Rich playboy Drogo Gaines is in imminent danger of marrying a gold digger, and escapes by feigning insanity. The joke's on him when he wakes up in an asylum full of comical lunatics. There ... See full summary »
Beverly Ross moderates an 5:30 am radio show with swing music, dedicated to the local servicemen. Two buddies of her brother have a chance to meet her and both fall in love. One of them is ... See full summary »
When Polly Fisher, a circus aerialist, is hurt while performing, she is taken to the house of a nearby minister, John Hartley. As she recuperates, they fall in love with each other and ... See full summary »
C. Aubrey Smith
Laura is a nurse at the Front in World War I. She meets and falls for a young flyer named Geoffrey. On his first mission, Geoffrey is shot down and taken to the hospital where Laura works. ... See full summary »
Sam Gallagher (Pat O'Brien), a former foreign correspondent and now a United States Government agent, gets a job through his brother Jeff (Chester Morris), whom he has not seen in seven ... See full summary »
A few cast members in studio records/casting call lists for this movie were not seen in the final print. These were (with their character names, if any): Bobby Caldwell (Happy as a Boy), William Demarest (Ringmaster), and William B. Davidson. Tom Dugan was also not seen in the print, but he was credited in position 11 as "Mac." See more »
Music by John Klohr
Played during the opening credits
Also played when the trapeze artists enter the arena as part of the parade See more »
This is the first Joe E. Brown film I've seen, other than "Some Like It Hot"( which, of course, falls into a whole other category, that of "classic")and although it is a rather dated and pedestrian comedy of the 30s, it has a certain innocent charm. I especially appreciated the fact that he did most of the stunts in the film. He had been a circus acrobat embarking on a film career, and it is apparent. A subplot involving a female impersonator, and "Happy's" infatuation with her/him is not as outre as it sounds, becoming merely a prank played on him by the (clearly) masculine impersonator. Still, an interesting curio in terms of what was highly popular with moviegoers of the mid-1930s, and a movie younger kids might find quite hilarious.
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