| Photos (See all 25 | slideshow) |
| Fred Astaire | ... | Guy Holden | |
| Ginger Rogers | ... | Mimi Glossop | |
| Alice Brady | ... | Aunt Hortense | |
| Edward Everett Horton | ... | Egbert 'Pinky' Fitzgerald | |
| Erik Rhodes | ... | Rodolfo Tonetti | |
| Eric Blore | ... | The Waiter | |
| Lillian Miles | ... | Singer - Continental Number | |
| Charles Coleman | ... | Guy's Valet | |
| William Austin | ... | Cyril Glossop | |
| Betty Grable | ... | Dance Specialty | |
| rest of cast listed alphabetically: | |||
| Norman Ainsley | ... | Undetermined Role (uncredited) | |
| Jimmy Aubrey | ... | Undetermined Role (uncredited) | |
| Finis Barton | ... | Undetermined Role (uncredited) | |
| De Don Blunier | ... | Chorus Girl (uncredited) | |
| Jack Chefe | ... | Table Extra (uncredited) | |
| Cy Clegg | ... | Porter (uncredited) | |
| E.E. Clive | ... | Chief Customs Inspector (uncredited) | |
| George Davis | ... | French Waiter #1 (uncredited) | |
| Charles Dunbar | ... | Waiter (uncredited) | |
| Leslie Goodwins | ... | Baggage Man (uncredited) | |
| Jack Grant | ... | Porter (uncredited) | |
| Charlie Hall | ... | Messenger at Dock (uncredited) | |
| Shep Houghton | ... | Dancer (uncredited) | |
| Arthur Jarrett | ... | Vocalist (uncredited) | |
| Sydney Jarvis | ... | Undetermined Role (uncredited) | |
| Vivian Keefer | ... | Chorus Girl (uncredited) | |
| Lois Lindsay | ... | Chorus Girl (uncredited) | |
| J.G. MacMahon | ... | Waiter (uncredited) | |
| Alphonse Martell | ... | French Waiter #2 (uncredited) | |
| Frank Mills | ... | Waiter (uncredited) | |
| Ted Oliver | ... | Customs Inspector #3 (uncredited) | |
| Paul Porcasi | ... | French Headwaiter (uncredited) | |
| Sonny Ray | ... | Undetermined Role (uncredited) | |
| Ronald R. Rondell | ... | Dancer - Continental Number (uncredited) | |
| Larry Steers | ... | Extra (uncredited) | |
| Mary Stewart | ... | Dancer / Singer (uncredited) | |
| Cyril Thornton | ... | Customs Inspector #2 (uncredited) | |
| William Wagner | ... | Waiter (uncredited) | |
| Florence Wix | ... | Undetermined Role (uncredited) | |
| Bruce Wyndham | ... | Undetermined Role (uncredited) | |
Directed by | |||
| Mark Sandrich | |||
Writing credits | ||
| Dwight Taylor | (from the book by) | |
| Kenneth S. Webb | (musical adaptation) (as Kenneth Webb) and | |
| Samuel Hoffenstein | (musical adaptation) | |
| George Marion Jr. | (screen play) & | |
| Dorothy Yost | (screen play) and | |
| Edward Kaufman | (screen play) | |
| Robert Benchley | contributor to dialogue (uncredited) | |
| H.W. Hanemann | contributor to dialogue (uncredited) | |
| J. Hartley Manners | unproduced play "An Adorable Adventure" (uncredited) | |
| Stanley Rauh | contributor to dialogue (uncredited) | |
| Dwight Taylor | musical play "Gay Divorce" (uncredited) | |
Produced by | |||
| Pandro S. Berman | .... | producer (uncredited) | |
Original Music by | |||
| Max Steiner | (uncredited) | ||
Cinematography by | |||
| David Abel | (photographed by) | ||
Film Editing by | |||
| William Hamilton | |||
Art Direction by | |||
| Carroll Clark | |||
| Van Nest Polglase | |||
Costume Design by | |||
| Walter Plunkett | (costumes) | ||
Makeup Department | |||
| Mel Berns | .... | makeup artist (uncredited) | |
| Robert J. Schiffer | .... | makeup artist (uncredited) | |
Production Management | |||
| J.R. Crone | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Ray Lissner | .... | second assistant director (uncredited) | |
| Argyle Nelson | .... | assistant director (uncredited) | |
| Ivan Thomas | .... | second assistant director (uncredited) | |
Art Department | |||
| Thomas Little | .... | props (uncredited) | |
Sound Department | |||
| George Marsh | .... | sound cutter | |
| Hugh McDowell Jr. | .... | recordist | |
| Carl Dreher | .... | sound director (uncredited) | |
| Robert Wise | .... | sound effects editor (uncredited) | |
Special Effects by | |||
| Vernon L. Walker | .... | photographic effects (as Vernon Walker) | |
| Harry Redmond Jr. | .... | special effects (uncredited) | |
| Harry Redmond Sr. | .... | special effects supervisor (uncredited) | |
Camera and Electrical Department | |||
| Willard Barth | .... | assistant camera (uncredited) | |
| Joseph F. Biroc | .... | camera operator (uncredited) | |
| Jim Davis | .... | grip (uncredited) | |
| Fred Hendrickson | .... | still photographer (uncredited) | |
| Clifford Stine | .... | assistant camera (uncredited) | |
| James Vianna | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Claire Cramer | .... | wardrobe (uncredited) | |
Music Department | |||
