2 items from 2012
His characters are uncool, preppy and full of the self-dramatising melancholy of youth, yet his films are hugely likeable. His latest, Damsels in Distress, continues his peculiar cinematic vision
Every great American film-maker struggles to create their own peculiar vision, just as the studio men struggle to stop them doing so. Yet few visions are quite so peculiar as Whit Stillman's, and few have seemed so marginal to the industry of which they are a part. It's hard to say how much impact his films have had; there have been, for reasons beyond his own control, too few of them. He has succeeded in getting four films made: a comic trilogy set in the 1980s, Metropolitan (1990), Barcelona (1994) and The Last Days of Disco (1998), and now the about-to-be released "campus comedy" Damsels in Distress. On one level it may seem a rather meagre body of work. However, for some, myself included, »
- Michael Newton
From Fred and Ginger to Jennifer and Ashton, romantic comedies used to be one of the safest bets in Hollywood. But it seems that rom is just not into com any more
Is it the end for the romcom? You can imagine the celebrity mag headlines: "Romcom's relationship on the rocks?" "Com: I'm just not that into Rom" "Rom: Com doesn't make me laugh any more."
After all, who says romance and comedy go together like a horse and carriage? It seems to be a chiselled Hollywood commandment that the two shall be forever conjoined in cinematic matrimony, but perhaps it's time they went their separate ways. Sure, they got off to a great start: in those early years it was all fun and games and sparkling repartee, but recently they haven't quite looked the happy couple; the spark just hasn't been there.
They've been stuck in the same repetitive formula: boy meets girl, »
- Steve Rose, Richard Vine
2 items from 2012
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