Cleopatra, the famed Egyptian Queen born in 69 B.C., is shown to have been brought by Roman ruler Julius Caesar at age 18. Caesar becomes sexually obsessed by the 18 year old queen, beds ... See full summary »
Bea Pullman and her daughter Jessie have had a hard time making ends meet since Bea's husband died. Help comes in the form of Delilah Johnson, who agrees to work as Bea's housekeeper in ... See full summary »
The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf. The second part shows the efficacy ... See full summary »
Cecil B. DeMille
Charles de Rochefort,
A Musical-romance with Dick Powell as a private stationed in Hawaii who gets involved with Ruby Keeler, the general's engaged daughter. In order to avoid a scandal, the pair break up, but ... See full summary »
In this fictionalized biography, young Pancho Villa takes to the hills after killing an overseer in revenge for his father's death. In 1910, he befriends American reporter Johnny Sykes. ... See full summary »
Four passengers escape their bubonic plague-infested ship and land on the coast of a wild jungle. In order to reach safety they have to trek through the jungle, facing wild animals and attacks by primitive tribesmen.
Cecil B. DeMille
In 48 BC, Cleopatra, facing palace revolt in her kingdom of Egypt, welcomes the arrival of Julius Caesar as a way of solidifying her power under Rome. When Caesar, whom she has led astray, is killed, she transfers her affections to Marc Antony and dazzles him on a barge full of DeMillean splendor. But the trick may not work a third time... Written by
Rod Crawford <firstname.lastname@example.org>
A number of day-to-day schedule problems and delays appear to have been costume-related, in many cases because Claudette Colbert felt they didn't fit her correctly and was sending them back to the costume shop. See more »
The main doors to Cleopatra's chambers have modern metal hinges. See more »
It's not the Senate I'm worried about but their fat wives. Do you know anything about senators, Charmion?
Well, we only got here yesterday, Majesty.
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I wasn't looking forward to this one as much as THE SIGN OF THE CROSS (considered by many as De Mille's best film) but I must say that I was just as impressed by it. The pacing here is smoother, and we do get to see some wonderful action montages towards the end as opposed to the rather middling arena stuff of CROSS.
Claudette Colbert, too gets a lot more coverage this time around and certainly clinches the title role far better than the positively annoying Elizabeth Taylor in the ill-fated 1963 version. However, the male leads here are less interesting, for lack of a better word: Henry Wilcoxon and Warren William are adequate but, naturally, no match for the thespian skills of Richard Burton and Rex Harrison respectively.
The supporting cast is notable (Ian Keith, Irving Pichel, Joseph Schildkraut, C. Aubrey Smith) and the film features a number of great scenes: Caesar's murder (partly filmed in a POV shot), following which is a delicious jibe at Antony's famous oratory during Caesar's funeral as envisioned by Shakespeare; the long - and justly celebrated - barge sequence, in which Antony (intent on teaching Cleopatra, whom he blames for Caesar's death, a lesson) ends up being completely won over by her wiles; Cleopatra's own death scene is simply but most effectively filmed.
Like in THE SIGN OF THE CROSS, the film's production values are truly awe-inspiring and, in fact, Victor Milner was awarded with a well-deserved Oscar for his lush cinematography here. Needless to say, De Mille's take on Cleopatra, despite feeling hurried since it runs for less than half its length, is a more satisfying viewing experience than the stultifyingly dull, overblown and misguided (if still worthwhile and not quite as catastrophic as the history books would have it) later version.
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