In a hopeful effort to evade gangster Legs Caffey, chorus girl Letty Morris hops a bus in New York bound for Los Angeles--with Legs close on her heels. Along the way the bus picks up ...
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Jimmy Durante is jungle star Schnarzan the Conqueror, but the public is tiring of his fake lions. So when Baron Munchausen comes to town with real man-eating lions, Durante throws a big ... See full summary »
The famous Baron Munchausen dumps two dimwits in the African jungle. A rescue team mistakes one of them for the missing Baron, and returns them to the US, where they're greeted as heroes. ... See full summary »
Joe and Mary run a tobacco store and are just scraping by. When old friend Ted comes into the store, they renew their friendship, even though Ted is now wealthy and married to Elvira, whom ... See full summary »
Myrt has a show chock full of talented performers that deserves to be on Broadway, but can't raise the necessary money. Jackson, a lecherous "producer", provides the money in order to get ... See full summary »
Ted and Lulu Hackett are vaudeville's The Hacketts, a fairly successful song-and-dance team. They bring their son Ted Jr. up in the business and he soon eclipses them. When the son is ... See full summary »
The handsome young seaman John Paul Jones falls in love with Kit Corbin. Kit is the daughter of admiral Ben Corbin. But John is unable to act upon his love because of social class ... See full summary »
Harry A. Pollard
Pop Clark is about to lose his baseball team, unless they can win the pennant so he can pay off debts. He hires ace player Larry Kelly to ensure the victory. As well as rival teams, ... See full summary »
In a hopeful effort to evade gangster Legs Caffey, chorus girl Letty Morris hops a bus in New York bound for Los Angeles--with Legs close on her heels. Along the way the bus picks up escaped convict Paul Porter, who quickly allies himself with Letty. With the police in hot pursuit and Legs monitoring his every move with Letty, Paul is running out of both time and ideas. Written by
Chris Stone <firstname.lastname@example.org>
I watched this film merely because of the opportunity to see the Three Stooges in one of their early features. I was surprised (pleasantly) by their appearance, as they actually played real characters, pretty much, and not outrageous clowns. And although their former honcho Ted Healy is in the film, they don't really interact with him. But the true surprise was how wonderfully entertaining and brilliantly shot the whole thing is. Richard Boleslawsky and Ted Tatzleff, the cinematographer, created a visual sense to this film unmatched by anything I remember seeing from the period. And the pacing, both in cutting and in dialog, manages to be rapid-fire and eloquent at the same time. So much has been made about the development of deep-focus photography in the years following this film, it's often forgotten that short focus can be fabulous to look at as well. Inside the bus that provides much of the setting for this film, there is always a sense of constant life going on in the background even though the foreground faces are the only things in sharp focus. I loved the look of this movie. Faces are given immense importance, even when the character who owns the face is not so important to the plot. And even the minor characters have minutely detailed physical, facial, and emotional detail of expression, bringing each of them to vivid life, often in a few seconds or less. Technically, I think this movie represents an amazing accomplishment. The plot and the performances are neither unfamiliar nor astonishing, but the execution in virtually every department is smashing. I wish I'd known about this little gem years ago.
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