Evelyn Prentice (1934)The neglected wife of a high profile attorney dallies with a unscrupulous womanizer and finds herself involved in blackmail and murder. Director:William K. Howard |
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Evelyn Prentice (1934)The neglected wife of a high profile attorney dallies with a unscrupulous womanizer and finds herself involved in blackmail and murder. Director:William K. Howard |
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| Complete credited cast: | |||
| William Powell | ... |
John Prentice
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| Myrna Loy | ... |
Evelyn Prentice
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Una Merkel | ... |
Amy Drexel
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| Rosalind Russell | ... |
Mrs. Harrison
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| Isabel Jewell | ... |
Judith Wilson
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Harvey Stephens | ... |
Lawrence Kennard
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Edward Brophy | ... |
Delaney
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Henry Wadsworth | ... |
Chester Wylie
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Cora Sue Collins | ... |
Dorothy Prentice
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Frank Conroy | ... |
Dist. Atty. Farley
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Jessie Ralph | ... |
Mrs. Blake
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Evelyn Prentice is the respected wife of a high-profile New York attorney. Despite the prestige and status she enjoys, she feels neglected and out of boredom becomes involved with an unscrupulous womanizing poet, who gives her the attention she craves. She eventually finds herself a victim of blackmail and becomes involved in his murder. When another woman is accused of the crime, she begs her husband to defend her. Written by Gabe Taverney (duke1029@aol.com)
Besides the obvious factors of a great cast of that era, a great writer of women's films and how the writers, director and actors were able to tell all without showing it all - leaving much to the imagination, one of the great surprises of this film is a short scene in a nightclub where two male dancers, one white and one black, do a lovely tap dance number. This is one of the first integrated dance sequences in a white nightclub I remember seeing on film.
If anyone has more information about the dancers, and the history of this scene, i would be delighted to hear more about it! What a huge surprise.
And you may know that Rosalind Russell is in the film, her film debut and she is great as ever, with the camera loving her. She would soon go on to greater film roles like her comedy with Cary Grant, that classic, My Girl Friday.
The set designs are wonderful and reflect that period of Hollywood studio work. The cinematography too is wonderful. And the drama between William Powell and Myrna Loy is as wonderful as always. Una Merkel is a delight, filling in the gaps and the dialog of that period is also delightful.
I enjoyed it. If you enjoy those great black and white 1930s classics, I think you will also enjoy this little gem.