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I Sell Anything (1934)

6.4
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Ratings: 6.4/10 from 41 users  
Reviews: 3 user

Auctioneer Spot Cash Cutler is planning the scam of a lifetime, but will he get burned?

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(screen play), (screen play), 2 more credits »
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Title: I Sell Anything (1934)

I Sell Anything (1934) on IMDb 6.4/10

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Cast

Complete credited cast:
...
'Spot Cash' Cutler
...
Barbara
Claire Dodd ...
Millicent
...
Monk
Hobart Cavanaugh ...
Stooge
Russell Hopton ...
'Smiley'
Robert Barrat ...
McPherson
Harry Tyler ...
Second Stooge
Gus Shy ...
Third Stooge
Leonard Carey ...
Pertwee - Millicent's Chauffeur
Ferdinand Gottschalk ...
Barouche
Clay Clement ...
Peter Van Gruen
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Storyline

Fast-talking auctioneer Spot Cash Cutler is content with his Second Avenue existence selling pawned goods for highly inflated prices. One day, a Fifth Avenue society lady picks up a priceless belt buckle for a song at Cutler's shop. Cutler tries to get his cut of the true price, but she makes a counter-offer of an expensive auction house and a scheme to auction off a house full of fake antiques. Written by Erik Gregersen <emg@astro.caltech.edu>

Plot Summary | Add Synopsis

Plot Keywords:

auction | buckle | antique | watch | waiter | See more »

Genres:

Comedy | Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

20 October 1934 (USA)  »

Also Known As:

I Sell Everything  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Soundtracks

A Bird in a Gilded Cage
(1900) (uncredited)
Music by Harry von Tilzer
Lyrics by Arthur J. Lamb
Sung by entertainers in the beer garden
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User Reviews

 
I Talk Endlessly
20 March 2006 | by (United States) – See all my reviews

This is a movie about a shady auctioneer who is in love with his gift of gab, which our hero believes allows him to sell anything to anybody. This means much of the movie's brief running time is filled up with Pat O'Brien blabbing on, auctioneer style, about the peerless quality of his goods, the fairness of his pricing, his own inflated sense of self-regard, and (to his acolytes) the swell tricks he just pulled on some poor sap or other. If you like your petty swindlers to spew reams of bogus verbosity, this is the film for you.

Unfortunately, we're supposed to find our hero at least somewhat likable. Maybe Cagney could have pulled this off. Pat O'Brien, however, you just want to hit with an auctioneer's mallet. Ann Dvorak is given pretty good reason to revere the guy by the script, but, by the end of the film, it's hard to understand why she would not be joining the line of folks who want to murder the twit.

At least the movie makers had the wit to depict O'Brien as someone easily duped and he does not, ultimately, succeed in his big time schemes. And, like most Warners of the period, the film moves along pretty well. The problem here is the one finds with a lot of 30s Clark Gable films -- the lead character is a selfish cad in need of a sound thrashing, rather than a happy ending with the pretty female lead.


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