Football player John Kent tags along as Huck Haines and the Wabash Indianians travel to an engagement in Paris, only to lose it immediately. John and company visit his aunt, owner of a posh... See full summary »
Dr. Tony Flagg's friend, Steven, has problems in the relationship with his fiancee, Amanda, so he persuades her to visit Dr. Flagg. After some minor misunderstandings, she falls in love ... See full summary »
Aviator and band leader Roger Bond is forever getting his group fired for flirting with the lady guests. When he falls for Brazilian beauty Belinha de Rezende it appears to be for real, ... See full summary »
Dolores del Rio,
The Acunas, a rich Argentine family, have the tradition that the daughters have to get married in order, oldest first. When sister #1 gets married, sisters #3 and #4 put pressure on Maria, ... See full summary »
William A. Seiter
Mimi Glossop wants a divorce so her Aunt Hortense hires a professional to play the correspondent in apparent infidelity. American dancer Guy Holden meets Mimi while visiting Brightbourne (Brighton) and she thinks he is the correspondent. The plot is really an excuse for song and dance. The movie won three Academy nominations and the first Oscar for Best Song: "The Continental", a twenty-two minute production number. Written by
Ed Stephan <firstname.lastname@example.org>
This is the only film in which Fred Astaire plays a role that he originated in the Broadway stage production, which opened on Nov. 29, 1932 at the Ethel Barrymore Theatre and ran for 248 performances. Although Astaire had appeared in both the 1927 Broadway musical play and later the film Funny Face (1957), the stories were entirely different, using many of the same songs. Also, Fred Astaire and his sister Adele had appeared in the stage show "The Band Wagon" (1930) but the stage version was a revue, without a plot at all; a backstage plot was added when Fred Astaire filmed "The Band Wagon" in 1953. See more »
when at Brightbourne awaiting Mimi Glossop, Edward Evered Horton has a glass on the table in front of him. put there by Eric Blore. In the long shot, looking at Mimi's car, the glass disappears. The next short is a closeup and the glass is back on the table. Then when he gets up to approach Mimi, the glass has disappeared yet again. See more »
Rodolfo Tonetti at your service.
Yes... well, I am Mr. Fitzgerald.
Oh, I'm delightful!
Oh, I shouldn't doubt it, old man, I shouldn't doubt it. But, don't you think that a corespondent ought to come to work quieter? Let's have more repose and less Rigoletto.
Ha, I am ready for action, and I will do a first-class job.
Well, don't be too determined about it. Remember, the lady in question is very sensitive, and you must treat her accordingly.
Bene, whichever way the...
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After hearing Fred Astaire put his stamp in a song, it's hard to imagine anyone else attempting to improve in what seems to be the definite rendition of it. That is the case when Mr. Astaire sings Cole Porter's elegant "Night and Day". In pairing Ginger Rogers with Mr. Astaire, Hollywood hit the jackpot as it produced a winning combination that went from film to film with such ease and panache, it will never be imitated.
Mark Sandrich worked with Ms. Rogers and Mr. Astaire in several movies. Somehow, "The Gay Divorcée" is one of their best collaboration. This film is a lot of fun to watch, even after more than 70 years after it was made. It speaks volumes for all the people involved in the production of this movie.
The Great Depression was the right background when movies like this were made. In a way, it was an escape from the harsh realities of the times America was going through. The public went to the movies to see their favorite stars that were shown in such a glamorous roles. How could anyone not admire the great Fred Astaire, always impeccably dressed? Or how could not any woman in the theater envy Ms. Rogers's beauty and easy grace? That era made it right for Hollywood to show the world a sensitivity and sophistication that only few rich types were able to enjoy in real life, while the rest was trying to eke out a life of whatever work they could find.
The musical numbers are amazing. "The Continental" alone, must have blown the budget of the picture. Imagine how much it would cost today to have all those dancers in a sound stage! Not only that, but in that lengthy number, there are at least four changes of costumes for the women. Also, he is delightful singing "Looking for a Needle in a Haystack". A young and radiant Betty Grable makes an appearance singing "Let's K-knock K-knees" in which she shows a bit of her enormous charm and talent.
Ginger Rogers makes a gorgeous Mimmi Glassop. Alice Brady, is perfect as the dizzy Aunt Hortense. Edward Everett Horton plays an excellent Egbert Fitzgerald, the divorce lawyer. Erik Rhodes is one of the best things in the film; his Signor Tonetti injects a funny shot into the movie. Eric Blore, as the waiter, has great moments in the movie.
In setting the film in London and Brighton, a rich texture is added to this winning picture that will remain a favorite that will live forever because of the chemistry that Ginger Rogers and Fred Astaire produced in anything they did together.
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