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Edmond Dantes is imprisoned in the Chateau d'If without trial, for carrying a message from Napoleon in exile on Elba. After being told that he died in prison, his fiancé Mercedes is forced to marry his rival Count Mondego. Twenty years later, Dantes escapes with the help of the Abbe Faria, who leaves him the treasure of Monte Cristo. Dantes, now called the Count of Monte Cristo, plans his revenge on the three who framed him. Written by
Robert Donat made his only trip to Hollywood during the production of this film. Due mainly to his poor health, he was unable to travel to Hollywood again to film any of his other roles. See more »
During the fencing duel between Dantes and Mondego, in one brief shot near the end Sidney Blackmer holds his sword in his left hand instead of his right, which he does in the rest of the scene. This was obviously a shown in reverse as is often done to add footage. See more »
[Albert has just challenged Monte Cristo to a duel]
Yes. Something admirable and terrible... something I never planned.
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Far more than most adaptations of novels, this version of THE COUNT OF MONTE CRISTO adheres to the novelist's plot and details, and does so to its advantage, as the original is wonderfully full-blooded. The role of Edmond Dantes is played well by Robert Donat, who nicely projects the many moments of peril with which his character deals. The imprisonment and escape scenes at the seabound Château D'If, although of a result certain to the viewer, are neatly mounted to create genuine compassion and suspense. Splendidly cast, a wide range of talent brings splendid balance to each act. The passing from the early tableaux of adventure to the thrust of the story: carefully crafted and complex methods of revenge, is effectively delivered by the scenario. Those who decide to watch this classic film will avoid missing excellent acting from Sidney Blackmer and O.P. Heggie, as well as outstanding art direction and costume design.
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