Letty, a young woman who ended up pregnant, unmarried and on the streets at fifteen is bitter and determined that her child will not grow up to be taken advantage of. Letty teaches her ... See full summary »
The title represents the hopeful, ambitious students at a hospital training school and is primarily a story of the stern discipline and laborious physical and mental toil they endure in ... See full summary »
In the mid-1700's the East India Company has power over commerce on the sub-continent, with the blessings of the British government. A clerk in the company, Robert Clive, is frustrated by ... See full summary »
This revue presents its numbers around the orchestra leader Paul Whiteman, besides that it shows in it's final number that the European popular music are the roots of American popular music... See full summary »
The small kingdom of Marshovia has a little problem. The main tax-payer, the wealthy widow Sonia (who pays 52 0f the taxes) has left for Paris So Count Danilo is sent to Paris, to stop her ... See full summary »
Edward Everett Horton
A woman whose husband never came home from World War I finds herself in love with her doctor. She travels with him to Switzerland, and as they check into the hotel there, she is astounded to see her supposedly dead husband.
The young Countess Wilma is forced to wed by midnight or lose her inheritance. Wilma impulsively chooses gypsy vagabond Latzi, offering him a huge sum of money if he'll consent. Swallowing his pride, Latzi agrees to the marriage, but soon Wilma falls in love with the young Lieutenant Von Tokay who is himself in love with Latzi's gypsy sweetheart Timka. Written by
Erik Charrell had an artistic and financial success with his lively and original CONGRESS DANCES and was imported into the United States. You can see some of the same impulses in this movie, particularly the scene in which the army attacks to restore order -- and the gypsies, led by Charles Boyer on the violin, counter-attack with music and swamp them.
The movie is full of good bits like that. Charles Boyer is great, Phillips Holmes -- he looks like a blonde Kirk Douglas to me -- is good, and the supporting cast, who are all old pros are good. I think, though, that Charrell was having trouble giving directions in English, so that leading lady, Loretta Young, is pretty erratic, even though she is luminously beautiful. And does every shot having to make use of a traveling camera? The result is a failure to produce a good German operetta in Hollywood. It winds up bloated and ill-balanced; the hit song from it was "It's Up to You to Do the Hot-Cha-Cha", for which Gus Kahn probably wrote the lyrics while drunk.
Fox was falling apart, between the lack of a strong front office and troughing ticket sales. Popular star, Will Rogers, would die in a plane crash, Janet Gaynor was struggling to find more adult, modern vehicles and no one seemed sure how to deal with the newly enforced production code. CARAVAN looks like it could have been saved -- cut here, shoot a new scene there, but there was no one to make the decision. Soon the studio would be forcibly merged with Zanuck's 20th Century production and changes would be made.
It wouldn't be soon enough for this movie or Charrell. This would be his last movie as a director, although he would wind up with a decent enough career as a writer. Too bad.
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