IMDb > The Gay Divorcee (1934)
The Gay Divorcee
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The Gay Divorcee (1934) More at IMDbPro »

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Overview

User Rating:
7.6/10   4,632 votes »
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Director:
Writers:
Dwight Taylor (from the book by)
Kenneth S. Webb (musical adaptation) ...
(more)
Contact:
View company contact information for The Gay Divorcee on IMDbPro.
Release Date:
12 October 1934 (USA) See more »
Genre:
Tagline:
The King and Queen of 'Carioca' See more »
Plot:
Mimi Glossop wants a divorce so her Aunt Hortense hires a professional to play the correspondent in apparent infidelity... See more » | Add synopsis »
Plot Keywords:
Awards:
Won Oscar. Another 5 nominations See more »
NewsDesk:
(12 articles)
Top Tunes: The 10 greatest songs to win an Oscar
 (From Cineplex. 20 February 2015, 2:49 PM, PST)

Few Original Song Nominees Come From Best Picture Nominees
 (From Scott Feinberg. 22 December 2014, 7:28 AM, PST)

On TCM: Oscar Winner Colbert
 (From Alt Film Guide. 18 August 2014, 8:25 PM, PDT)

User Reviews:
Fred and Ginger See more (46 total) »

Cast

  (in credits order) (verified as complete)

Fred Astaire ... Guy Holden

Ginger Rogers ... Mimi Glossop

Alice Brady ... Aunt Hortense

Edward Everett Horton ... Egbert 'Pinky' Fitzgerald
Erik Rhodes ... Rodolfo Tonetti
Eric Blore ... The Waiter
Lillian Miles ... Singer - Continental Number
Charles Coleman ... Guy's Valet
William Austin ... Cyril Glossop

Betty Grable ... Dance Specialty
rest of cast listed alphabetically:
Norman Ainsley ... Undetermined Role (uncredited)
Jimmy Aubrey ... Undetermined Role (uncredited)
Finis Barton ... Undetermined Role (uncredited)
De Don Blunier ... Chorus Girl (uncredited)
Jack Chefe ... Table Extra (uncredited)
Cy Clegg ... Porter (uncredited)
E.E. Clive ... Chief Customs Inspector (uncredited)
George Davis ... French Waiter #1 (uncredited)
Charles Dunbar ... Waiter (uncredited)
Jack Ellison ... Dancer (uncredited)
Leslie Goodwins ... Baggage Man (uncredited)
Jack Grant ... Porter (uncredited)
Charlie Hall ... Messenger at Dock (uncredited)
Shep Houghton ... Dancer (uncredited)
Arthur Jarrett ... Vocalist (uncredited)
Sydney Jarvis ... Undetermined Role (uncredited)
Vivian Keefer ... Chorus Girl (uncredited)
Lois Lindsay ... Chorus Girl (uncredited)
J.G. MacMahon ... Waiter (uncredited)
Alphonse Martell ... French Waiter #2 (uncredited)
Frank Mills ... Waiter (uncredited)
Ted Oliver ... Customs Inspector #3 (uncredited)
Paul Porcasi ... French Headwaiter (uncredited)
Sonny Ray ... Undetermined Role (uncredited)
Ronald R. Rondell ... Dancer - Continental Number (uncredited)
Larry Steers ... Extra (uncredited)
Mary Stewart ... Dancer / Singer (uncredited)
Cyril Thornton ... Customs Inspector #2 (uncredited)
William Wagner ... Waiter (uncredited)
Florence Wix ... Undetermined Role (uncredited)
Bruce Wyndham ... Undetermined Role (uncredited)

Directed by
Mark Sandrich 
 
Writing credits
Dwight Taylor (from the book by)

Kenneth S. Webb (musical adaptation) (as Kenneth Webb) and
Samuel Hoffenstein (musical adaptation)

George Marion Jr. (screen play) &
Dorothy Yost (screen play) and
Edward Kaufman (screen play)

Robert Benchley  contributor to dialogue (uncredited)
H.W. Hanemann  contributor to dialogue (uncredited)
J. Hartley Manners  unproduced play "An Adorable Adventure" (uncredited)
Stanley Rauh  contributor to dialogue (uncredited)
Dwight Taylor  musical play "Gay Divorce" (uncredited)

Produced by
Pandro S. Berman .... producer (uncredited)
 
Original Music by
Max Steiner (uncredited)
 
Cinematography by
David Abel (photographed by)
 
Film Editing by
William Hamilton 
 
Art Direction by
Carroll Clark 
Van Nest Polglase 
 
Costume Design by
Walter Plunkett (costumes by)
 
Makeup Department
Mel Berns .... makeup artist (uncredited)
Robert J. Schiffer .... makeup artist (uncredited)
 
Production Management
J.R. Crone .... production manager (uncredited)
 
Second Unit Director or Assistant Director
Ray Lissner .... second assistant director (uncredited)
Argyle Nelson .... assistant director (uncredited)
Ivan Thomas .... second assistant director (uncredited)
 
Art Department
Thomas Little .... props (uncredited)
 
Sound Department
George Marsh .... sound cutter
Hugh McDowell Jr. .... rerecorded by
Carl Dreher .... sound director (uncredited)
Robert Wise .... sound effects editor (uncredited)
 
Special Effects by
Vernon L. Walker .... photographic effects (as Vernon Walker)
Harry Redmond Jr. .... special effects (uncredited)
Harry Redmond Sr. .... special effects supervisor (uncredited)
 
