Dr. Monica Brayden, a successful physician, is the central character in this story. Unbeknownst to her, her successful journalist husband has had an affair with one of her acquaintances, ... See full summary »
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Dr. Monica Brayden, a successful physician, is the central character in this story. Unbeknownst to her, her successful journalist husband has had an affair with one of her acquaintances, Mary Hathaway. John then embarks on an extended trip to Europe, leaving Mary pregnant. Mary is torn between her friendship for Monica and the baby she carries. Just before the baby is to be delivered, Monica finds out who the father in fact is. John has broken all ties with Mary, but Monica, who still hasn't told John about her friend's pregnancy, is prepared to leave her husband for good. Mary, who is distraught yet grateful to Monica for caring for her and her baby, is the only one who can keep the couple together. Written by
Kay Francis is successful Dr. Monica Braden, married and madly in love with John Braden (Warren William). Her big sorrow is that she can't conceive, and we learn as the film goes along that she will never be able to conceive. The film opens at a gathering, and we find out fairly quickly that John was having an affair with Mary Hathaway (Jean Muir), but he broke it off. He tells her to forget him.
Monica and Mary are friends, and Mary has fainting spells - which in old movies could mean only one thing. Never stated, however. Pregnant. Not only that, but she never looked pregnant. Monica promises to help Mary every step of the way. And she does, until she finds out that the baby is her husband's.
This is dated and preposterous. Was Dr. Monica trying to be a candidate for sainthood? Kay is glamorous, and there's a nice performance from Verree Teasdale.
Precode and a typical Kay Francis melodrama. I don't know of any woman who would behave as she did, pre or post-code.
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