Mimi Glossop wants a divorce so her Aunt Hortense hires a professional to play the correspondent in apparent infidelity. American dancer Guy Holden meets Mimi while visiting Brightbourne (Brighton) and she thinks he is the correspondent. The plot is really an excuse for song and dance. The movie won three Academy nominations and the first Oscar for Best Song: "The Continental", a twenty-two minute production number. Written by
Ed Stephan <firstname.lastname@example.org>
This was the first film to win an Academy Award for Best Original Song, "The Continental". Oscar statuettes were won by Con Conrad (music) and Herb Magidson (lyrics) as 1934 was the first year when an Oscar for this category was introduced. See more »
When Hortense and Mimi consult with Egbert in his law office, Hortense says Mimi has been married two years. The waiter (Eric Blore) says he met "Professor Brown" (Mimi's husband incognito) and his "wife" 3 1/2 years ago. See more »
Sublime dancing, hilarious comedy, Art Deco time capsule
It's astounding that this all-time classic doesn't get a better average score.
Nureyev said Astaire was the greatest dancer in the world, and Astaire is at his best here with his best partner, Ginger Rogers. No need to elaborate, just watch them in action.
Erik Rhodes should have got Best Supporting Oscar. He was also wonderful in Top Hat, but it's here he gets to say the immortal line, "Your wife is safe with Tonetti, he prefers spaghetti."
The clothes and the decor evoke an ideal of courtship as aesthetic rather than as rutting, as it is today. Elegance, grace and wit give even the silliest scenes more dignity than anything, fatuous "talents" can concoct today.
Some call the plot banal, but I think it's funny and inventive. Sure it's mistaken identity, which is indeed a cliché, but so what? It's what they do with it that matters. A professional co-respondent??? Of course it's silly but Hey, that's what farce is. And this musical farce is one of the very best.
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