After his colleague and a mentor, Prof. Achenbach dies in a set-up accident, while trying to produce gold from the lead, Werner Holk seeks revenge. Meanwhile, a British millionaire suggests that Holk work on him on a similar project.

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Cast

Credited cast:
...
Friedrich Kayßler ...
...
Michael Bohnen ...
Ernst Karchow ...
Willi Luders, alias Charlie Jenkins
...
Margit Moller
Eberhard Leithoff ...
Harris, a technician
Rudolf Platte ...
Schwarz
Walter Steinbeck ...
Braun
Heinz Wemper ...
Vesitsch
Hansjoachim Büttner ...
Becker, the murderer
Erich Haußmann ...
Secretary
Rest of cast listed alphabetically:
Rainer Litten
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Storyline

After his colleague and a mentor, Prof. Achenbach dies in a set-up accident, while trying to produce gold from the lead, Werner Holk seeks revenge. Meanwhile, a British millionaire suggests that Holk work on him on a similar project.

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Crime | Sci-Fi

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21 October 1934 (USA)  »

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Oro  »

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1.37 : 1
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Connections

Alternate-language version of L'or (1934) See more »

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Good
19 June 2016 | by (Saint Paul, MN) – See all my reviews

Science fiction from the early Nazi era. Film production had been turned over to the Nazis in 1933 and all Jews and foreigners had been barred from the industry. There isn't much propaganda in this particular film, although the villain is a Brit. The British in general aren't depicted as terrible except for the villain. Hans Albers stars as a scientist who, along with his partner, has nearly perfected atomic alchemy, the ability to turn lead into gold. Their experiment goes suspiciously wrong, and Albers ends up barely alive. His partner isn't as lucky. After Albers recovers, a British billionaire (Michael Bohnen) offers him the opportunity to repeat the experiment in England, and Albers immediately suspects him of involvement in the original accident. In England, he meets and nearly falls in love with Bohnen's daughter (Metropolis' Brigitte Helm), which distracts him from his own German wife (Lien Deyers). This is more a slow burning drama than hard sci-fi, but there are big, electrical, Frankenstein-esque machines (Frankenstein having already been made, obviously). It's a decent film with a very good lead performance, some good cinematography and a good climax. Helm is probably the main point of interest for many, and it is nice to hear her speak. She's probably in it less than ten minutes, though.


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