After investigating an S.O.S. signal on a near-by world, the crew of an industrial spacecraft must fight for survival when a highly aggressive bioform is born in the ship and begins hunting them one by one.
Edmund and Dorothy Yates are freed after fifteen years in an asylum. Edmund covers up for his wife who is a murderer and a cannibal and Dorothy's daughter Debbie and stepdaughter Jackie, ... See full summary »
A musician witnesses the murder of a famous psychic, and then teams up with a fiesty reporter to find the killer while evading attempts on their lives by the unseen killer bent on keeping a dark secret buried.
Based on the Ed Gein case, a deranged rural farmer becomes a grave robber and murderer after the death of his possessive mother whom he keeps her corpse, among others, as his companions in his decaying farmhouse
Honeymooning in Hungary, Joan and Peter Allison share their train compartment with Dr. Vitus Verdegast, a courtly but tragic man who is returning to the remains of the town he defended before becoming a prisoner of war for fifteen years. When their hotel-bound bus crashes in a mountain storm and Joan is injured, the travellers seek refuge in the home, built fortress-like upon the site of a bloody battlefield, of famed architect Hjalmar Poelzig. There, cat-phobic Verdegast learns his wife's fate, grieves for his lost daughter, and must play a game of chess for Allison's life. Written by
Sister Grimm <firstname.lastname@example.org>
The first film collaboration of Bela Lugosi and Boris Karloff, who at the time were unquestionably the two biggest stars of horror film. Despite rumors that the two stars were personally very competitive, this marked the beginning of a pleasant working relationship between the two. While Lugosi and Karloff never became close personal friends, they were quite amicable to each other and enjoyed working together. See more »
One of the women in Poelzig's glass coffins visibly moves while he is admiring her. See more »
[looking over Joan's passport]
Mr. and Mrs. Alison, Car 96, Compartment F. Orient Express, Budapest, Visegrad.
See more »
I can't imaging how this movie would have been without both Bela Lugosi and Boris Karloff, probably very very bad. The chemistry between the two is amazing.
This is one of those movies in which the story absolutely doesn't matter. The story is totally absurd and very simple (The black cat storyline has absolutely nothing to do with the movie and serves no purpose at all) but yet that is what maybe makes this movie extremely fun and easy to watch.
Watching this movie made me realize something; Bela Lugosi actually was a very good actor that was ahead of his time. The way he delivers his lines and his eye for details shows that acting was a great passion for him. Yes I think I can now be considered one of his fans.
Another great thing were the sets that were wonderful and even now 70 years later they still look very modern.
Don't expect a movie with ghouls and monsters, it rather is more fun to watch then it is scary and the Lugosi/Karloff combination is what makes this movie a real classic.
15 of 18 people found this review helpful.
Was this review helpful to you?