Mimi Glossop wants a divorce so her Aunt Hortense hires a professional to play the correspondent in apparent infidelity. American dancer Guy Holden meets Mimi while visiting Brightbourne (... See full summary »
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William A. Seiter
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Mimi Glossop wants a divorce so her Aunt Hortense hires a professional to play the correspondent in apparent infidelity. American dancer Guy Holden meets Mimi while visiting Brightbourne (Brighton) and she thinks he is the correspondent. The plot is really an excuse for song and dance. The movie won three Academy nominations and the first Oscar for Best Song: "The Continental", a twenty-two minute production number. Written by
Ed Stephan <email@example.com>
Quoting the Eric Blore/Alice Brady interchange in the restaurant, this movie is indeed whimsical (or "whumsical") and beautiful to boot. There probably has never been a more perfect dance than "Night and Day"....or a more beautiful song to dance to. That is the highlight of this film, although the rest of it is well worth seeing. Erik Rhodes is absolutely hilarious as the paid correspondent and the humor is not dated which is unusual in a film of this age. The "Chance is a fool's name for fate" routine is priceless. Edward Everett Horton again proves that he is the originator of the befuddled sidekick without being irritating and his little "dance" with a very young Betty Grable is such fun The art deco sets and great 30's clothes are wonderful and it makes you wish for a time when everybody wore evening dress and danced at the drop of a hat. Don't miss it...this is one of the highlight Astaire/Rogers efforts.
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