Algy, Bulldog Drummond's right-hand-man, is getting married. Bulldog attends; on the way home, in the fog, he enters the (apparently deserted) mansion of Prince Achmed in search of a phone.... See full summary »
Letty, a young woman who ended up pregnant, unmarried and on the streets at fifteen is bitter and determined that her child will not grow up to be taken advantage of. Letty teaches her ... See full summary »
A singer marries a famous composer, and after a while she gets the itch to go back on the stage. However, her husband won't let her. When she hears that a popular French singer named "... See full summary »
With a ruthless gang terrorizing London, Scotland Yard calls Hugh "Bulldog" Drummond out of retirement. With the help of detective Helen Smith, Drummond infiltrates the gang under an ... See full summary »
In the mid-1700's the East India Company has power over commerce on the sub-continent, with the blessings of the British government. A clerk in the company, Robert Clive, is frustrated by ... See full summary »
Three sisters take their small inheritance and move from Kansas to California in search of rich husbands. To start with Pamela poses as a socialite and Moira and Elizabeth pretend to be her... See full summary »
Algy, Bulldog Drummond's right-hand-man, is getting married. Bulldog attends; on the way home, in the fog, he enters the (apparently deserted) mansion of Prince Achmed in search of a phone. He finds none, but he does find a body - which disappears when he summons a bobby. Bodies keep disappearing as Drummond keeps summoning the authorities, particularly his long-suffering upstairs neighbor, Captain Nielsen; the ever faithful Algy also finds his wedding night disrupted by, among other things, some emergency code-breaking. And of course, there's a beautiful woman there's always a beautiful woman in this case, Gwen, who turns out to be the daughter of the dead man who started all this. Written by
Jon Reeves <email@example.com>
This is not only the best Bulldog Drummond film, it is simply one of the best series detective films ever made and I would even go so far as to say it is one of the ten best classic (e.g. pre-1950) detective films ever made. It is not a mystery in the sense that the perpetrator is evident from near the start of the film...the real mystery is why the crimes, including kidnapping and murder, are being committed (another crime is why until recently we have not been able to buy watchable home video copies!). The merits of this film are well stated by the late William K. Everson in his book "The Detective in Film" but for the record: the director Roy Del Ruth does a great job of keeping the action moving; the lively cast, including Ronald Colman, Loretta Young, C. Aubrey Smith, Charles Butterworth, Una Merkel, and of course, Warner Oland, is first-rate from top to bottom; the script by Nunnally Johnson is witty and intelligent; and its production values including fabulous sets like Oland's living room in his cavernous London mansion, are untouchable. This film, which is part screwball comedy as well as detective film, is in my view the only one which comes close to being as good as The Thin Man (1934) in weaving the two genres together. I can not believe there is anyone who thinks this is a bad film -- those who rate it low must be having a bad day or confusing it with the 1947 Columbia "B" remake of the same title with Ron Randall! It is too bad that copyright hassles have never made it available for television broadcast in North America; otherwise I think this would be a very well known and regarded film rather than one known mainly to die-hard genre specialists.
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