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Dames (1934)
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Overview
User Rating:
Release Date:
1 September 1934 (USA) morePlot:
Multi millinaire Ezra Ounce wants to start a campain against 'filthy' forms of entertainment, like Broadway-Shows... more | add synopsisAwards:
1 win moreUser Comments:
Slight plot, great music, and Busby Berkley. Isn't that enough? moreCast
(Complete credited cast)| Joan Blondell | ... | Mabel Anderson | |
| Dick Powell | ... | James 'Jimmy' Higgens | |
| Ruby Keeler | ... | Barbara Hemingway, aka Joan Grey | |
| Zasu Pitts | ... | Matilda Ounce Hemingway (misspelled Mathilda in opening credits) | |
| Guy Kibbee | ... | Horace Peter Hemingway | |
| Hugh Herbert | ... | Ezra Ounce | |
| Arthur Vinton | ... | Bulger, Ounce's Bodyguard | |
| Phil Regan | ... | Johnny Harris, Songwriter | |
| Arthur Aylesworth | ... | Train Conductor | |
| Johnny Arthur | ... | Billings, Ounce's Secretary | |
| Leila Bennett | ... | Laura, Matilda's Maid | |
| Berton Churchill | ... | Harold Ellsworthy Todd | |
| rest of cast listed alphabetically: | |||
| Bess Flowers | ... | (scenes deleted) | |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
91 minCountry:
USALanguage:
EnglishColor:
Black and WhiteAspect Ratio:
1.37 : 1 moreSound Mix:
MonoFilming Locations:
Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, California, USAFun Stuff
Trivia:
In the "Dames" number, Dick Powell as a Broadway producer doesn't want to see composer George Gershwin, but when asked by his secretary about seeing Miss Dubin, Miss Warren and Miss Kelly, he lets them enter his office. Al Dubin and 'Harry Warren' wrote the music, and Orry-Kelly was costume designer of this picture. moreGoofs:
Crew or equipment visible: While Joan Blondell is singing "The Girl at the Ironing Board", a stage hand is seen in the background hanging a clothesline. moreSoundtrack:
My Bonnie Lies Over the Ocean moreFAQ
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Dick Powell and the music of Warren and Dubin is reason enough to watch this otherwise average musical. Busby Berkley's choreography is an aquired taste - I prefer the elegance of Hermes Pan/Fred Astaire and the expert tapping of George Murphy and Eleanor Powell, or even the highly entertaining Bill "Bojangles" Robinson and Shirley Temple duets. But these all came later than DAMES and Berkley's eye-candy style is highly entertaining and, sometimes, memorable.
I never thought Ruby Keeler was terribly talented and her lack of acting ability does show, especially in the company of such accomplished players as Joan Blondell, Powell, Hugh Herbert, and Guy Kibbee. Keeler's acting is passable, if a bit clumsy, and I find her dancing adequate. (She was called, in some 1930s circles, "The Stomper" for her heavy-footed tapping.)
What makes this film a winner is the music. The title song is wonderful and the splendid "I Only Have Eyes For You" is one of the best songs ever written for a movie. That song is fully performed twice, once about midway into the film and, differently, near the end. The later performance is fine, the former one of the screen's greatest musical numbers. Powell sings it with his beautiful high tenor and Berkley provides probably his best ever production. I dare the viewer to not get goose bumps when watching this.
Take away the music and Busby Berkley and you're left with not much except a (mostly) great cast. I give "DAMES" my highest rating for the music and production numbers and a solid middle ranking for the plot. One could do a lot worse than spend 90 minutes with DAMES.