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The Gay Bride (1934)

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Ratings: 6.7/10 from 223 users  
Reviews: 8 user | 1 critic

Gangster Shoots Magiz is the producer of the show in which Mary is appearing. She marries him even though she can't stand a thing about him, knowing that in his business he may not be ... See full summary »


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Title: The Gay Bride (1934)

The Gay Bride (1934) on IMDb 6.7/10

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Complete credited cast:
Mary Magiz
Jimmie 'Office boy' Burnham
Leo Carrillo ...
Mickey 'The Greek' Mikapopoulis
Nat Pendleton ...
William T. 'Shoots' Magiz
Sam Hardy ...
Daniel J. Dingle
Walter Walker ...
MacPherson, the Lawyer


Gangster Shoots Magiz is the producer of the show in which Mary is appearing. She marries him even though she can't stand a thing about him, knowing that in his business he may not be around for long. She's right. A series of loves and deaths ensues. Written by Ed Stephan <>

Plot Summary | Add Synopsis


Comedy | Crime






Release Date:

14 December 1934 (USA)  »

Also Known As:

Repeal  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »

Did You Know?


Daniel J. Dingle: Mary, how about a little kiss?
Mary Magiz: Mr. Dingle, you forget I'm in mourning!
Daniel J. Dingle: What's that got to do with it?
Mary Magiz: Well how would you feel if you were dead, and I kissed somebody else?
See more »


Featured in The Big Parade of Comedy (1964) See more »


Auld Lang Syne
Words by Robert Burns
Played by a band at the dock before the ship sailed
See more »

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User Reviews

The two leads make it worth watching
30 October 2011 | by (Minnesota) – See all my reviews

Chester Morris is "Office Boy," a sort of assistant to Nat Pendleton's head gangster. Pendleton has the hots for chorus girl Carole Lombard and is eventually persuaded (not easily!) to marry her.

The relationship between Office Boy and Lombard's Mary hovers between unfriendly and hostile for the majority of the picture, and is well summed up by the wedding gift with which Office Boy presents her: a chisel! Yes, Mary is strictly out for the money, and poor boy Morris—a loyal employee but nobody's fool—lets her know that he sees through her phony hysterics and overblown romantic antics. –Well, it's pretty obvious from this point that the situation, shall we say, is bound to develop.

The plot isn't much. Lombard's character is unsympathetic, at times downright annoying. The supporting cast frustrates, too: Leo Carillo's Greek gangster butchers English pronunciation but is more irritating than funny or sinister, and Zasu Pitts is only given one good scene in what could have been an ideal role for her as Lombard's friend and confidante. Pendleton is energetic but dumber than you'd think a mob boss could possibly be.

So when things really do start to pop, it's difficult to throw your sympathies, much less belief, behind what's happening. However, Carole Lombard successfully pulls it off: her early hamming is only a setup for her excellent late scenes in which her character's genuine warmth pushes aside the cold-hearted faker previously on display. We can almost believe that Morris's character would actually fall for her. Morris, by the way, is excellent throughout—a straight man among caricatures, he holds his own and is never overshadowed.

It's kind of a silly movie, certainly uneven and not close to entirely successful in the way it veers back and forth between comedy and melodrama. But as a fan of both Lombard and Morris, I wouldn't want to miss it. Ultimately, neither star disappoints.

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