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Death Takes a Holiday (1934)

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Ratings: 7.1/10 from 1,074 users  
Reviews: 33 user | 10 critic

Death decides to take a holiday from his usual business to see what it is like to be a mortal. Posing as Prince Sirki, he spends 3 days with Duke Lambert and his guests at his dukal estate.... See full summary »

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Title: Death Takes a Holiday (1934)

Death Takes a Holiday (1934) on IMDb 7.1/10

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Cast

Complete credited cast:
...
Prince Sirki / Death
Evelyn Venable ...
Grazia
Guy Standing ...
Duke Lambert (as Sir Guy Standing)
Katharine Alexander ...
Alda
Gail Patrick ...
Rhoda
Helen Westley ...
Kathleen Howard ...
Princess Maria
Kent Taylor ...
Corrado
...
G.P. Huntley ...
Eric (as G.P. Huntley Jr.)
Otto Hoffman ...
Fedele (as Otto Hoffmann)
Edit

Storyline

Death decides to take a holiday from his usual business to see what it is like to be a mortal. Posing as Prince Sirki, he spends 3 days with Duke Lambert and his guests at his dukal estate. Several of the women are attracted to the mysterious prince, but shy away from him when they sense his true nature. But Grazia, the beautiful young woman whom the Duke thought was to marry his son, loves him even when she knows who he is. Written by John Oswalt <jao@jao.com>

Plot Summary | Add Synopsis

Plot Keywords:

prince | guest | love | holiday | death | See more »

Taglines:

HE LIVED FOR THREE DAYS...AND LOVED FOREVER! (original print ad - all caps) See more »

Genres:

Romance | Fantasy

Certificate:

Unrated | See all certifications »
Edit

Details

Country:

Language:

|

Release Date:

30 March 1934 (USA)  »

Also Known As:

Strange Holiday  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Claudette Colbert was initially slated for the role of Grazia. See more »

Goofs

In one of the opening scenes, Grazia is praying in a Catholic Church. She makes the Sign of the Cross and is meditating when Corrado joins her. When leaving, she fails to genuflect and make another Sign of the Cross, something they both would have done in real life. See more »

Quotes

Death: My holiday is just caprice - a mad joke that I play on life. But what a monstrous, what a sublime joke! I, Death, do hereby take on the World, the Flesh, and the Devil!
See more »

Connections

Referenced in Lou Grant: Violence (1981) See more »

Soundtracks

Wiener Blut (Vienna Blood), Op.354
(1873) (uncredited)
Music by Johann Strauß
Played as dance music at the party
See more »

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User Reviews

Very worth seeing, but frustrating
11 June 2000 | by (Denton, TX) – See all my reviews

First of all, the director of this film, Mitchell Leisen is one of the most underrated talents of 30's and 40's. He's acquired something of a bad reputation because of pretty vicious remarks made about him by Preston Sturges and Billy Wilder when talking about the films he directed from their scripts in the days before they were allowed to direct their *own* scripts. However, he doesn't deserve the derision. He's made some fluff films, for sure, but he's a consistently entertaining filmmaker who, more often than not, really delivers.

Anyway, Death Takes a Holiday is sort of his "art film" and it has a lot of great things in it. Fredric March's performance as Death is wonderful, the atmosphere is thick, the humor works, the scene setting is smart and romantic, and the opening titles are fun and weird, immediately presenting the film as something that's going to be a little unusual.

The problem with the film lies in Fredric March's romance with Evelyn Venable. The idea of Death falling in love with a human is great, but it's just not convincing here, mostly due to Venabale turning in a wooden performance that almost suggests she might be hypnotized. Also, the dialogue between them, particularly in the closing scene, is melodramatic and pseudo poetic beyond belief. You almost want to laugh at it.

It's a shame this most important aspect of the movie was handled so badly because just about everything else in film is great, particularly the interaction between Fredric March and just about everyone else in film who isn't Evelyn Venable. All of the good stuff just bursts with intruiging ideas.

And for that I would recommend the film to all potential viewers. The film is not without it's problems, but the good stuff is just good enough for me to say that the proverbial glass is definitely half full.


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