Dames (1934)

Multi-millionaire Ezra Ounce wants to start a campaign against 'filthy' forms of entertainment, like Broadway-Shows. He comes to his relatives families and makes them members of his ... See full summary »

Directors:

Ray Enright, Busby Berkeley

Writers:

Delmer Daves (screen play), Robert Lord (story),

Stars:

Joan Blondell, Dick Powell, Ruby Keeler

1 win.

Cast

Complete credited cast:
Joan Blondell	...	Mabel
Dick Powell	...	Jimmy
Ruby Keeler	...	Barbara
Zasu Pitts	...	Mathilda
Guy Kibbee	...	Horace
Hugh Herbert	...	Ezra
Arthur Vinton	...	Bulger - Ounce's Bodyguard
Phil Regan	...	Johnny Harris - Songwriter
Arthur Aylesworth	...	Train Conductor
Johnny Arthur	...	Billings - Ounce's Secretary
Leila Bennett	...	Laura - Matilda's Maid
Berton Churchill	...	Harold Ellsworthy Todd
Rest of cast listed alphabetically:
Bess Flowers	...	(scenes deleted)

Storyline

Multi-millionaire Ezra Ounce wants to start a campaign against 'filthy' forms of entertainment, like Broadway-Shows. He comes to his relatives families and makes them members of his morale-boosting campaign. But Jimmy, another relative is producing a show, starring Ezra's niece Barbara. But he had bad luck with his backer, this person has given him an invalid check. Another of his victims, the show-girl Mabel has the idea of blackmailing Horace, Barbara's father, whom she has met before in a slightly compromising situation to get the money.

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Plot Keywords:

fight | drugstore | rehearsal | broadway manhattan new york city | music band | 

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Genres:

Comedy | Musical

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Certificate:

Approved

Details

Country:

USA

Language:

English

Release Date:

1 September 1934 (USA)

Also Known As:

Abbasso le donne

Filming Locations:

Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, California, USA

Company Credits

Production Co:

Warner Bros., Vitaphone Corporation, The

Technical Specs

Runtime:

91 min

Sound Mix:

Mono

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

The studio wanted Broadway dancer Eleanor Powell for a special dance, but she refused the offer.

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Goofs

While Joan Blondell is singing "The Girl at the Ironing Board", a stage hand is seen in the background hanging a clothesline.

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Quotes

Barbara Hemingway: I'm free, white, and 21. I love to dance AND I'm going to dance.

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Connections

Featured in Ask the Dust (2006)

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Soundtracks

"Le cygne (The Swan)"
(1886) (uncredited)
From "Carnival of the Animals"
Music by Camille Saint-Saëns
Played briefly during "The Girl at the Ironing Board" sequence

User Reviews

One of the Best Busby Berkeley's

A wonderful musical comedy, fitting in well with 42nd Street, Golddiggers of 1933, Footlight Parade, and Golddiggers of 1935. Of the five, I would place this one tied for second, behind Golddiggers of 1933, equal to Footlight Parade, and just a hair better than 42nd Street. If you have seen none of them it would be good to start with this one. Then I would go to 42nd Street, Footlight Parade, saving the masterpiece Golddiggers of 33 for last. (Golddiggers of 1935 is quite a bit inferior.)

The first strong point is the excellent comedic plot, better than that in 42nd Street, about the same as Footlght Parade. Guy Kibbe is wonderful as always, Hugh Herbert and Zasu Pitts are great. The three of them really steal the show, at least as far as acting and plot go. The jokes come quickly and can easily be missed. I would hazard a guess that some viewers will no longer get the joke in the name of Hugh Herbert's character, "Ezra Ounce."

Joan Blondell is gorgeous and smart as always. Dick Powell is the same as in all the movies - which is absolutely fine! I love his voice.

I find Ruby Keeler a delight to look at and watch. It's true, as others have commented, that she really doesn't do a heck of a lot in this one, though she is on screen quite a lot. Some people seem to love to put down her acting or dancing. OK, so she's not going to star in King Lear or Antigone. So what? Get over it! That's not the point. She is very appealing. Similarly, I like seeing her dance. She doesn't have to be as good as Cyd Charisse. Get over it!

The real appeal of all five of the movies I've mentioned here, and the real star, is Busby Berkeley. It is amazing to read one or two of the reviews written here in the last decade by people who, I suppose, are rather young and set in their ways. How anyone with half a brain can watch this movie and not be absolutely blown away is unbelievable to me. Truly, such a person is blind. Maybe not in the sense of passing the eye test for a driver's license, but blind nonetheless. Surely Busby Berkeley was the most unexpected creative genius in the history of film.

Let me echo something another poster has written. Though I was born long after the great depression ended, it was still a living reality in the minds of my parents, and something I absorbed somehow when growing up. Maybe a byproduct of the difficult economic times we are living through now will be a greater sensitivity on the part of some people to those times and the culture produced in those times. It does seem that some of the negative reviewers here need to broaden and deepen their appreciation, not just of movies, but of humanity.

But I digress. This is a wonderful, fun, eye-popping movie, full of great songs and fantastic choreography. Enjoy.

• henry