| Philip Faulkner Jr. | .... | music recordist (as P.J. Faulkner Jr.) | |
| Murray Spivack | .... | music recordist | |
| Max Steiner | .... | musical director | |
| Maurice De Packh | .... | music arranger (uncredited) | |
| Howard Jackson | .... | music arranger (uncredited) | |
| Bernhard Kaun | .... | music arranger (uncredited) | |
| Gene Rose | .... | music arranger (uncredited) | |
| Eddie Sharpe | .... | music arranger (uncredited) | |
| Clifford Vaughan | .... | music arranger (uncredited) | |
Other crew | |||
| Dave Gould | .... | dance ensembles staged by | |
| Zion Myers | .... | production associate | |
| Harry Cornbleth | .... | stand-in: Fred Astaire (uncredited) | |
| Peter Croft | .... | technical director (uncredited) | |
| Bill Hamberry | .... | projectionist (uncredited) | |
| Ben Holmes | .... | dialogue director (uncredited) | |
| Elizabeth McGaffey | .... | researcher (uncredited) | |
| Marie Osborne | .... | stand-in: Ginger Rogers (uncredited) | |
| Hermes Pan | .... | assistant dance director (uncredited) | |
| Hermes Pan | .... | choreographer (uncredited) | |
| Frank Warde | .... | doll dance director (uncredited) | |
| Trudy Wellman | .... | continuity (uncredited) | |
| Trudy Wellman | .... | script clerk (uncredited) | |
| Bill Williams | .... | photography co-operator (uncredited) | |
| Madeline Wilson | .... | stand-in: Alice Brady (uncredited) | |
| Recent Posts (updated daily) | User |
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| The Cars | tdickson |
| Ginger Rogers' dress | G_Burighan |
| Night and Day | angstr |
| Query: DVD Release? | debastarr |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Fred and Ginger, two perfect partners, two of the best dancers in history. In 1934, the toast of RKO. What a great pair the studio that would become defunct in a matter of years had on their hands!
In 1933, the pair had proven themselves as second leads in "Flying Down to Rio", a musical heavily relying on special effects and little else. They stole the show, proven with "The Carioca", the erotically charged dance number which started an American craze of pressing foreheads and even got the Best Song Oscar nod over the supposed show stopping title song. Before, Ginger had "42nd Street" to her name, while Fred had the famous screen test analysis of "Can't sing. Can't act. Can dance a little."
"The Gay Divorcee" is the establishing musical of Astaire and Rogers. Silly, dated, slight, even stupid to a certain degree is the entire story. Without a doubt, high comedy and immense creativity make up for it. The mistaken identity plot was recycled for "Top Hat" the following year, but it hardly matters. It is littered entirely with hilarity! Writing was never the strongest point of these musicals anyway. The performances were not Oscar calibre but they were publicly loved, and it's obviously Astaire and Roger's singing, acting and most of all, dancing, that makes the movie what it is.
A top wealth of talent was assembled for the movie. Erik Rhodes is absolutely side splitting as the Italian guy Tonetti, wielding the fabulous line, "Your wife is safe with Tonetti, he prefers spaghetti!". Alice Brady is there as Aunt Hortense, but Edward Everett Horton is another stand out performer as the lawyer. His fumbling voice provides a character of clumsiness and two seem to go hand in hand. He was definitely one of the best supporting comedians of the 1930s and 1940s, in other Astaire and Rogers musicals, and movies like "Lost Horizon", "Holiday", "Here Comes Mr Jordan" and "Arsenic and Old Lace".
Only one song was retained for the filmic version of "The Gay Divorcee". The censors even crashed down on the stage's original title "The Gay Divorce". Fred performs a great rendition of the immortal Cole Porter song "Night and Day". "The Continental", the Best Song of 1934 is thrown there in the mix too. Other great numbers in there include "Looking for a needle in a haystack", "Don't Let it Bother You" and "Let's K-nock- K-nees". The latter is performed by a young Betty Grable. This is notable for the only time Edward Everett Horton sings and dances on screen. We can see from the results there's an obvious reason.
The stylish period of courtship and even set decoration and costumes evoke great memories of eras gone by. RKO hasn't helped preservation of these technical elements by throwing what always appears to be mediocre sets, but it doesn't matter anyway. The whole thing is irresistible, spectacular and unforgettable. This is one of the forgotten musicals of the time which has it all.
Rating: 8/10