Letty, a young woman who ended up pregnant, unmarried and on the streets at fifteen is bitter and determined that her child will not grow up to be taken advantage of. Letty teaches her ...
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The switchboard operator in an apartment building falls in love with a businessman who lives in the building, whom she has gotten to know only over the phone. When she discovers that the ... See full summary »
Edward Everett Horton
Dr. Maurice Lamar is a noted plastic-surgeon who makes his rich clients beautiful, and also makes them. He makes Eve Caron, the wife of Marcel Caron, so satisfied with his skilled hands ... See full summary »
Escaping to England from a French embezzlement charge, widower Henry Scarlett is accompanied by daughter Sylvia who, to avoid detection, "disguises" herself as a boy, "Sylvester." They are ... See full summary »
Letty, a young woman who ended up pregnant, unmarried and on the streets at fifteen is bitter and determined that her child will not grow up to be taken advantage of. Letty teaches her child to lie, steal, cheat and anything else he'll need to be street smart. We meet Letty when Mickey is 7-1/2. Mal enters the picture when his truck and Mickey, who is hanging on to the back of a delivery truck and being pulled along the streets on his roller skates, collide. Mickey is not injured badly, but when Letty discovers that Mal is rich, she concocts a scheme to take Mal to the cleaners. When her plot is uncovered, Letty is also discovered for the unfit parent that she is, and Mickey is taken away from her. Mal and his wife Alice, unable to have children of their own, take Mickey in and give him a father's love, a true mother's love, and a home he can call his own. Letty is jealous of Mickey's growing attachment to these two good people and she still sees Mal as a ticket to riches. Letty ... Written by
The film ran into censorship problems from the start, mainly from the character portrayed by Loretta Young and the skimpy clothes she wore. It was rejected twice by the Hays office before it was finally given an approval certificate, after several cuts and retakes (and all this before the Production Code was more rigorously enforced). Sidney Lanfield directed retakes on 10 November 1933 because director Lowell Sherman was on vacation; other retakes were made early in 1934. In 1935, the film was on a list at the Hays Office, of those films whose release should be halted, but it is not known if any action was ever taken. See more »
This flawed second feature -- about a beautiful floozy, her streetwise little boy, and the millionaire who comes to their aid -- sustains interest only thanks to the attractive stars. Young, with her huge eyes and dazzling smile, has the aura of Joan Crawford in her "Dance, Fools, Dance" period, while Grant, who was 30 when this was made, has not yet fully matured into the character we know from the second half of the 1930s. The story, despite its implausibility, is not unappealing; it is pleasant to imagine oneself being a slum-kid one day and being invited to live with Cary Grant and his affectionate wife the next. The screenplay is oddly structured; the story begins with Young being admired by an odd trio that looks as if it wandered off from the set of "Dinner At Eight" and whom we never see again, and the picture ends just as abruptly. Still, not a bad way to spend 65 minutes.
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