7.7/10
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The Count of Monte Cristo (1934)

Unrated | | Action, Adventure, Drama | 7 September 1934 (USA)
After greedy men have Edmound Dantes unjustly imprisoned for 20 years for innocently delivering a letter entrusted to him, he escapes to get his revenge on them.

Director:

Writers:

(novel), (screenplay) | 5 more credits »
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1 win. See more awards »
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Cast

Cast overview, first billed only:
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Walter Walker ...
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Clothilde
Clarence Wilson ...
Eleanor Phelps ...
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Storyline

Edmond Dantes is imprisoned in the Chateau d'If without trial, for carrying a message from Napoleon in exile on Elba. After being told that he died in prison, his fiancé Mercedes is forced to marry his rival Count Mondego. Twenty years later, Dantes escapes with the help of the Abbe Faria, who leaves him the treasure of Monte Cristo. Dantes, now called the Count of Monte Cristo, plans his revenge on the three who framed him. Written by Will Gilbert

Plot Summary | Add Synopsis

Taglines:

Snatched from his betrothed...convicted without trial...condemned to a living death...the soul of the simple sea captain died...and in its place emerged a flaming figure of vengeance...The COUNT of MONTE CRISTO! See more »


Certificate:

Unrated | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

7 September 1934 (USA)  »

Also Known As:

Das Rätsel von Monte Christo  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Robert Donat made his only trip to Hollywood during the production of this film. Due mainly to his poor health, he was unable to travel to Hollywood again to film any of his other roles. See more »

Goofs

During the fencing duel between Dantes and Mondego, in one brief shot near the end Sidney Blackmer holds his sword in his left hand instead of his right, which he does in the rest of the scene. This was obviously a shown in reverse as is often done to add footage. See more »

Quotes

Edmond Dantes: Please believe I've put my task above the mean level of personal vengeance. I am exposing criminals, not for their sins against myself but for their black injustices to others... not only for what they have done but for what they continue to do. They are the ones devoid of all humanity, the ones that profitted by the sufferings of others.
Mercedes de Rosas: Whom will it profit if you kill my son?
Edmond Dantes: Surely you don't think this duel part of my design!
Mercedes de Rosas: What else am I to think, knowing how skillfully you have destroyed...
[...]
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Connections

Version of A Modern Monte Cristo (1917) See more »

Soundtracks

The Marseillaise
(uncredited)
Composed by Claude Joseph Rouget de Lisle (1792)
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User Reviews

 
Never surpassed
14 April 2005 | by (United Kingdom) – See all my reviews

I was lucky enough to obtain a video copy of an excellent black & white print of this movie, as I believe the colourisation of current copies falsifies the viewing experience. The photography and lighting are so exquisite, only the 1930's movie-making artists - it was an art form then - could accomplish it and it has to be appreciated like an antique: old, but immensely valuable for that.

They truly don't make them like this any more, and after having seen some of the subsequent screen versions, I still don't believe this one has ever been surpassed. I have also read Dumas' novel and would say that except for some minor alterations to the plot, the movie is largely true to the book.

Robert Donat is a dashing Dantes, whose ageing in body and spirit during the course of the movie is utterly believable (but he even improved on his ability to portray a physical and mental journey a few years later, when he made "Goodbye Mr. Chips"). Elissa Landi is a sweet and witty heroine, and the villains are so beautifully characterised (notably Sidney Blackmer's Mondego) that it becomes all the more satisfying when Dantes deals with them according to their own villainous traits.

I particularly enjoyed the intelligent flashes of irony with which the grim story is suffused, such as Dantes' double-speak as he flatters his enemies, at the same time telling them truth which they choose to misunderstand. The script is fantastic, the acting luminous. I feel sorry for those who hesitate to watch black & white classics like this one - they miss out on the very essence of what the art of movie-making and acting really used to be about.


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