Larson E. Whipsnade runs a seedy circus which is perpetually in debt. His performers give him nothing but trouble, especially Edgar Bergen and Charlie McCarthy. Meanwhile, Whipsnade's son ... See full summary »
Edward F. Cline
The owner of a general store (Harold Bisonette) is hounded by his status-anxious wife ("That's 'Bee-soh-nay'" and "I have no maid you know"). To get some sleep he goes out on the porch where he is tormented by a little boy from the floor above (Baby Dunk) and an insurance salesman down below ("LaFong. Capital L, small a..."). He uses an inheritance to buy an orange ranch through the mail, then drives off with his family for California. The orange grove consists of a withered tree, the ranch house is but a shack, and the car falls to pieces. But a racetrack operator wants the land, so all ends happily. Written by
Ed Stephan <email@example.com>
The final scene, on Bissonette's "orange ranch", was filmed at the house and property W.C. Fields was living in at the time of the filming. For his entire life, Fields rented living quarters, adamantly refusing to buy a house or land. See more »
When Harold tries to sleep on the porch swing, the chain breaks. In one shot, before he rehangs the swing, the chain is visible and swing is level. See more »
I told him I wouldn't do it if I was him.
You told him you wouldn't do it if you was him. Get him outta here!
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The confrontation between W.C. Fields and Baby LeRoy was such a popular success that for this rematch the title card includes "with Baby LeRoy" as if the infant had second billing. See more »
"It's a Gift" is one of Fields' best! Though W.C Fields is rarely thought of as a physical comedian, his performance is as graceful and athletic as you're likely to see. Sharp, biting dialogue and timeless comedic elements (like the universally recognized nagging wife, pesky kids, delivery people, and, [horrors] even the "visually impaired") get the Fields treatment. Like most of Fields' work "It's a Gift" centers, not on the drinking that would become his caricature (though he does "tip a few" in the film), but on the "little guy." Fields is once again in the familiar role of "down-trodden little man" just trying to make it in an increasingly crazy and, sometimes, cruel world. "It's a Gift" is wonderful theatre; brilliantly executed by one of America's comic masters.
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