Death decides to take a holiday from his usual business to see what it is like to be a mortal. Posing as Prince Sirki, he spends 3 days with Duke Lambert and his guests at his dukal estate.... See full summary »
J.B. Ball, a rich financier, gets fed up with his free-spending family. He takes his wife's just-bought (very expensive) sable coat and throws it out the window, it lands on poor ... See full summary »
Young Pud is orphaned and left in the care of his aged grandparents. The boy and his cantankerous old grandfather become inseparable friends. But Gramps is concerned for his grandson's ... See full summary »
Harold S. Bucquet
Nekhlyudov, a Russian nobleman serving on a jury, discovers that the young girl on trial, Katusha, is someone he once seduced and abandoned and that he himself bears responsibility for ... See full summary »
In this screwball comedy a WW2 US pilot bombs a Japanese aircraft carrier, is assumed to be dead, and then is misquoted in the press as fondly remembering his days back home walking his dog... See full summary »
A spoiled young rich girl is sent to prison for accidentally running down a pedestrian. There she learns about a life and people she had never even imagined existed before. Upon her release... See full summary »
Death decides to take a holiday from his usual business to see what it is like to be a mortal. Posing as Prince Sirki, he spends 3 days with Duke Lambert and his guests at his dukal estate. Several of the women are attracted to the mysterious prince, but shy away from him when they sense his true nature. But Grazia, the beautiful young woman whom the Duke thought was to marry his son, loves him even when she knows who he is. Written by
John Oswalt <firstname.lastname@example.org>
"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on March 22, 1937 with Fredric March reprising his film role. See more »
In one of the opening scenes, Grazia is praying in a Catholic Church. She makes the Sign of the Cross and is meditating when Corrado joins her. When leaving, she fails to genuflect and make another Sign of the Cross, something they both would have done in real life. See more »
Despite some stilted dialogue and acting, this is an exquisitely opulent fantasy about the meaning of life which seamlessly mixes elements of comedy, romance and horror and emerges as an unjustly neglected minor classic - so much so that dear old Universal has deemed it fit to only give it a DVD release by proxy, unceremoniously slapping it onto their "Ultimate Edition" DVD of its overblown and unnecessary remake, MEET JOE BLACK (1998). Fredric March is superb in the lead and only confirms his position as one of Hollywood's finest, most versatile and consistent character actors (despite being blessed with matinée idol looks); March himself considers this to be one of his favorite roles. This was only Mitchell Leisen's second film as director, and his production designer past is still much in evidence, but he would go on to make several accomplished films - particularly EASY LIVING (1937), MIDNIGHT (1939), ARISE, MY LOVE (1940) and KITTY (1945) - before his career gradually petered out in the late 40s. A strikingly similar film to DEATH TAKES A HOLIDAY which I also would love to watch is Harold S. Bucquet's ON BORROWED TIME (1939) with Sir Cedric Hardwicke playing Death and Lionel Barrymore as his unwilling "client" - but it never seems to get shown on TV in my neck of the woods!
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