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The Gay Divorcee (1934)

7.6
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Ratings: 7.6/10 from 4,508 users  
Reviews: 45 user | 30 critic

Mimi Glossop wants a divorce so her Aunt Hortense hires a professional to play the correspondent in apparent infidelity. American dancer Guy Holden meets Mimi while visiting Brightbourne (... See full summary »

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(from the book by), (musical adaptation), 9 more credits »
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Title: The Gay Divorcee (1934)

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Won 1 Oscar. Another 5 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
Aunt Hortense
...
Egbert 'Pinky' Fitzgerald
Erik Rhodes ...
Rodolfo Tonetti
Eric Blore ...
The Waiter
Lillian Miles ...
Singer - Continental Number
Charles Coleman ...
Guy's Valet
William Austin ...
Cyril Glossop
...
Dance Specialty
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Storyline

Mimi Glossop wants a divorce so her Aunt Hortense hires a professional to play the correspondent in apparent infidelity. American dancer Guy Holden meets Mimi while visiting Brightbourne (Brighton) and she thinks he is the correspondent. The plot is really an excuse for song and dance. The movie won three Academy nominations and the first Oscar for Best Song: "The Continental", a twenty-two minute production number. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Plot Keywords:

divorce | aunt | dancer | password | lawyer | See All (49) »

Taglines:

The King and Queen of 'Carioca' See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

| |

Release Date:

12 October 1934 (USA)  »

Also Known As:

Continental  »

Filming Locations:

 »

Box Office

Budget:

$520,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Victor System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

This was the first film to win an Academy Award for Best Original Song, "The Continental". Oscar statuettes were won by Con Conrad (music) and Herb Magidson (lyrics) as 1934 was the first year when an Oscar for this category was introduced. See more »

Goofs

During the "Continental" sequence Rodolfo Tonetti is shown playing a concertina and singing along. Though he moves the concertina in and out, and you can hear the music, his fingers never move on the keys. See more »

Quotes

Egbert Fitzgerald: Your life, Mr. Tonetti, must be full of excitement.
Tonetti: Full of excitement, and full of danger.
Egbert Fitzgerald: Oh, yes, of course... from the husbands.
Tonetti: No, from the ladies.
Egbert Fitzgerald: Oh, how interesting!
Tonetti: But, Tonetti, he know what to do. Yes, sometimes, the lady and I have the conversation... somtimes, I play the concertina... sometimes, I play the solitaire... but, mostly, I practice my singing. At home, my wife, he do not like me to sing.
Egbert Fitzgerald: Unquestionably a woman of great perspicacity.
Tonetti: Oh, si, si, signor, you bet!
See more »

Connections

Edited into Joan of Paris (1942) See more »

Soundtracks

Let's K-nock K-nees
(1931)
Music and Lyrics by Mack Gordon and Harry Revel
Song performed by Betty Grable (uncredited) and Edward Everett Horton (uncredited)
Dance performed by Betty Grable (uncredited), Edward Everett Horton (uncredited), chorus
See more »

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User Reviews

High point of Astaire and Rogers
22 January 2000 | by (Sydney, Australia) – See all my reviews

Fred and Ginger, two perfect partners, two of the best dancers in history. In 1934, the toast of RKO. What a great pair the studio that would become defunct in a matter of years had on their hands!

In 1933, the pair had proven themselves as second leads in "Flying Down to Rio", a musical heavily relying on special effects and little else. They stole the show, proven with "The Carioca", the erotically charged dance number which started an American craze of pressing foreheads and even got the Best Song Oscar nod over the supposed show stopping title song. Before, Ginger had "42nd Street" to her name, while Fred had the famous screen test analysis of "Can't sing. Can't act. Can dance a little."

"The Gay Divorcee" is the establishing musical of Astaire and Rogers. Silly, dated, slight, even stupid to a certain degree is the entire story. Without a doubt, high comedy and immense creativity make up for it. The mistaken identity plot was recycled for "Top Hat" the following year, but it hardly matters. It is littered entirely with hilarity! Writing was never the strongest point of these musicals anyway. The performances were not Oscar calibre but they were publicly loved, and it's obviously Astaire and Roger's singing, acting and most of all, dancing, that makes the movie what it is.

A top wealth of talent was assembled for the movie. Erik Rhodes is absolutely side splitting as the Italian guy Tonetti, wielding the fabulous line, "Your wife is safe with Tonetti, he prefers spaghetti!". Alice Brady is there as Aunt Hortense, but Edward Everett Horton is another stand out performer as the lawyer. His fumbling voice provides a character of clumsiness and two seem to go hand in hand. He was definitely one of the best supporting comedians of the 1930s and 1940s, in other Astaire and Rogers musicals, and movies like "Lost Horizon", "Holiday", "Here Comes Mr Jordan" and "Arsenic and Old Lace".

Only one song was retained for the filmic version of "The Gay Divorcee". The censors even crashed down on the stage's original title "The Gay Divorce". Fred performs a great rendition of the immortal Cole Porter song "Night and Day". "The Continental", the Best Song of 1934 is thrown there in the mix too. Other great numbers in there include "Looking for a needle in a haystack", "Don't Let it Bother You" and "Let's K-nock- K-nees". The latter is performed by a young Betty Grable. This is notable for the only time Edward Everett Horton sings and dances on screen. We can see from the results there's an obvious reason.

The stylish period of courtship and even set decoration and costumes evoke great memories of eras gone by. RKO hasn't helped preservation of these technical elements by throwing what always appears to be mediocre sets, but it doesn't matter anyway. The whole thing is irresistible, spectacular and unforgettable. This is one of the forgotten musicals of the time which has it all.

Rating: 8/10


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