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The Gay Divorcee (1934)

7.6
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Ratings: 7.6/10 from 4,418 users  
Reviews: 44 user | 31 critic

Mimi Glossop wants a divorce so her Aunt Hortense hires a professional to play the correspondent in apparent infidelity. American dancer Guy Holden meets Mimi while visiting Brightbourne (... See full summary »

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(from the book by), (musical adaptation), 9 more credits »
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Title: The Gay Divorcee (1934)

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Won 1 Oscar. Another 5 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
Aunt Hortense
...
Egbert 'Pinky' Fitzgerald
Erik Rhodes ...
Rodolfo Tonetti
Eric Blore ...
The Waiter
Lillian Miles ...
Singer - Continental Number
Charles Coleman ...
Guy's Valet
William Austin ...
Cyril Glossop
...
Dance Specialty
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Storyline

Mimi Glossop wants a divorce so her Aunt Hortense hires a professional to play the correspondent in apparent infidelity. American dancer Guy Holden meets Mimi while visiting Brightbourne (Brighton) and she thinks he is the correspondent. The plot is really an excuse for song and dance. The movie won three Academy nominations and the first Oscar for Best Song: "The Continental", a twenty-two minute production number. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Plot Keywords:

divorce | aunt | dancer | password | lawyer | See All (49) »

Taglines:

The King and Queen of 'Carioca' See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

| |

Release Date:

12 October 1934 (USA)  »

Also Known As:

Continental  »

Filming Locations:

 »

Box Office

Budget:

$520,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Victor System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Although "Night and Day" is the only song retained from the show "Gay Divorce" (on which the movie is based), the plotline remained basically the same on stage and film. See more »

Goofs

After the car chase when Fred catches Ginger, the sound of someone coughing can be heard. See more »

Quotes

Mimi: I don't care what you did as a boy.
Guy: Well, I did nothing as a girl, so there goes my childhood.
See more »


Soundtracks

The Continental
(1934) (uncredited)
Music by Con Conrad
Instrumental reprise
Dance performed by Fred Astaire, Ginger Rogers
See more »

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User Reviews

Sensational
29 January 2004 | by (advicetothelovelorn.blogspot.com) – See all my reviews

Following an apparently accidental teaming in 1933's Flying Down to Rio (a fun Dolores Del Rio vehicle), Fred and Ginger got their first starring feature a year later. It was based on J. Hartley Manners' play 'The Gay Divorce'. The Hays Office insisted on shoving an 'e' on the end, for how could a divorce be so trifling as to be gay? Some UK prints still run with the original title. RKO assembled a sparkling ensemble cast of top-flight farceurs, bringing together (in ascending order of sublimity) Eric Blore, Edward Everett Horton and Erik Rhodes ("Are you a union man?"). Mark Sandrich directs the thing with a maximum of fuss and style. Hermes Pan helped Fred choreograph the numbers.

The plot is suitably - and delightfully - trivial. Musical star Guy Holden (Fred) happens upon a girl (Ginger), falls desperately in love with her, then spends the rest of the picture trying to free himself from marvellously silly plot threads and Everett Horton's exquisite quadruple-takes.

Keeping just one song from Cole Porter's original score, the timeless 'Night and Day', and adding only four others, The Gay Divorcée is more a comedy with songs than it is a musical comedy. But what comedy - and what songs! 'Looking For a Needle in a Haystack' is a masterpiece of economy: Fred a whirlwind of frustrated, lovestruck energy as he spins around his hotel room lamenting his missing love in peerless style. "Men don't pine," he memorably concludes, "Women pine. Men ... suffer." Everett Horton's rare excursion into song-and-dance territory is a breath of hysterical, liberating ludicrousness, as he knocks knees with a young Betty Grable. 'Don't Let It Bother You', performed by a chorus of dancing girls (and dolls), then spectacularly reprised by a tapping Astaire, is another treat. 'The Continental', the film's vast production number is peculiarly edited but sporadically fine and offers a fitting climax.

It's exceptional fluff, the sort of heady, heightened escapism that you don't come close to very often. An extravagantly mounted, joyous comedy played to perfection by two stars at their irresistible peak. Unmissable.


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