Bea Pullman and her daughter Jessie have had a hard time making ends meet since Bea's husband died. Help comes in the form of Delilah Johnson, who agrees to work as Bea's housekeeper in exchange for a room for herself and her daughter Peola. Bea comes up with a plan to market Delilah's pancake recipe. The two soon become wealthy and as the years go on, their friendship deepens. Their relationships with their daughters, however, become strained. Ashamed of her mother, Peola seeks a new life by passing for white. Bea's love for her daughter is tested when she and Jessie fall for the same man. Written by
The script didn't get Breen office approval until the film was two weeks into shooting. See more »
Steven Archer tells Bea Pullman what it's like on his boat: "in 10 days you could be drifting in a tropic sea," where they'd "guide past mysterious little islands, black and silent...and on the shore breeze, that'd come to you, the perfume of warm lands--hyacinth, and jasmine..." Hyacinths originally come from Turkey, not commonly thought of as the "tropics," were part of Greek mythology,and now come commonly from the Netherlands, or possibly the UK....neither considered the "tropics" either. To be located in the tropics, you must be in that area between 23 1/2 degrees N and S of the equator. None of the countries associated with hyacinths fall in those areas. Hyacinths don't fill the air with their scent either, especially enough to perfume the air offshore. See more »
Beatrice 'Bea' Pullman:
I've got Jessie... and you've got Peola.
Yes'm. I've got Peola, Miss Bea. What am I gonna' do about that poor child? She's so unhappy.
Beatrice 'Bea' Pullman:
You know, Delilah, I've been wondering, if it might be better if you could send Peola to one of those good colleges in the South - for colored people. Where she could finish her education, and where she wouldn't be faced with the problem of "white" all the time. You know what a disaster her schooling has been here.
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End credits titled at the top "A great cast is worth repeating". See more »
"Imitation of Life", the 1934 version, reflected the attitude in the country toward blacks. This movie wouldn't have had a chance of being made in the present climate of political correctness. This movie shows how Hollywood dealt with the racial issues back in those years. John Stahl directed the film, which stands in stark contrast with the Douglas Sirk's take in 1959 which presents a glossier vision of the Fanny Hurst novel, in which it's based.
Between the two versions, this one seems to make more sense, in spite of the incredible jump from rags to riches Bea Pullman experiences. Claudette Colbert makes Bea more accessible to us, in contrast with Lana Turner's blonde goddess looks. This Bea Pullman is easier to take because the way she makes her money by going into business, capitalizing on Delilah's idea about the marketing the perfect blend for pancakes.
Warren William plays Steve Archer, the man who falls in love with Bea while not suspecting the effect he causes in young Jessie, Bea's daughter. Louise Beavers is Delilah; she is made to speak broken English to show her ignorance, which was the thing expected every time black characters were shown in movies of that period. Ms. Beavers' role was made bigger in the 1959 remake, but Juanita Moore, who played the part, was not subjected to her predecessor's fate. Rochelle Hudson, Ned Sparks and Fredi Washington round up the supporting cast.
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