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Death Takes a Holiday (1934)

Unrated | | Drama, Fantasy, Romance | 30 March 1934 (USA)
Death decides to take a holiday from his usual business to see what it is like to be a mortal. Posing as Prince Sirki, he spends 3 days with Duke Lambert and his guests at his dukal estate.... See full summary »

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(screenplay), (screenplay) | 2 more credits »
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Cast

Complete credited cast:
...
...
Grazia
Guy Standing ...
Duke Lambert (as Sir Guy Standing)
Katharine Alexander ...
Alda
Gail Patrick ...
Helen Westley ...
Kathleen Howard ...
...
Corrado
...
G.P. Huntley ...
Eric (as G.P. Huntley Jr.)
Otto Hoffman ...
Fedele (as Otto Hoffmann)
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Storyline

Death decides to take a holiday from his usual business to see what it is like to be a mortal. Posing as Prince Sirki, he spends 3 days with Duke Lambert and his guests at his dukal estate. Several of the women are attracted to the mysterious prince, but shy away from him when they sense his true nature. But Grazia, the beautiful young woman whom the Duke thought was to marry his son, loves him even when she knows who he is. Written by John Oswalt <jao@jao.com>

Plot Summary | Add Synopsis

Plot Keywords:

prince | guest | love | holiday | death | See All (49) »

Taglines:

No one can die - while he makes love! See more »

Genres:

Drama | Fantasy | Romance

Certificate:

Unrated | See all certifications »
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Details

Country:

Language:

|

Release Date:

30 March 1934 (USA)  »

Also Known As:

Strange Holiday  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Edward Van Sloan was in studio records/casting call lists for the role of "Doctor Valle," but he never appears in the movie. See more »

Goofs

In one of the opening scenes, Grazia is praying in a Catholic Church. She makes the Sign of the Cross and is meditating when Corrado joins her. When leaving, she fails to genuflect and make another Sign of the Cross, something they both would have done in real life. See more »

Quotes

Grazia: Who are you?
Death: Sirki.
Grazia: I don't mean that. You seem to come from a distant place. When I'm with you, I see depths in your eyes that are like the worlds I visit in sleep. And beneath your words is a sound I've heard in dreams. When you leave me, the light goes from the sky. You're like the mystery that's just beyond sight and sound. Always just beyond my reach. Something that draws and... frightens.
See more »

Connections

Spoofed in Daria: Depth Takes a Holiday (1999) See more »

Soundtracks

Etude in E Op.10 No.3
(1829-32) (uncredited)
Music by Frédéric Chopin
Played offscreen on piano
See more »

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User Reviews

 
The Grim Reaper vacations in Italy
30 March 2005 | by (New York) – See all my reviews

"Death Takes a Holiday" was based on a play, and it's interesting that another playwright was called upon to adapt it for the screen. The original piece by Alberto Casella feels almost Pirandellian, in that it elevates every day things into a philosophical realm. Maxwell Anderson's respect for the original text shows in his elegant treatment of the material. The film is greatly enhanced by Mitchell Leisen's direction.

The people behind this 1934 film gathered an interesting cast to play Mr. Casella's characters. The idea of making death a human being was a novel idea. When the Grim Reaper becomes real in the person of Prince Sirki, it opened the possibilities for how he looked at life from this new perspective.

The idea of bringing Prince Sirki into the Duke Lambert's palatial home was the right setting, for it gives the movie an elegance that only in that context could be achieved. It's clear that Prince Sirki falls for the beautiful Grazia instantly. Grazia is almost engaged to Corrado, the Duke's son.

It's a joy to see these aristocrats at play when they encounter the figure of the prince. Only the Duke knows about him and is always by the prince's side in order to help him grasp the earthly nuances that supposedly, Sirki knows nothing about.

The ensemble performances Mr. Leisen achieved from his cast shows on the finished product we see. Fredric March makes an elegant presence as Sirki. The beautiful Evelyn Venable is perfect as Grazia. Guy Standing makes the most of his Duke Lambert. Henry Travers, Kent Taylor, Gail Patrick and Katherine Alexancer are seen in minor parts.

How can anyone compare this elegant production with the recent remake of this film? It is a puzzle to this observer, at best.


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