Evelyn Prentice (1934)The neglected wife of a high profile attorney dallies with a unscrupulous womanizer and finds herself involved in blackmail and murder. Director:William K. Howard |
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Evelyn Prentice (1934)The neglected wife of a high profile attorney dallies with a unscrupulous womanizer and finds herself involved in blackmail and murder. Director:William K. Howard |
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| Complete credited cast: | |||
| William Powell | ... |
John Prentice
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| Myrna Loy | ... |
Evelyn Prentice
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Una Merkel | ... |
Amy Drexel
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| Rosalind Russell | ... |
Mrs. Harrison
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| Isabel Jewell | ... |
Judith Wilson
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Harvey Stephens | ... |
Lawrence Kennard
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Edward Brophy | ... |
Delaney
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Henry Wadsworth | ... |
Chester Wylie
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Cora Sue Collins | ... |
Dorothy Prentice
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Frank Conroy | ... |
Dist. Atty. Farley
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Jessie Ralph | ... |
Mrs. Blake
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Evelyn Prentice is the respected wife of a high-profile New York attorney. Despite the prestige and status she enjoys, she feels neglected and out of boredom becomes involved with an unscrupulous womanizing poet, who gives her the attention she craves. She eventually finds herself a victim of blackmail and becomes involved in his murder. When another woman is accused of the crime, she begs her husband to defend her. Written by Gabe Taverney (duke1029@aol.com)
Lenore Coffee was a prolific screenwriter whose specialty was the "women's picture," and she writes a honey of one here. William Powell is a too-busy lawyer who's dallying with client Rosalind Russell and who neglects his family (and boy, can I identify with that), to the point where good wife Loy is momentarily distracted by a lounge-lizard poet with a busy black book. Disastrous complications ensue. William Howard's direction is workmanlike at best, but Coffee keeps the fireworks popping. She balances things expertly between smart, sassy dialog and courtroom melodramatics, and she can write persuasively for tart-tongued best friends (a soignee Una Merkel), wide-eyed daughters (a relatively unannoying Cora Sue Collins), wronged women (a heavy-lidded Isabel Jewell), and a supporting cast of New York sophisticates. The windup is a little fast and the idyllic fadeout not entirely convincing, but in these days of overheated trials and yellow Murdoch journalism, it's not entirely implausible, either. A very fast and smart comedy-drama, and I didn't mind the absence of the Nick and Nora personas, or Asta, one bit.