Shirley is the orphaned survivor of an Indian attack in the Canadian West. A Mountie and his girlfriend take her in. Everybody suffers further Indian attacks and the Mountie is saved from ... See full summary »
William A. Seiter,
Ching-Ching gets lost in Shanghai and is befriended by American playboy Tommy Randall. She falls asleep in his car which winds up on a ship headed for America. Susan Parker, also on the ... See full summary »
Eddie Ellison is an ex-con who spent time in Sing-Sing prison. Kay marries him as soon as he serves his time. Five years later, Eddie and his ex-convict buddy Larry, have both gone straight... See full summary »
Shirley Temple's father, a rebel officer, sneaks back to his rundown plantation to see his family and is arrested. A Yankee takes pity and sets up an escape. Everyone is captured and the ... See full summary »
Dimples Appleby lives with the pick-pocket grandfather in 19th century New York City. She entertains the crowds while he works his racket. A rich lady makes it possible for the girl to go legit. "Uncle Tom's Cabin" is performed.
After Southern belle Elizabeth Lloyd runs off to marry Yankee Jack Sherman, her father, a former Confederate colonel during the Civil War, vows to never speak to her again. Several years ... See full summary »
Little Martha Jane, aka Little Miss Marker (Temple) is left with the bookmaker Sorrowful Jones by her dad as part of a bet on a horserace. Sorrowful (Menjou) and his group of fellow bookies... See full summary »
Shirley lives with a lighthouse keeper who rescued her when her parents drowned. A truant officer decides she should go to boarding school, but she's rescued by relatives. Buddy Ebsen dances "At The Codfish Ball" with Shirley.
When a maid is accidentally hit by a car and killed, her young orphaned daughter is forced to live with the snooty couple she used to work for. A custody battle soon ensues between an aviator who adores the little girl and the couple's crotchety Uncle Ned. Written by
Daniel Bubbeo <firstname.lastname@example.org>
After filming was completed, director David Butler gave Shirley Temple the doll that had belonged to Jane Withers's character (which was much nicer than the one that belonged to Temple's own character). This was the beginning of Temple's doll collection, which would become famous. See more »
During the song "On the Good Ship Lollipop" while the plane is taxiing you can see the edge of the screen where they are projecting the outside. This is most obvious when she sings the line "...and there you are..." just after "Cracker Jack Bands fill the air" the first time. See more »
[with practicing piano]
One and two and three and. One and two and three and. One and two and three and. One and two and...
Uncle Ned Smith:
Stop it! One and two and three and. One and two- is that all you know?
[runs to her mother]
Uncle Ned Smith:
Mama! Mama! It's a good thing I am not your mama. That's enough to drive a man crazy. Things better be a little different around here or you're gonna see the last of me.
See more »
Jane Withers, at age four, started as one of the deep South's most popular radio stars on Aunt Sally's Kiddy Club. She was so small she had to be lifted up to reach the microphone. She was the mischief-maker of the Kiddy Club program, called "The Little Pest". Like Mitzi Green, she had an uncanny ability to imitate the voices and facial expressions of actors, actresses and other people, something she learned playing with the mirror. On stage by age five, she became a famous actress throughout the South, finally moving to Hollywood at five-and-a-half. In Hollywood, Jane began by playing in a weekly radio-revue and gave numerous stage performances for beneficial organizations.
"Bright Eyes" was Jane's first credited movie role and led to a long-term contract with Twentieth Century-Fox. She stared in numerous movies of the thirties, and was Shirley Temple's main competition. Jane was one of the great child actresses of all times, very popular with the children of her era, and after watching Shirley's goodie two-shoes act in Bright Eyes playing against Jane's power-house comedy performance, I can see why. Shirley Temple was her usual cute, sugar-coated, man-worshiping self with everyone giggling politely at her jokes except the audience. In contrast, Jane Withers had my daughter and I laughing our heads off until we had stomach-aches. Jane in Bright Eyes was bratty, adorable and hilarously funny. Her brat act has seldom, if ever, been equaled in the annals of film.
It is really a shame, and I hope the studios who own Jane Withers' many films as a child take note, that Bright Eyes is the only Jane Withers performance to survive to contemporary video. What ever happened to her movies "Ginger", Paddy O'Day", "Gentle Julia", "Little Miss Nobody", "Can This be Dixie?" and "Pepper"? In a published chat-room article Jane, who is still very much alive, says that she will eventually finish her book on her child star days. Like the kids of Our Gang, she remembers a fun, privileged childhood and has nothing in the way of sob stories. Let's hope that the studios will stop suppressing her films and release them on video soon, perhaps coinciding with her book.
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