Letty, a young woman who ended up pregnant, unmarried and on the streets at fifteen is bitter and determined that her child will not grow up to be taken advantage of. Letty teaches her ... See full summary »
While out riding in the country, wealthy New Yorker Alec Walker meets young widow Julie Eden, and a relationship quickly develops. However, Alec has not told her that he is already locked ... See full summary »
The fictionalized biography of composer Cole Porter from his days at Yale in the 1910s through the height of his success to the 1940s. The film's attempted biography matches many public ... See full summary »
Husband and wife Americans Dr. Eugene and Mrs. Helen Ferguson - he a renowned neurosurgeon - are traveling through Latin America for a vacation. When they make the decision to return to New... See full summary »
Letty, a young woman who ended up pregnant, unmarried and on the streets at fifteen is bitter and determined that her child will not grow up to be taken advantage of. Letty teaches her child to lie, steal, cheat and anything else he'll need to be street smart. We meet Letty when Mickey is 7-1/2. Mal enters the picture when his truck and Mickey, who is hanging on to the back of a delivery truck and being pulled along the streets on his roller skates, collide. Mickey is not injured badly, but when Letty discovers that Mal is rich, she concocts a scheme to take Mal to the cleaners. When her plot is uncovered, Letty is also discovered for the unfit parent that she is, and Mickey is taken away from her. Mal and his wife Alice, unable to have children of their own, take Mickey in and give him a father's love, a true mother's love, and a home he can call his own. Letty is jealous of Mickey's growing attachment to these two good people and she still sees Mal as a ticket to riches. Letty ... Written by
This flawed second feature -- about a beautiful floozy, her streetwise little boy, and the millionaire who comes to their aid -- sustains interest only thanks to the attractive stars. Young, with her huge eyes and dazzling smile, has the aura of Joan Crawford in her "Dance, Fools, Dance" period, while Grant, who was 30 when this was made, has not yet fully matured into the character we know from the second half of the 1930s. The story, despite its implausibility, is not unappealing; it is pleasant to imagine oneself being a slum-kid one day and being invited to live with Cary Grant and his affectionate wife the next. The screenplay is oddly structured; the story begins with Young being admired by an odd trio that looks as if it wandered off from the set of "Dinner At Eight" and whom we never see again, and the picture ends just as abruptly. Still, not a bad way to spend 65 minutes.
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