Bea Pullman and her daughter Jessie have had a hard time making ends meet since Bea's husband died. Help comes in the form of Delilah Johnson, who agrees to work as Bea's housekeeper in ...
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A struggling young actress with a six year-old daughter sets up housekeeping with a homeless black widow and her light-skinned eight year-old daughter who rejects her mother by trying to pass for white.
Adam Lemp, the Dean of the Briarwood Music Foundation, has passed on his love of music to his four early adult daughters - Thea, Emma, Kay and Ann - who live with him and his sister, the ... See full summary »
Bea Pullman and her daughter Jessie have had a hard time making ends meet since Bea's husband died. Help comes in the form of Delilah Johnson, who agrees to work as Bea's housekeeper in exchange for a room for herself and her daughter Peola. Bea comes up with a plan to market Delilah's pancake recipe. The two soon become wealthy and as the years go on, their friendship deepens. Their relationships with their daughters, however, become strained. Ashamed of her mother, Peola seeks a new life by passing for white. Bea's love for her daughter is tested when she and Jessie fall for the same man. Written by
Reissue prints of this film, issued after Carl Laemmle's ouster and retirement from Universal, read "The New Universal Presents [Claudette Colbert and Warren William in 'Imitation of Life']" rather than "Carl Laemmle Presents [Claudette Colbert and Warren William in 'Imitation of Life']" See more »
Nobody Knows de Trouble I've Seen
Traditional Negro Spiritual
Lyrics by Henry Thacker Burleigh
Played and sung by an offscreen chorus during the opening credits
Played as background music often See more »
This is probably one of the first films that dealt with race relations in this country. While "Imitation of Life" centers around the business created by two women, one black and one white, it also take a hard look at the struggles minorities face -- something very rarely seen on the big screen at that time. Most of the films at that time showed blacks as domestic servants and pictured them as "happy" in those roles. This is a classic in that it's one of the first times any medium tackled the issue of black-white relations. It's a must-see, both from an entertainment perspective and, most importantly, a historical one. I think a lot of African-Americans in the entertainment business can look at this film as a trail-blazer in terms of "serious" roles for blacks instead of being cast as "entertainers."
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