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Cleopatra (1934)

 -  Biography | Drama  -  5 October 1934 (USA)
6.9
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Ratings: 6.9/10 from 2,102 users  
Reviews: 42 user | 34 critic

The man-hungry Queen of Egypt leads Julius Caesar and Marc Antony astray, amid scenes of DeMillean splendor.

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(from an adaptation by: historical material), (screen play), 1 more credit »
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Title: Cleopatra (1934)

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Won 1 Oscar. Another 4 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Warren William ...
...
...
Ian Keith ...
Gertrude Michael ...
...
...
Arthur Hohl ...
...
Ian Maclaren ...
Cassius (as Ian MacLaren)
Eleanor Phelps ...
Leonard Mudie ...
Grace Durkin ...
Ferdinand Gottschalk ...
Glabrio (scenes deleted)
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Storyline

In 48 BC, Cleopatra, facing palace revolt in her kingdom of Egypt, welcomes the arrival of Julius Caesar as a way of solidifying her power under Rome. When Caesar, whom she has led astray, is killed, she transfers her affections to Marc Antony and dazzles him on a barge full of DeMillean splendor. But the trick may not work a third time... Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

History's most seductive woman! The screen's mightiest spectacle! See more »

Genres:

Biography | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

5 October 1934 (USA)  »

Also Known As:

Kleopatra  »

Filming Locations:

 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

A number of day-to-day schedule problems and delays appear to have been costume-related, in many cases because Claudette Colbert felt they didn't fit her correctly and was sending them back to the costume shop. See more »

Goofs

The main doors to Cleopatra's chambers have modern metal hinges. See more »

Quotes

Cleopatra: So Rome would forgive and take you back? And all they demand is for us to part. Why don't they ask the sun to fall right out of the sky?
See more »

Connections

Featured in A Century of Cinema (1994) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

The best version for those who love kitsch...
11 April 2001 | by (Northridge, Ca) – See all my reviews

Was Demille more daring than any other director or was he just clueless? What does one say when the curtains close on Antony and Cleopatra and suddenly the screen erupts with more sexual symbols than any moment in Hollywood's history? From the phallic symbols (oars) to the yonic symbols (curtains) until finally both orgasmically mesh together in a final combination (a drummer with his drum), the scene tells us we're viewing the artistry of a kinky genius or a shameless carney.

And along with the jawdropping visuals, the film is crammed with juicy Demille-like dialog. Unlike other Demille films, this one has a wonderful cast to deliver his unique oneliners, and there are so many. My own favorites are the moments of dumbdowned Shakespeare. Instead of speaking of Cleopatra's "infinite variety" we are told she is always "many colored" and, of course, instead of "Et tu, Brute?" we get, "You? You too, Brutus?" What can you say about a movie in which Julius Ceasar says "Nope" to his senators? Nothing. One can only savor every delicious moment of camp that only a Demille could serve up.

The Taylor/Burton version is more spectacular, more intelligent, and more historical, but for those who relish kitsch--and this story always lends itself to it--this version is the best.


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DeMille's splendor that has stood a test of time! marcin_kukuczka
Mark Antony's dogs... marcin_kukuczka
Romantic barge scene goof? operabuff67
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Soundtrack available anywhere? TheMysteriousLady
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