The gang is sitting around their campsite when a mosquito spoils their fun. And then he gets hundreds of his friends and they really cause trouble. Horace squirts some with molasses, which helps a bit. Everyone retreats to the tent, where they still get stung but can fight back a bit, eventually trapping all the mosquitoes in a pair of bloomers and sending them on their way. Written by
Jon Reeves <firstname.lastname@example.org>
Mickey & Minnie, Horace Horsecollar & Clarabelle Cow are having great fun CAMPING OUT together - until they are attacked by a horrible swarm of ferocious mosquitoes.
This is an enjoyable little black & white film, with good animation & pacing. And what viewer cannot sympathize with the anxiety of dealing with a deadly insect menace? The animators have indulged in a large number of their favorite posterior gags. Horace & Clarabelle are very effective in their larger-than-usual roles. They were two seasoned performers with years of experience on the vaudeville stage and in early cinema, but they would eventually find themselves supplanted at Disney by newcomers Pluto, Goofy & Donald Duck.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
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