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The Gay Divorcee (1934)

Approved  |   |  Comedy, Musical, Romance  |  12 October 1934 (USA)
7.6
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Ratings: 7.6/10 from 4,963 users  
Reviews: 47 user | 32 critic

Mimi Glossop wants a divorce so her Aunt Hortense hires a professional to play the correspondent in apparent infidelity. American dancer Guy Holden meets Mimi while visiting Brightbourne (... See full summary »

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(from the book by), (musical adaptation) (as Kenneth Webb) , 9 more credits »
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Title: The Gay Divorcee (1934)

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Won 1 Oscar. Another 5 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
...
Egbert 'Pinky' Fitzgerald
Erik Rhodes ...
Rodolfo Tonetti
Eric Blore ...
The Waiter
Lillian Miles ...
Singer - Continental Number
Charles Coleman ...
Guy's Valet
William Austin ...
Cyril Glossop
...
Dance Specialty
Edit

Storyline

Mimi Glossop wants a divorce so her Aunt Hortense hires a professional to play the correspondent in apparent infidelity. American dancer Guy Holden meets Mimi while visiting Brightbourne (Brighton) and she thinks he is the correspondent. The plot is really an excuse for song and dance. The movie won three Academy nominations and the first Oscar for Best Song: "The Continental", a twenty-two minute production number. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Plot Keywords:

divorce | aunt | dancer | password | lawyer | See All (49) »

Taglines:

Introducing the new dance sensation "The Continental" See more »


Certificate:

Approved | See all certifications »
Edit

Details

Country:

Language:

| |

Release Date:

12 October 1934 (USA)  »

Also Known As:

Continental  »

Filming Locations:

 »

Box Office

Budget:

$520,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Victor System) (as R C A Victor System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

According to the Internet Movie Car Database, some cars are identified as follows: The car that Tonetti drives up to the resort in is a 1927 Austin Seven Swallow. The car that asks to get by in the fake roadblock is a 1927 Bugatti Type 40. The car Ginger Rogers is driving is a 1929 Dusenberg J. Fred Astaire is driving a 1931 MG J2 Midget. See more »

Goofs

Guy Holden, Mimi Glossop and Rodolfo Tonetti are eating grapefruit at breakfast when Egbert Fitzgerald and Aunt Hortense enter the room. In the next shot Guy has his elbow on the table with his hand on his head, which immediately changes back to Guy eating his grapefruit as before. See more »

Quotes

Guy Holden: Chance is the fool's name for fate.
See more »

Connections

Referenced in The Band Wagon (1953) See more »

Soundtracks

The Continental
(1934) (uncredited)
Music by Con Conrad
Instrumental reprise
Dance performed by Fred Astaire, Ginger Rogers
See more »

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User Reviews

The Continental!
20 August 2004 | by (United Kingdom) – See all my reviews

The superb Fred and Ginger series always ended with a big, big set piece where the two of them could dance, and 'The Gay Divorce(e)' is no exception. This time it is 'The Continental', which allows half of what passes for Brighton to join in the dance.

Not the most original of plots, this movie teamed the leads together for the second time (the first time they led the cast though). Both are terrific, and Fred's dancing throughout is a treat. Ginger is her usual bouncy self, all wisecracks and big eyes, and good on her feet. They're ably supported by Edward Everett Horton (as 'Aunt' Egbert), Alice Brady (the towering matriach, Rogers' aunt), Eric Blore (as an irritating waiter who likes talking about rocks and playing with words), Erik Rhodes (as a daft Italian), and Betty Grable (as a hotel guest who has a terrific number with Horton, 'Let's K-knock K-knees').

As you might guess, the story revolves around a divorce, which might be a gay one (in the 1930s definition of the word, of course), and, as so often in this series, mistaken identities. Tiny roles go to William Austin (as Rogers' blustering geologist hubby), and Lilian Miles (an Alice Faye lookalike who gets to reprise 'The Continental' all to herself).

This is one of the better entries in the series, ably directed by Mark Sandrich, and featuring a mix of songs including Cole Porter's 'Night and Day', and the jaunty 'Looking for a Needle in a Haystack'.






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