This is the story of an egotistical nightclub dance performer named Raoul, his determination to succeed at all costs, and the only woman in his life that truly matters to him, a dancing ...
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This is the story of an egotistical nightclub dance performer named Raoul, his determination to succeed at all costs, and the only woman in his life that truly matters to him, a dancing partner named Helen. (The highlight of the film is a dance performed atop a circular stage to a truncated version of Ravel's "Bolero.") Written by
Eugene Kim <email@example.com>
Before starting in films, George Raft was a taxi dancer in New York, dancing with women at clubs for the proverbial "ten cents a dance". He was adept at all kinds of dance steps, including Spanish-style, which made his role in this film perfect for him. BTW, one of his fellow dancers was a young Italian immigrant named Rudolph Valentino. See more »
I'm tired of dancing with you while you screw your face out of shape for the benefit of every dame, while I go home with an old relic because I can't afford to go home without him.
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This is really quite a remarkable movie, folks, and one that I strongly urge you to see.
Why? Because of the dancing? Not so much. But because Raft and Lombard give two very fine performances here, and have real chemistry. (Could it have been hard to have chemistry with Lombard????) The script is more than just the series of clichés one might expect, and the characters have real complexity.
And then there is Sally Rand's fan dance. It is truly very beautiful to watch. There isn't much to the rest of her role, but her 3 minutes dancing are more than worth the price of admission.
This is, in a sense, the original "Dirty Dancing". And it's a great predecessor to that other movie. Before Astaire and Rodgers, and the Hayes Office, we see what dancing could also be used to suggest, and it's quite exciting.
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