Pop Clark is about to lose his baseball team, unless they can win the pennant so he can pay off debts. He hires ace player Larry Kelly to ensure the victory. As well as rival teams, ...
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Broadway's most successful producer, John Forrester, is deeply in love with his wife Margaret and dreams of the future when his son Jack will step into his shoes. He sails to England to ... See full summary »
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Pop Clark is about to lose his baseball team, unless they can win the pennant so he can pay off debts. He hires ace player Larry Kelly to ensure the victory. As well as rival teams, mobsters are trying to prevent the wins, and as the pennant race nears the end, Pop's star players begin to be killed, on and off the field. Can Larry romance Pop's daughter, win enough games, and still have time to stop a murderer before he strikes more than three times? Written by
Ron Kerrigan <email@example.com>
Several old-time baseball players were supposedly cast in the movie. See more »
When the game resumes, after the bad guy is caught, the camera pans across the scoreboard to show that the game is tied, 2-2. The radio announcer then states, "Cincinnati hasn't scored since Kelly threw that ball into the dugout and let the tying run come in."
Cincinnati was the visiting team and the last run it scored, in the top of the second inning, would have made the score 2-1 (Cincinnati leading). It would not have been a tying run. See more »
The Stars and Stripes Forever
Written by John Philip Sousa
Played by the stadium band on opening day See more »
Someone's trying to keep St. Louis's baseball team from winning the pennant by killing off the players!
No wonder this antique rarely if ever showed up on a Late Show. As a whodunit, the movie generates little suspense as a multitude of characters drift in and out of the meandering scenes. In fact, the plot with a shadowy character shooting players during the game is pretty contrived.
Then too, the occasional poorly done process shots, usually backgrounding Larry (Young), keep reminding you that this is after all only a movie. The badinage between umpire O'Toole (I think) and player Hogan about the former's eyesight gets tiresome even if it does turn poignant in the end. Then too, I don't know where director Sedgwick was during the confession scene, but as others point out, it has to be seen to be believed.
On the other hand, Young does a reasonable job emulating a big league pitcher and is his usual engaging self, while Evans (Frances) and Kelly (reporter Jimmie) outshine the third-rate material. As an old Cardinal fan from the days of Musial and Schoendienst, I did enjoy seeing shots of old Sportsman's Park packed to the rafters. Nonetheless, the movie just doesn't cut it, and not because of its creaky age.
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