Priscilla Williams is a young girl traveling with her mother, Joyce, to join her paternal grandfather, a British army colonel, at the post he commands in northern India. Upon arrival, they ... See full summary »
C. Aubrey Smith
Ching-Ching gets lost in Shanghai and is befriended by American playboy Tommy Randall. She falls asleep in his car which winds up on a ship headed for America. Susan Parker, also on the ... See full summary »
Eddie Ellison is an ex-con who spent time in Sing-Sing prison. Kay marries him as soon as he serves his time. Five years later, Eddie and his ex-convict buddy Larry, have both gone straight... See full summary »
Shirley lives with a lighthouse keeper who rescued her when her parents drowned. A truant officer decides she should go to boarding school, but she's rescued by relatives. Buddy Ebsen dances "At The Codfish Ball" with Shirley.
Horse trainer Shawn O'Hara and his lovely niece, Margaret, come to America to escape the memory of an accident involving Margaret's brother, Danny. Working with thoroughbreds in Kentucky, ... See full summary »
Little Martha Jane, aka Little Miss Marker (Temple) is left with the bookmaker Sorrowful Jones by her dad as part of a bet on a horserace. Sorrowful (Menjou) and his group of fellow bookies... See full summary »
Dimples Appleby lives with the pick-pocket grandfather in 19th century New York City. She entertains the crowds while he works his racket. A rich lady makes it possible for the girl to go legit. "Uncle Tom's Cabin" is performed.
When a maid is accidentally hit by a car and killed, her young orphaned daughter is forced to live with the snooty couple she used to work for. A custody battle soon ensues between an aviator who adores the little girl and the couple's crotchety Uncle Ned. Written by
Daniel Bubbeo <email@example.com>
The aviators in the plane during the "On the Good Ship Lollipop" song sequence were all volunteers from the football team at the nearby University of Southern California. See more »
When Shirley is out with Joy giving their dolls buggy rides and Joy wants to operate on Shirley's doll, Shirley says she doesn't want Mary Lou to be operated on. But the doll she actually has is not the small one she named Mary Lou, it's the larger one named Lupee given to her by the aviators. See more »
Mrs. Elizabeth Higgins:
It's just a bit of a Christmas gift for Shirley.
You're so kind. I bought a few things for her, not very much of course. Things were different when her father was alive.
Mrs. Elizabeth Higgins:
Yes, the poor young fellow. But it must be a comfort to know you're doing all you can for her. She's such a sweet child. Not like that Joy. There's a brat if ever one lived.
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Rare is the scene in a Shirley Temple film where Curly Top is reduced to a mere spectator while another actor grabs the spotlight and runs screaming with it, but Bright Eyes has them in bunches! See Shirley gasp as human pit bull Jane Withers dismembers a doll before her very eyes! Tremble with fear as Shirley flees from her possessed playmate when their Santa Claus discussion takes a nasty turn! And if you think young Joy is a terror now, imagine how bad she'd be without psychoanalysis. In the movie's far too numerous non-Jane scenes, Shirley reverts to her old role as top banana with predictably charming results. No Shirley Temple film can really get rolling until her parents have been killed, so Mother is done in about half-way through, while Dad offs it before the opening credits, freeing our young pixie for another delightful custody battle. (By the way, do you suppose kids of the 1930's took a secret satisfaction in watching Shirley's parents get systematically rubbed out in every one of her movies? After all, her new parents were always a step up from the old ones; richer, prettier and usually much more fun. Life as an orphan might not have looked so bad to a depression-era tot after seeing a Shirley Temple picture.)
In conclusion, this movie is highly recommended for Shirley's fans and foes alike. Watch it for Shirley's smile or Jane's scowl, and stay tuned till the end. You won't want to miss the most satisfying closing shot in the history of cinema.
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