his status-anxious wife ("That's 'Bee-soh-nay'" and "I have no maid you know"). To get some sleep he goes out on the porch where he is tormented by a little boy from the floor above (Baby Dunk) and an insurance salesman down below ("LaFong. Capital L, small a..."). He uses an inheritance to buy an orange ranch through the mail, then drives off with his family for California. The orange grove consists of a withered tree, the ranch house is but a shack, and the car falls to pieces. But a racetrack operator wants the land, so all ends happily. Written by
Ed Stephan <firstname.lastname@example.org>
"It's a Gift" is one of Fields' best! Though W.C Fields is rarely thought of as a physical comedian, his performance is as graceful and athletic as you're likely to see. Sharp, biting dialogue and timeless comedic elements (like the universally recognized nagging wife, pesky kids, delivery people, and, [horrors] even the "visually impaired") get the Fields treatment. Like most of Fields' work "It's a Gift" centers, not on the drinking that would become his caricature (though he does "tip a few" in the film), but on the "little guy." Fields is once again in the familiar role of "down-trodden little man" just trying to make it in an increasingly crazy and, sometimes, cruel world. "It's a Gift" is wonderful theatre; brilliantly executed by one of America's comic masters.
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