Death decides to take a holiday from his usual business to see what it is like to be a mortal. Posing as Prince Sirki, he spends 3 days with Duke Lambert and his guests at his dukal estate.... See full summary »
Young Pud is orphaned and left in the care of his aged grandparents. The boy and his cantankerous old grandfather become inseparable friends. But Gramps is concerned for his grandson's ... See full summary »
Harold S. Bucquet
Once a jewel thief always a jewel thief? Yes and no. Yes if you consider the fact that Michael Lanyard also known as the Lone Wolf once retired from the "trade" but relapses back into his ... See full summary »
Based on James Barrie's play "Alice Sit-By-The-Fire". In turn-of-the-century New York, a young girl who believes she's learned "the seamy side of life" from a risque play takes it upon ... See full summary »
Nekhlyudov, a Russian nobleman serving on a jury, discovers that the young girl on trial, Katusha, is someone he once seduced and abandoned and that he himself bears responsibility for ... See full summary »
Death decides to take a holiday from his usual business to see what it is like to be a mortal. Posing as Prince Sirki, he spends 3 days with Duke Lambert and his guests at his dukal estate. Several of the women are attracted to the mysterious prince, but shy away from him when they sense his true nature. But Grazia, the beautiful young woman whom the Duke thought was to marry his son, loves him even when she knows who he is. Written by
John Oswalt <firstname.lastname@example.org>
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »
In one of the opening scenes, Grazia is praying in a Catholic Church. She makes the Sign of the Cross and is meditating when Corrado joins her. When leaving, she fails to genuflect and make another Sign of the Cross, something they both would have done in real life. See more »
I shall feel blood flowing in my veins, the warm blood of life. I shall know what you know, feel what you feel! My hunger shall be appeased for an hour... my hunger that is as old as time - and those I love can feel they are not afraid... not afraid... NOT AFRAID!
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Despite some stilted dialogue and acting, this is an exquisitely opulent fantasy about the meaning of life which seamlessly mixes elements of comedy, romance and horror and emerges as an unjustly neglected minor classic - so much so that dear old Universal has deemed it fit to only give it a DVD release by proxy, unceremoniously slapping it onto their "Ultimate Edition" DVD of its overblown and unnecessary remake, MEET JOE BLACK (1998). Fredric March is superb in the lead and only confirms his position as one of Hollywood's finest, most versatile and consistent character actors (despite being blessed with matinée idol looks); March himself considers this to be one of his favorite roles. This was only Mitchell Leisen's second film as director, and his production designer past is still much in evidence, but he would go on to make several accomplished films - particularly EASY LIVING (1937), MIDNIGHT (1939), ARISE, MY LOVE (1940) and KITTY (1945) - before his career gradually petered out in the late 40s. A strikingly similar film to DEATH TAKES A HOLIDAY which I also would love to watch is Harold S. Bucquet's ON BORROWED TIME (1939) with Sir Cedric Hardwicke playing Death and Lionel Barrymore as his unwilling "client" - but it never seems to get shown on TV in my neck of the woods!
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