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It Happened One Night (1934)

Unrated | | Comedy, Romance | 23 February 1934 (USA)
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A spoiled heiress running away from her family is helped by a man who is actually a reporter in need of a story.

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Writers:

(screen play), (based on the short story by)
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Top Rated Movies #182 | Won 5 Oscars. Another 5 wins & 1 nomination. See more awards »

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Cast

Complete credited cast:
...
...
...
Andrews
...
...
Westley
...
Danker
Arthur Hoyt ...
Zeke
Blanche Friderici ...
Zeke's Wife
...
Gordon
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Storyline

Ellie Andrews has just tied the knot with society aviator King Westley when she is whisked away to her father's yacht and out of King's clutches. Ellie jumps ship and eventually winds up on a bus headed back to her husband. Reluctantly she must accept the help of out-of- work reporter Peter Warne. Actually, Warne doesn't give her any choice: either she sticks with him until he gets her back to her husband, or he'll blow the whistle on Ellie to her father. Either way, Peter gets what (he thinks!) he wants .... a really juicy newspaper story. Written by A.L.Beneteau <albl@inforamp.net>

Plot Summary | Plot Synopsis

Taglines:

Together for the first time! See more »

Genres:

Comedy | Romance

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

23 February 1934 (USA)  »

Also Known As:

Night Bus  »

Box Office

Budget:

$325,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (cut TV)

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Constance Bennett and Myrna Loy, among others, turned the script down. Claudette Colbert only accepted because Capra promised he would double her salary and she would be done in four weeks. She disliked the film so much, however, that she did not even attend the Oscars; when she won for Best Actress, she was found about to leave on a trip and was rushed to the ceremony, where she made her acceptance speech in a traveling suit. See more »

Goofs

When Peter is held up by the train at a crossing, the caboose is plainly marked SP (Southern Pacific). But he is supposed to be in New Jersey. Although there might be SP box cars in New Jersey, there would not be an SP caboose. See more »

Quotes

[as he walks Ellie down the aisle, Mr. Andrews talks to her]
Alexander Andrews: You're a sucker to go through with this. That guy Warne is OK. He didn't want the reward. All he asked for was $39.60, what he spent on you. Said it was a matter of principle. You took him for a ride. He loves you, Ellie. He told me so. You don't want to be married to a mug like Westley; I can buy him off for a pot of gold. And you can make an old man happy and you won't do so bad for yourself. If you change your mind, your car's ...
See more »

Connections

Referenced in Whoops, I'm an Indian! (1936) See more »

Soundtracks

Bridal Chorus (Here Comes the Bride)
(1850) (uncredited)
from "Lohengrin"
Written by Richard Wagner
Sung by an offscreen chorus during the wedding
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

A fantastic Capra film.
7 May 2003 | by (iowa city, iowa) – See all my reviews

It Happened One Night directed by Frank Capra was made and released in 1934 by Columbia Pictures as a small budget film that was not expected to do well at the box office. Yet, after its release the film gained many accolades and won the Academy Award for best picture in 1934. Due to the original small nature of the film, the leading man role was surprisingly filled by Clark Gable who was on loan from another studio. He stared opposite of Claudette Colbert. Capra's film was a combination of many ideals, emotions and social perceptions of the American society of the thirties but it was also a combination of many new and innovative filming techniques and sound advancements. The film unfolds the story in such a attention-grabbing and remarkable way that most of today's cinema use his style and ideals when producing and creating films. Capra used the idea of a moving camera, one that was not fixed upon a box, but on a moveable crane instead. This produced more sweeping shots, more angles for filming and fewer distance shots. It allowed for more movement of the actors as well as a more realistic and real life feeling to the movie. The film also incorporates back projection of images. This is were a scene is filmed previously and played in the background while the actors perform the scene in front of the projection. Back projection is used for car scenes to give the impression that the actors are driving but in reality they are in a sound stage. Capra also incorporated the use of a wipe in his film. The technique of moving left to right and fading in or out to change a scene or show elapsed time took the place of the traditional place cards in silent films and allowed for a more constant stream for the film. The film was also all talk, the new technology of a sound strip on the side of the film was used. The text cards of silent films were completely discarded. Another camera trick by Capra is to show a change in feelings within Clark Gable's character for Claudette Colbert's character by depicting her character in a different light. This happens two times within the film at key moments to the development of their relationship. Claudette Colbert is seen in a close up of softer light to emphasize Clark Gable's character seeing her in a `different light.' In this romantic comedy Capra not only showed new styles and techniques but also addressed social issues of the time. Through comedy he showed the outlandish nature of the rich (King arriving for his own wedding in a helicopter) and the nature of man being the controller in relationships as well as in society. The fighting and struggles between the two main characters showed the man taking care of the woman, the social norms of how men and woman should act around each other in that era. But the fighting and the banter also show a strong-minded and intelligent woman. The two strong-willed main characters balanced each other out.

Capra's techniques for showing the social relationship between the rich and working classes as well as a relationship between man and woman in the 1930s captured film makers and film viewers for over 70 years. Films are now compared to his style of camera movement and his style of capturing the American ideals. When movies of today make a similar statement of achieving what one wants they are referred to as Capra-esc. Capra's imagination and style is one that changed the outlook of American films and introduced a new genre to film goers everywhere.


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