The Gay Divorcee (1934)

User Rating:

7.6/10   

Director:

Mark Sandrich

Writers:

J. Hartley Manners (unproduced play)
Dwight Taylor (musical play "Gay Divorce") ...

Release Date:

12 October 1934 (USA)

Genre:

Comedy | Musical | Romance

Tagline:

The King and Queen of 'Carioca'

Plot:

Mimi Glossop wants a divorce so her Aunt Hortense hires a professional to play the correspondent in apparent infidelity...

Plot Keywords:

Dance | Aunt | Dancer | Divorce | Astaire And Rogers

Awards:

Won Oscar. Another 4 nominations

Cast

Fred Astaire	...	Guy Holden
Ginger Rogers	...	Mimi Glossop
Alice Brady	...	Aunt Hortense
Edward Everett Horton	...	Egbert 'Pinky' Fitzgerald
Erik Rhodes	...	Rodolfo Tonetti
Eric Blore	...	The waiter
Lillian Miles	...	Singer, Continental Number
Charles Coleman	...	Guy's Valet
William Austin	...	Cyril Glossop
Betty Grable	...	Dance Specialty

Also Known As:

The Gay Divorce (UK)

Runtime:

107 min

Country:

USA

Language:

English | Italian

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Victor System)

Certification:

Canada:G (Ontario) | UK:U | USA:Approved (PCA #282)

Filming Locations:

Santa Monica, California, USA

Company:

RKO Radio Pictures

Trivia:

The musical number "The Continental" lasts 17 1/2 minutes, the longest number ever in a musical until Gene Kelly's 18 1/2-minute ballet at the end of An American in Paris (1951) 17 years later.

Goofs:

Crew or equipment visible: After the car chase when Fred catches Ginger, the sound of someone coughing can be heard.

Quotes:

Waiter: I have an unnatural passion for rocks.
Guy: You ought to be ashamed of yourself.

Movie Connections:

Featured in "Broadway: The American Musical: I Got Plenty o' Nuttin': 1929-1942 (#1.3)" (2004)

Soundtrack:

Don't Let It Bother You

It's "whumsical"

Quoting the Eric Blore/Alice Brady interchange in the restaurant, this movie is indeed whimsical (or "whumsical") and beautiful to boot. There probably has never been a more perfect dance than "Night and Day"....or a more beautiful song to dance to. That is the highlight of this film, although the rest of it is well worth seeing. Erik Rhodes is absolutely hilarious as the paid correspondent and the humor is not dated which is unusual in a film of this age. The "Chance is a fool's name for fate" routine is priceless. Edward Everett Horton again proves that he is the originator of the befuddled sidekick without being irritating and his little "dance" with a very young Betty Grable is such fun The art deco sets and great 30's clothes are wonderful and it makes you wish for a time when everybody wore evening dress and danced at the drop of a hat. Don't miss it...this is one of the highlight Astaire/Rogers efforts.