Camera and Electrical Department
Willard Barth .... assistant camera (uncredited)
Joseph F. Biroc .... camera operator (uncredited)
Jim Davis .... grip (uncredited)
Fred Hendrickson .... still photographer (uncredited)
Clifford Stine .... assistant camera (uncredited)
James Vianna .... electrician (uncredited)
 
Costume and Wardrobe Department
Claire Cramer .... wardrobe (uncredited)
 
Music Department
Philip Faulkner Jr. .... music recorded by (as P. J. Faulkner Jr.)
Murray Spivack .... music recorded by
Max Steiner .... musical director
Maurice De Packh .... music arranger (uncredited)
Howard Jackson .... music arranger (uncredited)
Bernhard Kaun .... music arranger (uncredited)
Gene Rose .... music arranger (uncredited)
Eddie Sharpe .... music arranger (uncredited)
Clifford Vaughan .... music arranger (uncredited)
 
Other crew
Dave Gould .... dance ensembles staged by
Zion Myers .... production associate
Harry Cornbleth .... stand-in: Fred Astaire (uncredited)
Peter Croft .... technical director (uncredited)
Bill Hamberry .... projectionist (uncredited)
Ben Holmes .... dialogue director (uncredited)
Elizabeth McGaffey .... researcher (uncredited)
Marie Osborne .... stand-in: Ginger Rogers (uncredited)
Hermes Pan .... assistant dance director (uncredited)
Hermes Pan .... choreographer (uncredited)
Frank Warde .... doll dance director (uncredited)
Trudy Wellman .... continuity (uncredited)
Trudy Wellman .... script clerk (uncredited)
Bill Williams .... photography co-operator (uncredited)
Madeline Wilson .... stand-in: Alice Brady (uncredited)
 
Crew verified as complete


Production CompaniesDistributors

Additional Details

Also Known As:
"The Gay Divorce" - Ireland (English title) (imdb display title), UK
"Continental" - Japan (English title) (imdb display title)
See more »
Runtime:
107 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (RCA Victor System) (as R C A Victor System)
Certification:
Argentina:Atp | Canada:G (Ontario) | UK:A (original rating) | UK:U (tv rating) | UK:U (video rating) (1986) (1997) (2007) | USA:Approved (PCA #282)

Did You Know?

Trivia:
Initially, Fred Astaire didn't think that Ginger Rogers would be classy enough for the female lead and argued for an English co-lead.See more »
Goofs:
Continuity: When Tonetti and Guy are tied together after the night in the hotel room, they make a number of moves where they try to go in opposite directions, but are unable to because they are tied together. When the doorbell rings a final time Tonetti goes to answer the door and Guy goes to comfort Mimi, they are no longer tied together.See more »
Quotes:
Guy Holden:[singing and skipping in a circle] The husband is coming! Hooray! Hooray!See more »
Movie Connections:
Soundtrack:
A Needle In a HaystackSee more »

FAQ

This FAQ is empty. Add the first question.
32 out of 33 people found the following review useful.
Fred and Ginger, 1 February 2005
Author: jotix100 from New York

After hearing Fred Astaire put his stamp in a song, it's hard to imagine anyone else attempting to improve in what seems to be the definite rendition of it. That is the case when Mr. Astaire sings Cole Porter's elegant "Night and Day". In pairing Ginger Rogers with Mr. Astaire, Hollywood hit the jackpot as it produced a winning combination that went from film to film with such ease and panache, it will never be imitated.

Mark Sandrich worked with Ms. Rogers and Mr. Astaire in several movies. Somehow, "The Gay Divorcée" is one of their best collaboration. This film is a lot of fun to watch, even after more than 70 years after it was made. It speaks volumes for all the people involved in the production of this movie.

The Great Depression was the right background when movies like this were made. In a way, it was an escape from the harsh realities of the times America was going through. The public went to the movies to see their favorite stars that were shown in such a glamorous roles. How could anyone not admire the great Fred Astaire, always impeccably dressed? Or how could not any woman in the theater envy Ms. Rogers's beauty and easy grace? That era made it right for Hollywood to show the world a sensitivity and sophistication that only few rich types were able to enjoy in real life, while the rest was trying to eke out a life of whatever work they could find.

The musical numbers are amazing. "The Continental" alone, must have blown the budget of the picture. Imagine how much it would cost today to have all those dancers in a sound stage! Not only that, but in that lengthy number, there are at least four changes of costumes for the women. Also, he is delightful singing "Looking for a Needle in a Haystack". A young and radiant Betty Grable makes an appearance singing "Let's K-knock K-knees" in which she shows a bit of her enormous charm and talent.

Ginger Rogers makes a gorgeous Mimmi Glassop. Alice Brady, is perfect as the dizzy Aunt Hortense. Edward Everett Horton plays an excellent Egbert Fitzgerald, the divorce lawyer. Erik Rhodes is one of the best things in the film; his Signor Tonetti injects a funny shot into the movie. Eric Blore, as the waiter, has great moments in the movie.

In setting the film in London and Brighton, a rich texture is added to this winning picture that will remain a favorite that will live forever because of the chemistry that Ginger Rogers and Fred Astaire produced in anything they did together.

Was the above review useful to you?
See more (46 total) »

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Hortense's line dmnemaine
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