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Chu Chin Chow (1934)

Passed  |   |  Action, Adventure, Comedy  |  21 September 1934 (USA)
6.1
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Ratings: 6.1/10 from 94 users  
Reviews: 8 user | 2 critic

Musical retelling of the "Ali Baba and the 40 Thieves" Arabian Nights tale.

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(play), (screenplay), 2 more credits »
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Cast

Complete credited cast:
George Robey ...
Fritz Kortner ...
...
Zahrat
John Garrick ...
Nur-al-din Baba
Pearl Argyle ...
Marjanah, servant girl
Malcolm 'Mr. Jetsam' McEachern ...
Abdullah, Kassim's major-domo (as Jetsam)
Dennis Hoey ...
Rakham, chief henchman
Sydney Fairbrother ...
Mahbubah Baba, Ali's wife
Laurence Hanray ...
Kasim Baba
Frank Cochrane ...
Mustafa
Thelma Tuson ...
Alcolom Baba, Kassim's wife
Francis L. Sullivan ...
The Caliph (as Francis Sullivan)
Gibb McLaughlin ...
The Caliph's Vizier
Kiyoshi Takase ...
Entertainer at Feast (as Kyoshi Takase)
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Storyline

Ali Baba discovers the treasure cave of robber-baron Abu Hasan, and tells his greedy brother, Kasim Baba, who is posing as a Chinese merchant and entertaining Hasan, where the cache is hidden. Zahrat, acting as a spy for Hasan, is blamed when the robber is almost caught, and Kasim is killed. Zahrat then decides to join Ali and his son, Nor-al-din, who is in love with the slave-girl, Marjanal. During a party, she kills the disguised Hasan, and his men are boiled in oil. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Plot Keywords:

brother | cave | violence | chinese | spy | See All (52) »

Taglines:

Mighty Arabian Nights of Splendor and Adventure! (USA re-release poster) See more »


Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

21 September 1934 (USA)  »

Also Known As:

Ali Baba Nights  »

Box Office

Budget:

$500,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(reissue) (re-edited)

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Connections

Remake of Chu-Chin-Chow (1923) See more »

Soundtracks

Selections
from "Chu Chin Chow"
Music by Frederick Norton
Lyrics by Oscar Asche
Additional Lyrics by Sidney Gilliat
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User Reviews

 
Any Time's Viewing Time
17 September 2007 | by (Derby, UK) – See all my reviews

This one works in all departments – a 1930's British film of a British stage musical that ran from 1916 to 1920 – the sheer artistry involved in this production disguised the staidly primitive techniques. And the production is breathtaking at times – it shows just what can be achieved with a little money but plenty of intelligence. George Robey, three decades past his Prime Minister Of Mirth heyday was perfect in the main role of Ali Baba. Just in case you ever wonder: even when young he never had a singing voice, it was his down to Earth silliness playing with words that endeared him to British Music Hall audiences.

It's the story of Ali Baba and the Forty Thieves and his sudden rise to wealth and power, from the finding of their cave and robbing the robbers of their treasures. The magnificent Chu Chin Chow of the title and his coterie travelling to Baghdad are reduced to dust in double quick time, leading to the imposture by Abu Hasan and his Thieves at the court of Kasim Baba. The sets are astounding, probably gossamer but believable. Fritz Kortner as Head Thief is suitably savage, and Anna May Wong (again playing the treacherous insider, as in Fairbanks' Thief Of Bagdad) as his … slave is in a difficult position for the entire film. Along the way are some lovely songs: The Cobblers Song, the incredibly romantic Corraline (sung in the sparkling "moonlight" to every camera angle imaginable), I Love Thee So (languid and atmospheric photography) but especially the gorgeous Any Time's Kissing Time. Robey and Thelma Tuson gave it their all and succeeded in creating the most delicious idiotic/romantic 2 minutes in film history – just look at the slaves laughing in the background!

It's one of the best British films from the decade even so I don't expect UK TV to ever show it again, but it's one I trot out on video to watch every few years with no loss of enjoyment. It might have been better in Technicolor because a lot of people who might have liked it today could be put off by the black and white photography. But if you can sink into the first 10 minutes or so you'll find a little gem worth the taking.


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